In fact, if we want to put all the gains in cultural undertakings, Ning Weimin's achievements this year are of course far more than that.
After all, as the saying goes, husband and wife are one.
Therefore, in addition to the money earned from industrial art and domestic film and television dramas in Japan, Keiko Matsumoto's personal career is of course closely related to him. Especially since he is deeply involved in making plans, it can be regarded as an integral part of his personal career. An extension.
And it has to be said that 1987 was a lucky year for them.
Because in fact, neither Ning Weimin nor Matsumoto Keiko, no one expected that a 250-year-old like Ikkio Sufang would appear at the end of the year. They believed in the promise of the Asian Sugar King family and foolishly competed with them.
In the end, after a series of battles, Zhou Fangyuxiong couldn't get any benefits.
Not only did Ning Weimin and Matsumoto Keiko take advantage of this matter to take over Taurus Palace and Burning Entertainment Agency.
And this guy can't help but beat him.
Ning Weimin was not allowed to really fight back, so he jumped into the "wheel of the times" and was "crushed to death".
Like a toad seeking death just to make others laugh.
It can be said that if you act obscenely, you will die a despicable death.
But outsiders don't know the inside story.
After Shu Fang Ikuo's death, in view of his majesty during his lifetime, as well as the wonderful counterattack performance of Haifu Studio, and the god-level revelations of secretly photographed evidence.
A rumor began to circulate in the Japanese entertainment industry. It was said that Kiri Productions also used secret photography to get a handle on Yasuko Sawaguchi's life. They used Sawaguchi to perform a beauty trick to send Ikuo Shubo back to the West on the condition that his felony be converted into a misdemeanor. .
In the end, Lian Zekou was sent to prison, killing two birds with one stone and completing the perfect revenge.
Anyway, regardless of whether the logic is self-consistent, many people firmly believe in it.
After all, no one who had expressed hostility to Matsumoto Keiko before had any good consequences.
Whether it was the famous director, the cast members, or the media reporters, they were all in bad luck.
Now that Ikuo Subo, the leader of the "Japanese entertainment industry" has lost his life, even Keiko Matsumoto held a press conference to clarify herself and explained that it had nothing to do with her, no one believed her anymore.
Nowadays, the Japanese entertainment industry is a bit afraid of Matsumoto Keiko. Even with these examples, no one wants to go against her again.
What's more, after bringing the two companies Taurus Palace and Burning Arts into the bag, Matsumoto Keiko's strength has greatly increased, and her status in the industry is now very different.
Now she is more than just the owner of a movie studio.
Instead, she has become a real industry giant with film and television production, music production and distribution capabilities, and has many artist contracts and music copyrights. No entertainment agency can ignore her.
Although in terms of asset size, she cannot compare with the "Big Five" veterans in the film industry.
But compared with those TV entertainment agencies, she is a lot bigger and a level better.
Even entertainment agencies of the size of Johnny's and Yanyin cannot compare with her.
It is not impossible to count her as the "sixth greatest" in the film industry.
The key is that she has no shortcomings in her career, which is terrible.
As an actress who came from the film industry, she is a natural ally with Shochiku Films, which cultivated her, and she will never be excluded by the "big five" in the film industry.
Now it has absorbed the power of Burning Entertainment Agency, and with the signed contract, it has a foothold in TV program resources.
In addition, she has funds and production capabilities, and in the film, television, drama and music industries, she has contracts with first-line stars such as Miura Yuka, Teresa Teng, Koizumi Kyoko, Go Yumi, Nagayama Yoko, as well as countless of those in the burning series Many second- and third-tier stars and entertainers.
The original defect of a shallow root system was immediately made up for.
Over time, if she completely digests and absorbs the power of the Combustion Department and the Taurus Palace, and then adds some fresh blood into her system, who among the "Four Super" entertainment agencies in the TV Department can compete with her?
Therefore, Keiko Matsumoto has indeed become the most famous woman in the Japanese entertainment industry.
Not only most actors, models, singers, producers, and directors will greet her with respect and smiles when they see her.
Even the heads of the "Big Five" in the film industry, the bosses of various entertainment agencies, and the top executives of TV stations cannot underestimate her.
Regardless of whether you are willing or not, you must give full respect in person and acknowledge that the other party is entitled to share the pork.
Otherwise, NHK TV station would not take the initiative to invite Matsumoto Keiko and Teresa Teng to participate in this year's Red and White Song Concert just to repair the relationship.
Although Matsumoto Keiko gave up this opportunity to the original combustion artist Kyoko Koizumi, she was still grateful and grateful.
This move undoubtedly proves that NHK is showing goodwill to her. Therefore, it is not impossible to sit down and discuss the terms with NHK due to the grievances caused by the change of roles.
Of course, no matter what, all these advantages are still not enough to ensure that Keiko Matsumoto can continue to strengthen herself and develop her career smoothly as she wishes.
After all, there are also huge risks in the entertainment industry. If the investment is not careful, one misstep may completely collapse the business.
Otherwise, the "Big Five" would not invest less and less in making movies, and would become less and less interested in making big-budget movies.
Except for music albums, those TV entertainment agencies do not touch the production of film and television dramas at all, because they are afraid that huge investments will bring huge losses.
And whether it's a film or television drama or the music industry, in the end, excellent works will speak for themselves.
Without the prosperity of good works, no matter how prosperous it is, it will only be temporary, just like a building built with sand.
But the problem is that with the help of Ning Weimin, Matsumoto Keiko doesn't have to worry about these two problems at all, which is quite scary.
Not to mention anything else, first of all, no one can compare with Keiko Matsumoto in terms of financial advantages.
It’s not that other peers are not as rich as her, it’s that they really can’t make money like her.
You must know that Ning Weimin, the "travel stock god", must inform his wife as soon as possible without reservation when it is time to enter the market to buy the bottom.
So let’s not forget that Matsumoto Keiko spent nearly 9 billion yen to buy Taurus Palace and Burning Entertainment with the 15.2 billion principal raised through bank loans.
But after she spent the money, she quickly asked Watanabe to invest the remaining six billion in the stock market.
According to Ning Weimin's instructions, allocate double the capital to hunt for the bottom.
Sure enough, it soon started to rise, and as long as it was a win, it now has a stock market value of 21 billion yen.
The money spent will come back easily. This kind of speed of making money is equivalent to cheating. The stock market is completely used as a cash machine. No entertainment agency or studio can compare with it.
If you also include the cooperation between Fog Studios, Shochiku Pictures and some independent theaters, the box office generated by the French film library will be included.
In addition to the benefits created by Matsumoto Office and Taurus through artists and copyrights at the end of the year, the funds she currently has at her disposal are nearly 22.4 billion yen.
Such a large sum of money is enough to make twenty major productions, so what else is there to worry about?
So Matsumoto Keiko has asked Okamoto Akira to start preparations for the next movie "The Wandering Princess" in advance.
This historical-themed movie was made to satisfy Fu Jie's wish and was based on the legacy and diary materials of Saga Hiroshi, who just passed away this year. According to Ning Weimin's plan, he will definitely be able to take advantage of the huge sales of "The Last Emperor" filmed by Italian director Bernardo Bertolucci.
Therefore, this movie will still be directed by Yoshitaro Nomura, the script will be written by Shinobu Hashimoto, and it will cooperate with the three major film studios in the Republic.
And since it is expected to be a big scene and require more props, the budget is naturally higher than that of "Li Xianglan".
Akira Okamoto's rough calculation of the production cost is about 1.5 billion yen.
In response, Matsumoto Keiko signed and approved it without saying a word, and even generously prepared two more movies with a slightly smaller budget.
There is also a movie "The Bodyguard" with Yuka Miura as the male protagonist and Teresa Teng as the female protagonist, with an estimated investment of one billion yen.
The other is a love movie "The Love of Ghosts" with the handsome old man Utsui Ken as the male protagonist. The investment is expected to be 700 million yen.
Yes, that’s right, the ideas for both movies were plagiarized by Ning Weimin from American blockbuster movies.
This may be his unique bad taste.
As a time traveler, Ning Weimin actually doesn't care at all whether these two movies are a hit or not. What he cares more about is that the two blockbuster movies that originally belonged to Hollywood in the United States disappeared and he replaced them with fakes.
In this case, "if there is any similarity" it is not a coincidence.
He will definitely use legal weapons to sue the villain first, so that Hollywood will bleed once and for all.
Don't talk nonsense, plagiarism is plagiarism.
Either you admit that the American franc does not protect cultural property rights, or you honestly pay compensation.
Don't say it's useless, everything else is bullshit!
And it has to be said that three films were suddenly scheduled by Fog Studios, and even the film with the smallest budget was considered a big production by other film companies.
This kind of shooting plan is undoubtedly of great benefit to the emotional stability of the artists in Matsumoto Keiko's agency. No matter how impetuous people are, they feel at ease.
Because what are artists most afraid of?
Isn't it just that there is no chance to get ahead?
Not only is Miura Tomokazu happy now, he finally has the opportunity to try to transform, and he can also be a tough action movie actor, which really makes him excited.
Even Utsui Ken was overjoyed.
In fact, he didn't expect that Fog Studios would actually keep its word and be willing to let him, an old actor who had basically transformed into a prime supporting role, return to the main role, and he was even more grateful to the new owner.
Even newcomers and unknown artists are happy together.
Their most direct thought is that the boss is really not short of money.
Since there are so many movies to be made, it is to take care of their own people. How can they get a role with a few lines and a role? This is all an opportunity.
In addition, what is even more surprising is that as the new year approaches, Wu Studio has achieved another breakthrough in the filming of TV series.
After the filming of "Black Leather Notepad" was just completed, it will be broadcast on TBS TV station at 9pm prime time on December 4th.
This is the best time slot offered by the TBS director as an apology and compensation, a prime time slot on weekends.
As a result, the first episode premiered, and it got off to a good start - an astonishing average time-sharing ratings of 27.01%.
It is completely worthy of the super luxurious cast and the good time slot of TBS.
You know, most TV series with a luxurious lineup, even if they have the advantage of prime time, the first-run ratings are usually only 189%. If they can exceed 20%, they are considered excellent, and if they exceed 25%, they are considered excellent. It is extremely rare.
This undoubtedly means that the audience has extraordinary expectations and satisfaction for this TV series adapted from Matsumoto Seicho's masterpiece and starring many first-line actors.
According to Ning Weimin, it is not meaningless to have so many troubles ahead.
Quality assurance stations have become a bonus for ratings and increased audience attention.
The rest depends on whether it can maintain this advantage. As long as the ratings do not collapse later, it will be a victory. It will basically be a 100% hit drama this year.
Sure enough, in the next day's newspapers, almost all theater critics from various media outlets gave positive reviews.
Although "Black Leather Notepad" has only aired one episode, because Seicho Matsumoto has a large readership and this is a well-known work, the plot direction can already be discussed.
Many people are satisfied with the fact that the heroine Motoko's greed for money is attributed to repaying the debts of her deceased parents.
And Andao accidentally saved Motoko from the robbers, so it was quite unexpected that the two met.
Most opinions believe that this partial change makes the hero and heroine seem less hateful, and they have more expectations for the subsequent plot development.
In addition, the most talked about part of this drama is Matsumoto Keiko's role as Mama-san, which is simply beautiful.
It fully demonstrated the overwhelming beauty, making the whole drama look very convincing.
Even the theater critics of the neutral faction did not criticize this aspect.
Without exception, they were all captivated by Keiko Matsumoto's grace in the play, and their praises were overwhelming. I highly recommend the audience to watch the play.
I think the last scene of the first episode alone, where Keiko Matsumoto puts on Mama-san’s kimono, is so stunning that this drama is worth following.
It can be said that the director truly captured the beauty of Ginza Mama-san, making this drama very convincing and beyond doubt.
The only worry is that they feel that a new problem has arisen - this drama may become a one-man show by Keiko Matsumoto!
The individual performance was just too good.
Fortunately, the other actors are also big-name stars, otherwise it would be difficult to believe that the performances of other people behind her could balance hers.
Of course, at the same time, they also recognized Wu's production capabilities in filming TV series, and believed that the series was one of the rare masterpieces in recent years in terms of the exquisiteness of its shooting.
Even people from the cultural circles joined in the fun. Generally speaking, these people look down on "shallow fast-selling works" such as TV series.
But this time is different, because it is the work of Seicho Matsumoto, and many people who make a living by writing have unanimously praised it.
Even Matsumoto Seicho, a bad old man, called privately to express his congratulations to Matsumoto Keiko.
This old guy said that he completely fell in love with Matsumoto Keiko's peerless appearance, praising her Haraguchi Motoko for her "beauty and style that cannot be described in words and words", which is more impressive than the prototype character he painted. Deep memory.
I am "amazed" that Fog Studios can produce such a work.
Needless to say, even though the first episode has only been released, being able to get so much recognition from all parties, including the original author, is enough to make Matsumoto Keiko let go of her hanging heart.
What's more, Ning Weimin soon told her another piece of good news, saying that the Republic of China had agreed in principle to pass the review of the Japanese drama "Black Leather Notepad" and agree to broadcast it, so that translation work could begin in China. (End of chapter)