Chapter 288 Film and Television Zone Team Building Project
Speaking of which, Xu Xiyu went to watch "Kurst" because he saw some online video clips of Jia Bing's Xu Jiang.
This role, played by Jia Bing, is really hilarious.
Moreover, there are some memes that Blue Star doesn’t have.
For example, the sentence "Sit at the same table with the children for meals in the future."
Xu Xiyu is looking forward to how everyone will react when these things appear in Blue Star.
It can be said that the role of Xu Jiang attracted a considerable number of viewers for "Kurst", and he was a very good marketing subject in the early stage.
Therefore, in order to ensure that the Blue Star version of Xujiang can achieve the same effects and laughs as the original version.
Xu Xiyu took advantage of his opportunity to attend the Spring Festival Gala and found a comedian comparable to Jia Bing to play this role.
Based on these preparations, Xu Xiyu did not pay attention to whether "Pengcheng Thirty Years Old" and "Qin Palace Singing" would be updated at all.
Rather than focusing on this, it’s better to look at the related content of "Hurricane".
Don't tell me yet.
After Xu Xiyu finished washing, he found that in Station D, a bunch of bloggers from the film and television area had already made second-generation videos related to "Hurry Up".
Just click on any video and the playback volume will be very good.
Moreover, among the high praise comments, there must be something like "The film and television area is having team building again, why don't you thank Mr. Dan?" (dog head)] comments.
In addition, some Gandi not only made a second creation video, but also directly made four episodes of interpretation.
More than an hour of video, I don’t know how I made it in one night.
Xu Xiyu was so moved that she decided to engage in prostitution for free. By the way, she clicked on this video called [Take you to understand why the first four episodes of "Hurry Up" are wonderful in one go] and watched it, which increased the number of views for the blogger.
As I said before, the first 12 episodes of "Hurry Up" are a complete plot stage.
If we want to break down the 12 episodes, the first four episodes are a relatively complete story chapter.
Apparently, this blogger also discovered this.
I saw him speaking in conjunction with the edited video: "In the first four episodes of "Crazy", the two story lines of An Xin and Gao Qiqiang were intertwined.
One story line is about Gao Qiqiang pulling An Xin's banner, dealing with various temptations from the Tang brothers, finally solving the problem of the video store, and establishing prestige in the Jiuchang Street market.
Another story line is about An Xin investigating the Huang Cuicui case, and was later assigned to the undercover Crazy Donkey team. The undercover identity was informed by the spy, and he almost died at sea.
One of the great things about "Rush" is that these two story lines reflect each other. In layman's terms, when Gao Qiqiang is facing a crisis, An Xin is also going through a test.
I think the screenwriter definitely hopes to cross-shape the identities, backgrounds and personalities of An Xin and Gao Qiqiang through tests and crises.
Judging from the plot setting, An Xin's test was much more dangerous than Gao Qiqiang's.
Therefore, if it were an ordinary creative director, it would be easy for Gao Qiqiang to be too thin and overemphasize the male protagonist An Xin..."
Hearing this, Xu Xiyu couldn't help but burst into laughter.
Is it okay for Gao Qiqiang to be thin?
However, this blogger is right about one thing. The screenwriter did set up a cross-reflection crisis for An Xin and Gao Qiqiang.
Moreover, the crisis on Anxin's side is even more serious.
After all, he nearly died several times in the first four episodes.
Therefore, it stands to reason that the tension of the crisis on Anxin's side should be stronger.
But judging from the results, in the original drama, the tense atmosphere of Gao Qiqiang's story line was better.
As for An Xin, anyone who has watched the show knows that if you say something unpleasant, it's like a joke.
And the reason for this situation is really not the screenwriter's problem.
It is a problem between the director and the actors. The director failed to express the crisis that the screenwriter set for An Xin in the text and in audio-visual language well.
At the same time, the actors failed to set enough small details for the characters to show their personalities.
The blogger's video continued, and he mixed and edited different clips to explain: "Let's first talk about why Gao Qiqiang's character is so vivid.
Here are a few examples. For example, in the second episode, the Tang brothers had a conflict with Gao Qiqiang in the vegetable market and discovered that An Xin was An Changlin's nephew.
Choosing to come to Gao Qiqiang's door was partly to apologize, and partly to test the relationship between Gao Qiqiang and An Xin.
The two of them were waiting in front of Gao Qiqiang's house. When Gao Qiqiang came over and saw the two of them, the camera gave a close-up of Gao Qiqiang's hand.
Here, Gao Qiqiang clamped the car key on his finger and made a simple finger tiger..."
When the blogger said this, he paused the screen and circled it in red.
Immediately afterwards, he continued: "Including when he was testing each other with the Tang brothers later, Gao Qiqiang, who was in a state of nervousness and high-speed thinking, would pretend to eat melon seeds naturally.
This is using big gestures to hide his true emotions, which is a common method used by many people when they are nervous, so it appears to be extremely life-like.
In addition, there is a scene that impressed me deeply. When he was in the video store, he was sitting on a chair, smoking with one hand and putting the other hand behind his back.
The camera deliberately went behind him, giving a close-up of his palms that were so nervous that they were shaking.
To sum up, the creators of the series used various unique lens languages and detailed designs to make Gao Qiqiang's various emotions quite tense and very real.
All we can say is, our dear Mr. Dan, we have found a treasure this time. It will be damned if this drama doesn’t explode..."
As soon as these words came out, the screen was full of barrage [Ah Dan: I really found a treasure now, I made a profit]
[A Bao: Now I really picked up the egg and made a profit]
[Azhuan: This time I really found a treasure, I’m so excited]
These nerve-wracking barrages made Xu Xiyu laugh so hard that he couldn't help but laugh.
He suddenly remembered that Zhang Wenyan called him last night and thanked him repeatedly, saying that if it weren't for him, he wouldn't be able to play such a brilliant role.
He also said that the promotion of the live-action drama will start soon. During the interview, he must explain Xu Xiyu's guidance and dedication to "Kurst" to all viewers.
His words were sincere and his tone sincere, making Xu Xiyu feel a little embarrassed to express his stance.
But then again, Gao Qiqiang's reality and three-dimensionality are indeed built up through Xu Xiyu's pile of details.
Because of his "inviting ideas", other actors and creators were encouraged to use their initiative and produce more content. Rather than saying that because Gao Qiqiang is a villain, he must be more three-dimensional than the decent ones. This theory is very nonsense.
In contrast to An Xin, it's hard to remember anything special about this character.
Except for his inexplicable accent inherited from "Chicken Feathers Flying to the Sky".
Of course, some people say that only a lonely person like An Xin, who has no desires or desires, can fight against the forces of darkness. This is a way of expressing respect.
There are so many anti-gang and anti-corruption cases in reality. Could it be possible that they are all done by orphans who have no desires or desires?
To put it bluntly, even if it were all done by orphans, we cannot do this in drama creation.
Because the audience will only be moved by the sacrifice of a flesh-and-blood person.
A "god" without weaknesses.
As a human audience, how can we resonate?
Thinking of this, Xu Xiyu continued to focus on the video.
The blogger also started telling An Xin's story line.
"Let's talk about why An Xin is outstanding. It's still the second episode. An Xin and Li Xiang visited the rental house to investigate the Huang Cuicui case. They found someone in the house, and a chase scene followed.
Finally, when the chase reached a crowd, the man fired a grenade. Although the grenade was fake, no one knew it at the time.
Without knowing it, An Xin pounced on it without hesitation. Here we make a simple pull tab.
Detailed breakdown of this plot, how the director arranged the shots to create tension and bring out An Xin’s life experience..."
Hearing this, Xu Xiyu thought of the original treatment method again.
In the original drama, An Xin's initial emotion was confusion, which was okay because the incident happened suddenly.
Then there are several panoramic shots of the panic surrounding the crowd, which is problematic.
According to the language of the camera, after giving a panoramic view, you should give close-ups of the panic of the crowd. It is best to make a few people trip and fall, so that the sense of panic will be much stronger.
Of course, that's not the real problem.
The real problem is that after An Xin pounced on him, his expression was still confused.
Then the scene cuts directly to the police station, where Zhang Biao asks An Xin, "Did you already know that this grenade was fake?"
An Xin's answer was: "I pounced on him and crushed him, so I knew it was probably a firecracker."
The plot and lines of this scene are actually fine.
But neither the filming nor the acting were good.
A plot that faced life and death failed to create any content about An Xin.
It can even be said that the plot of throwing a grenade gave the audience less emotion than Gao Qiqiang carrying mantis shrimps in front of the police station looking for An Xin, who couldn't find it.
You know, in film and television dramas, the best time to portray the protagonist is when encountering a crisis.
The sense of urgency created by the crisis forces the protagonist to make a decision. Then make choices to emphasize the protagonist's character and behavior.
The screenwriter gave An Xin several crises in the first four episodes.
The first time, throwing a grenade.
The second time, he was hung up by a crazy donkey to test his identity.
The third time, he was taken to kill someone by the crazy donkey to verify his identity for the second time.
The fourth time, while working as an undercover agent, I met Meng Yu at KTV.
The fifth time, I was given poison at sea and almost died.
There were more crises than Gao Qiqiang's, but the audience was stunned that they could not feel any emotion or content during the crisis, except for the part where they were given poison, which was a little bit less.
Especially the third time, when Crazy Donkey took him to kill people, Xu Xiyu really made Xu Xiyu laugh.
In the original version, An Xin was pretending to behead at every corner, while Crazy Donkey was watching from afar, with no intention of going forward to "check".
Whenever Crazy Donkey makes a move to check, the tension rises instantly.
Because An Xin couldn't kill anyone.
Isn't this plot more dangerous than Gao Qiqiang's temptation to face the Tang brothers?
Such a dangerous plot is just used to highlight An Xin's quick wit and character. Unfortunately, the original drama failed to do this.
Forget it.
Later, when An Xin was on the conveyor belt, she was still discussing with people, saying, "I'll kick you, and you run away."
After saying that, he shouted to the crazy donkey, "Brother, I can't swallow this breath." Balabala.
This section is even more heavyweight.
You know, the prerequisite for An Xin to be brought in by the crazy donkey to kill people was the result of a severe beating he received.
At that time, we were facing a real life-and-death crisis, but we managed to withstand the beating and managed to sneak into Crazy Donkey's team.
When he stabbed someone here, he first blatantly faked the beating and then discussed it with the person. Is he really not afraid of being exposed?
How could such childish play make the audience nervous?
How to make the audience feel the criticality of the situation?
If the situation is not critical, how can An Xin's abilities be demonstrated?
To sum up, what Xu Xiyu modified was actually the way An Xin behaved when facing these five crises, not drastic changes to the plot.
Of course, the last paragraph, where An Xin was rescued and returned to the hospital, has been changed a lot.
In the original version, An Xin's fault for not arresting anyone was attributed to himself, as he was unaware of the problems of "inside ghosts" and "corruption in Beijing and overseas officialdom".
This made his subsequent treatment of Zhao Lidong inappropriate.
Logically speaking, he must first be aware of Jinghai's current problems and realize the strength of the enemy for the first time in this crisis where he almost died.
Then in the face of strength, you still make the choice to stick to justice, so that people can be moved.
Instead of looking like a single-minded idiot like the original version.
And this blogger happened to give three examples in his video: fighting bombs, killing people, and coming back from the hospital.
(End of chapter)