Chapter 450 Daniel
In fact, Zhou Zhi really doesn’t need that much time to learn. For example, English, after the vocabulary reaches 10,000, it has basically formed an unforgettable vocabulary. Memory, even if you haven't had much contact with it for more than ten years, can still be used at any time.
It is more about test-taking routines, because many native-speaking foreigners also fail when they take the college entrance examination questions.
The same is true for geography, history, and Chinese. After a large web is woven, it can basically be related and linked. If you grasp a point, you can pull out a large piece, which is also unforgettable.
And the net in Zhou Zhi’s mind is much bigger than the net that high school students need to use to cope with the college entrance examination.
This means that the knowledge system has been formed, and it "does what one wants without going beyond the rules."
Even if you forget occasionally, go through the subject mind map regularly to solidify it again.
So what Zhouzhi needs to continuously consolidate is mathematics, and politics, which constantly adjusts and adds fresh content.
In fact, there is no science in high school politics. The evolution of human politics is far behind the evolution of science and technology.
In other words, a common saying among conservatives is, “It’s all leftover from our ancestors’ fun.”
The meaning of this sentence for Zhou Zhi is to look at politics through history, and the subject of politics has been added to the big network of that kind of thinking and has become a part of it.
So the study of some content in high school fell to Zhou Zhi. In the end, it was just a process of watching news broadcasts and brushing up on math problems.
The reason why Zhou Zhi is still able to crush his classmates is because Zhou Zhi's knowledge reserve in many subjects has far exceeded the level expected in high school.
But this does not mean that Zhou Zhi is idle. On the contrary, he is very busy.
The calligraphy and painting restoration course is also a process of appreciating calligraphy and painting, and a learning process of Chinese art history.
"The four major landscape painters during the Five Dynasties were Jing Hao, Guan Tong, Dong Yuan, and Ju Ran."
"Jing Hao and Guan Tong mainly painted real scenes in the Central Plains, so they were called the Northern School."
"Of the four Among them, Jing Hao is the first. In addition to being a painter, he is also a theorist. He has unique achievements in landscape painting techniques and is a great painter who has contributed to the history of ancient Chinese art. "
Guan Tong is Jing Tong. Hao's disciple. His achievements in painting surpassed those of his teachers and created his own unique artistic style, which is known as the "Guan Family Landscape".
"The paintings of the four painters were already very famous in the Song Dynasty. By the end of the Ming Dynasty, Yuan Shu of Suizhou had a comprehensive collection of works by Jing, Guan, Dong and Ju. The collection was more prosperous than that of Dong Qichang. Home.”
"The Ming Dynasty King Shimin praised Yuan Shu highly in "Yanke's Inscription and Postscript: Self-painted Guan Shijun Yuan Huanzhong": "Huan Weng Shijun is not only a master of craftsmanship, but also a rich collection. Li Yingqiu was the ancestor of the scholar-bureaucrats, and Minangong was the ancestor of Jingjian, so the famous names of Jing, Guan, Dong, and Juzhen were returned to his family. "
"Zhang Geng's "Guo Chao Painting Collection": "Shu is erudite and loves ancient times, has a good appreciation, has a wealthy family, and is a master of calligraphy and painting. He is recommended by Dong Zongbo of Huating and Wang Juesi of Mengjin. Landscapes come in and out of Dong, Between Ju and Zijiu (Huang Gongwang)"
"Zhao Zhenyuan called it 'a great man of one generation and three wonderful products of Wu'."
" After his death, Yuan Shu went on a hunger strike and died of depression. The Yuan family in Suiyang was tortured by the Manchu Literary Prison, and the collection was scattered. "
"This painting contains the "Pictures of the Yuan Family Collection in Suiyang", "Ming Dynasty". Both the "Yuan Shu Appreciation of Calligraphy and Painting Seal" and the "Yuan Shu Private Seal" can show that Yuan Shu is an important collector of this painting, which adds another layer of evidence to its authenticity. ”
What the fourth cousin is explaining to Zhou Zhi now is "Shu Mountain Pictures" by Jing Hao of the Fifth Dynasty, which is under restoration.
“Before this, the most famous collector of this painting was Wang Zhu of the Northern Song Dynasty, and the end of the painting was followed by an important witness, who was also a famous poet of the Northern Song Dynasty. Mei Yaochen's poems. "
Zhou Zhi looked at the heart of the painting that had been patched with silk. There was a poem at the end:
The rocks are green, with steep peaks, and the mountains are in the clouds and mist.
The old pine and skinny tree have no traces of writing. How can we be poor by cleverly seizing the fortune.
The ancient silk is brittle and sticky again, and the atmosphere is like Gaogao Song.
There is the word Jing Hao on it, which belongs to Hanlin Gong. I'm willing to exchange Ting Gui for a pill of ink, but who said that selling money requires bronze.
Fan Kuan did not learn enough from his old school, but Li Cheng had to work far away.
Gold and white jade are not precious, but my father-in-law, teachers and ministers are all knowledgeable.
"Is this Mei Yaochen's calligraphy?" Zhou Zhi asked: "I also know that he is a close friend of Ouyang Xiu. After Sansu came to Beijing, he recommended him many times. His calligraphy turned out to be good."
Four Cousin Uncle Take down a copy of "Mei Du Guan Ji" from the bookshelf: "Here, the name of this poem is "Wang Yuan Shu Nei Han's House Viewing the Landscape"
Mei Yaochen was in a state of ruin. Ouyang Xiu commented that "the poorer the poetry, the later the work." Gong became Shangshu Duguan Wailang, so later generations called him "Meidu Guan".
It was a rough life, but after his death, it shocked the capital. Almost all poets with some reputation wrote poems in memory of him. The number of mourners was so large that the alleys were blocked by carriages and horses.
The residents were so shocked that they asked each other who the deceased was, and so many bigwigs came to visit.
Although Mei Yaochen was the most influential poet at that time in history, he was not known to be good at calligraphy. But now it seems that he is quite good. His elegant charm fills the book, but his strength seems to be a bit weak.
"Then this Uncle Wang Yuan is Wang Zhu? There are too many cultural figures in the Northern Song Dynasty, and I am not familiar with this one." Although Zhou Zhi is very familiar with the history of the Song Dynasty, it is impossible to remember everyone and point to the poems. The article that follows : "But the article is well written, and the calligraphy is quite impressive. He was definitely a giant in the literary world at that time."
The fourth cousin smiled slightly: "I have developed my eyesight through experience."
" Wang Zhuzi Uncle Yuan was a native of Yingtian Prefecture in the Northern Song Dynasty. He was smart and erudite in his youth, and his academic memory was superior to that of ordinary people. He was a Jinshi of Tiansheng, reviewed by the official department of Shucheng County, and graduated from Zhizhigao, Hanlin and other prefectures. Reading notes, diagram taboos, arithmetic, He is well versed in music, exegesis, Fang skills, Yin Yang and Five Elements. He once edited the Nine Classics, Historical Records, Hanshu and other books in the History Museum. "
"I would say that this person is not simple. !” Zhou Zhi’s idea was verified.
"His calligraphy was published in the "History of the Song Dynasty". This legend says that he was 'knowledgeable in everything about the study of seal script and official script'. Fan Zhongyan's Shinto stele was written by Ouyang Xiu and written by Wang Zhu. Ouyang Xiu commented that his calligraphy was 'quiet and vigorous, with mostly seal script'. "It's really out of the official script of the Tang Dynasty." Among the bamboo slips, there is Zhang Zhongjing's "Jin Gui Yu Han Yao Luo Fang", which consists of three volumes. The first volume is about typhoid fever, the middle volume is about miscellaneous diseases, and the second volume contains prescriptions and methods for treating women. "
"When the officials of the Song Dynasty revised the book, they compiled it into twenty chapters of "The Synopsis of the Golden Chamber" based on miscellaneous diseases, diet, and taboos. "Gui Yao Lue" is also his contribution. "
"This alone is enough to leave his name in history." Zhou Zhi said: "If I can find the "Longzang Jing", it will be preserved in ancient times. Also..."
"It's so beautiful for you. Both the engravings and the printed matter of "Longzang Sutra" are well kept in the capital. There are two Chinese versions. Even if you discover the Jiachuan version, your achievement is not as good as discovering an important single copy. Is it really good to be a history book?" The fourth cousin was used to Zhou Zhi's imagination: "Wang Zhu is not famous now, but in this world. His contemporary is a master-level figure in the literary world, which can be seen from his posthumous title.”
"Wenzhong? Wenzheng?" Zhou Zhi was curious.
"Wen."
"One-character posthumous title?"
"Exactly."
"Wow...this is amazing..."< br>
This is the highest posthumous title in history. Among civil officials with a single posthumous title, the only ones known to everyone are Han Yu and Bai Juyi in the Tang Dynasty, Yang Yi, Wang Anshi and Zhu Xi in the Song Dynasty.
Although the two have mixed reputations, it is undeniable that they both wrote works of equal merit.
Zhou Zhi has never heard of other characters with single-character posthumous names. Today, there is another Wang Zhu in the history trivia.
(End of this chapter)