Chapter 741: Soft Film
Wenwanxing calls calligraphy and painting "soft film" and porcelain paintings "hard film".
And it’s funny, experts who study calligraphy and painting often look down on experts who study porcelain, that is to say, those who play with soft films look down on those who play with hard films.
In fact, the two are in the same context. The "hard films" of the same period will definitely be affected by the "soft films" of that time. In other words, the paintings painted by literati in a certain period of time Methods, popular themes, popular fonts, and the organization and structure of strokes will inevitably be reflected in porcelain paintings.
Therefore, this traditional prejudice is not unreasonable. People who have studied soft films well will soon study hard films, just like practitioners who are armed with theory and can quickly become proficient.
Suihuaxuan is a large place, and the warehouse security and storage conditions are relatively good. Zhou Zhi brought things that were easy to carry this time.
In just two years, Zhou Zhi has collected a lot of good things. No wonder my mother complained that she had too many things.
Only the films, Zhou Zhi’s current collection is very impressive.
Five Dynasties and Song Dynasty:
Paintings by Ma Bi, Ma Yuan and Ma Lin, "Siyuan Picture" inscribed by Huizong, Ningzong and Lizong;
Shi Yannian's calligraphy, Ouyang Xiu, Ouyang Xuan, Su Mai, Yue Ke, Cai Jing, and Song Huizong's "Caibi Yi Poem";
The ancient "Sitting Dragon Picture";
Jing Hao "Shu Mountain Pictures";
Liu Songnian's "Landscape Fan";
Ming Dynasty:
Bada Shanren's "Picture of Storks and Light Fishes in Lotus";
Qing Dynasty:
Kun Can's "Picture of Mangzhu Entering the Mountain";
Wang Wu'an's Patterned Bamboo Fan "Picture of Orchid and Stone" 》
Zhou Ding’s Bamboo Fan “Gua Lv Tu”
Liu Yong, Zeng Guofan, Li Hongzhang, Zuo Zongtang, Zhang Zhidong's nave couplets;
Modern:
Li Keran's "Ten Thousand Rivers and Thousands of Mountains";
Wu Guanzhong's "Lion Grove";< br>
Jiang Zhaohe "Returning Hometown";
Jiang Zhaohe's "Second Brother Comes Out of Sichuan";
Xu Beihong's "Kiuzhou has nothing to do and is happy to work";
Start work on "Suihuaxuan", "Demian Hall", "Youwangcong Temple" Dharma books Three paintings;
Wang Shixiang's "Academic Association".
In addition, in the 1970s, there are also "Anthology of Great People" printed on the "Yukou Paper" of Ninghua Zhiping and "Literati Poems" printed on the "Xishan Paper" of Jiangle.
This was given by Director Yuan from the Ancient Book Restoration Research Laboratory of Shu University. Although it is a handicraft, it is also a rare treasure.
These have been made into scrolls for my fourth cousin, and then placed in cardboard tubes, pretending to be wire mesh to keep rats out. Now they must be properly stored in a warehouse with constant temperature and humidity.
As for Wenwan’s small items, there are even more.
Among them, the most valuable ones are the Gangmao three-piece set from the Han Dynasty; Huang Tingjian's personal inscription of Dongpo poems and landscapes and fields with yellow seals; the Ming Dynasty Tongtian Xilanting Xiuqi pen holder; the Qing Dynasty jade snuff bottle; Hotan jade plume tube and waist badge ; A complete set of teeth, horns, patent leather coral-top cigarette cream jars and gold and silver supplies;
There is also a bag, which contains the Nanhong Chaozhu that has finally been put together.
The reason why I say it's almost the same is because Nanhong Chao Zhu has already found 108 beads, and there are even more, a dozen more.
In addition, there are two emerald Buddha heads, two emerald Buddha shoulders, a coral pagoda, an enamel inlaid hibiscus stone with clouds on the back, and a tourmaline pendant horn. These have been gathered together.
However, there are still three twists left, and a small falling angle under the three twists.
The Ji Twisting is three strings of small beads, usually made of pearls or turquoise, located on both sides of the beads. There are ten beads in each string, representing ten days.
Three strings represent the first, middle and last days, which adds up to exactly one month, thirty days.
The one worn on the left and one on the right is considered a male, and the one worn on the two right and one left is considered a female.
There is also a small drop corner for decoration at the bottom of the twist.
In addition, Zhou Zhi still lacks the silk rope that can string the beads, and the tapes that can connect the pagoda, back clouds and falling corners.
The ribbons are generally in bright yellow, golden, or azure colors. Among them, the Eastern Pearl Chaozhu and the bright yellow ribbons can only be used by the emperor, empress, and empress dowager.
Zhou Zhi knows that the Forbidden City has stock of silk ropes and tapes. Although these two items are the same as the papers stored in the Forbidden City, they may not be included in the ranks of "cultural relics" yet. However, it is not necessarily repaired in the palace. It's enough, even if you spend money to buy it from others, you may not be able to sell it. The small note twist that can match this string of beads, as well as the gold "treasure cover" on the pendant horn, are even more difficult to find because they are difficult to preserve among the people.
So what Zhou Zhi has now is still a big bag of odds and ends.
"Brother Elbow!" Guan Tingting called from outside the warehouse.
"Oh Tingting, I'm here." Zhou Zhi quickly agreed.
"What are you doing?" Guan Tingting walked in, followed by Fu Xia.
"Let me sort out the things I brought here." Zhou Zhi said, "I'll wipe the furniture by the way."
"These furniture are all piled here, and we don't use them, so why do we need to wipe them?"
< br>Before coming up, Zhou Zhi had already thought about taking out some furniture to decorate the ground floor and the top floor. As a result, Tang Qi decorated the top floor very well, with a unified Nordic style, and a few pieces of mahogany furniture in the style of the late Qing Dynasty and the early Republic of China. It doesn't necessarily look good when you go in.
Only the small library and sunroom on the first floor are left. The small library was originally left by Su Huaxuan, and it has not been touched after several renovations. The light in the sunroom is very important for protecting the furniture. It may not be beneficial, but he is thoughtful and reluctant to give up.
Just give it up and just get over it here.
However, Guan Tingting had nothing to do with these little thoughts. Zhou Zhi only said: "Go to Xianxian Bridge another day for a stroll and find Zhang Tieguai to buy some boxes."
"Let's go and eat lychees." Guan Tingting said.
"Okay."
Everyone came to the pavilion in the middle of the lake. Guan Ma had already brought out the lychees, and there was crushed ice under the plate.
Now Guan Ma is a recruiter for Jiachuan's office in Shudu, but the salary offered by the county is far less than that of helping Tang Qi and Zhou Zhi manage the store and roof.
Guan Ma is now more like a housekeeper. There are many things that Tang Qi can't come forward for, and Zhou Zhi is not available, so she entrusts Guan Ma to do them for her. For example, running some procedures, collecting shop rent, cleaning Suihuaxuan, repairing the garden, etc. Someone has to be there. Look, this is what Guan Ma mainly does.
It’s five to six hundred yuan a month, plus the county’s one, it’s seven to eight hundred, so Guan Ma doesn’t even want to be the wife of the manager of a sugar and wine company. The stage in Shudu is more suitable for her who is good at dancing. .
Guan Ma is mature and generous. Although she is middle-aged, her appearance remains the same as before. A year after coming to Shudu, she changed her clothes and even looked younger.
A good drinker, a good talker, and good at singing and dancing. County leaders and big bosses like to take her to create a social atmosphere, and now the situation has also improved.
Because she had achieved a lot, the county initially agreed to transfer her from the Sichuan Opera Troupe staff to the civil servant staff and become the deputy director of the Chengdu Office.
Talking about these, Guan Ma is actually a little grateful to Zhou Zhi, because many of her achievements are actually more or less involved with Zhou Zhi.
For example, if you want to go to the teaching assistant, you can go to Director Hu; if you go to the media, you can go to Chi Xueli; if you go to the sugar and wine party, the merchants on this end are Sister Xiaojuaner and her aunt, and on the other end you can go to Chai Rongbin for exhibition decoration.
Even the address of the office depends on Jiang Wu. These are all thoughtful relationships.
Furthermore, the two of them have food and accommodation here, and receive a salary much higher than that of Jiachuan. It is no problem for Guan's mother to support Guan Tingting's studies by herself.
The most important thing is that with careful matchmaking, Guan Ma has the experience of taking care of Tang Qi for this year, and they can almost be considered a family. This is crucial to Tingting's future future.
(End of this chapter)