Chapter 1030 Internal and external collections
Master Tenzin smiled and said: "There is a cultural relic in our school museum, a sapphire bowl inlaid with gold. The object was collected in Tibet in 43 years ago. It should be from Labling Monastery. "
"You also know that the things awarded to Tibet by the Qing court often have a strong Tibetan style, and the Tibetan style is more influenced by places such as India and Nepal. Deep.”
"So much so that later on, if the school's Western Region-style collections did not have obvious characteristics such as central Yunnan or northwest China, they would all be put into the classification of our Tibetan collections. Over the years, there has been a lack of professional talents, and they will be The identification is clear."
"Is there such a thing?" Zhou Zhi couldn't help but feel itchy. This was a great opportunity to gain his eyesight. He could actually make a scene in the dark: "How about I give it a try? ?”
"Do you still have time?" Li Lehai felt funny: "At the end of the day, why do I feel that you are much busier than me?"
Everyone laughed at this time. Indeed, the feeling of elbow is In this way, I am busy.
After the banquet, everyone was sent away, leaving Li Leshan, Li Lehai and Lin Wanqiu, Li Lexui and Xu Anxin, all staying here.
Because there were two young couples, Zhou Zhi invited Jiang and Wu to accompany him.
People from the provincial government office also came here once. After seeing the reception standards here, they really had no shame in arguing with Zhou Zhi about this.
This was actually Guan Ma's first attempt to build Suihuaxuan into a B&B in accordance with Zhou Zhi's wishes. However, even Guan Ma never expected that the first batch of residents invited by Zhou Zhi would be such an important person as Sanli. of guests.
Fortunately, the standard here is not low, and the place is very elegant. In this way, the few people are now divided into two groups, one group listens to Tang Qi and Guan Tingting playing the piano and singing, and the other group follows Zhou Zhi and Lin Wanqiu to appreciate the collection.
Now, Lin Wanqiu can really calm down and do some research on Zhou Zhi's collection.
Guan Ma is also on the side, learning some rules for appreciating art and entertainment. These will also be useful for hosting receptions here in the future.
Those that can be displayed outside are mainly collections from the late Ming and Qing dynasties, as well as modern times
Mainly porcelain, calligraphy and painting.
In addition to the collection of books in the Great Library, the porcelain is divided into late Ming blue and white, doucai and five-color series. Among them, Jiajing blue and white porcelain is the most abundant. It belongs to a collection that was not taken seriously by the whole country before, but was opened by Zhou Zhi himself. series.
Then there are small fine pieces of single-color porcelain from the third generation of the Qing Dynasty. This was also a work of art that had not received much attention before and was collected in large quantities by Zhou Zhi.
After that, there are the official kiln porcelains of the third dynasty of the Qing Dynasty, mainly from the collections of the inner government, and they are large pieces that can be included in the "important collection" sequence.
There are a lot of good things. Lin Wanqiu also saw many things that were auctioned by her own hands here, including the Qianlong enamel auspicious ephemeral vase and the imperial yangcai rouge red ground phoenix laiyibai. A large heart-turning vase with two chi-ears and birds facing the phoenix.
In terms of calligraphy and painting, it is actually a bit weak. The paintings can only be supported by thirty Ming and Qing calligraphy and paintings of the Four Monks of the Qing Dynasty and the Eight Eccentrics of Yangzhou collected during a trip to Hong Kong Island. Among them, Kun Can's "Mountain Bamboo Entering the Mountain" collected by Zhou Zhi is the representative one. The calligraphy is represented by the couplets in the central hall of the series of famous officials of the Qing Dynasty.
Modern and modern works of art are very impressive. In terms of porcelain, there are a complete set of ninety-eight-head underglaze water-dot peach blossom porcelain and a complete set of forty-seven-head underglaze red plum porcelain, which can be included in the important collection sequence.
In addition, there are more than 1,000 pieces of Mao porcelain pieces and more than 300 pieces of Jianguo porcelain with a five-character prefix, all of which are of high quality.
As for modern famous calligraphy and painting, the current famous painters include Li Keran, Wu Guanzhong, Jiang Zhaohe, Xu Beihong, Qi Baishi, and Zhang Daqian, and the famous modern calligraphers include Wu Changshuo, Yu Youren, Lin Sanzhi, Sha Menghai, and Xie Wuliang. In modern times, there are Qi Lao, Wang Lao, Fan Zeng, Ouyang Zhongshi, Liu Bingsen, Wu Changshuo, Shen Peng and Li Duo.
Most of these things come from cultural relics stores from various places. Paintings are slightly more expensive. Except for a few people, calligraphy can be said to be so cheap that they are almost free.
These things constitute Suihuaxuan's "outside library collection", the kind that are always hanging outside and can be seen by anyone who comes to Suihuaxuan.
And now what Lin Wanqiu entered with Zhou Zhi was the real "inner library", with constant temperature and humidity and overall security comparable to that of a bank vault.
This is also the first time Zhou Zhi has shown his collecting ability to outsiders. The collection is dazzling, and the oldest one is undoubtedly the Spring and Autumn Fang Xiangshi jade carving that was picked up at an auction on Hong Kong Island.
Next is the three-piece set of jade carvings from the Han Dynasty: one sword equals five thousand coins and the Gangmao ward off evil spirits.
In the Song Dynasty, Huang Tingjian engraved Dongpo poems with landscape and field yellow seals for his own use, and Zhou Zhi also displayed them for the first time.
Among the five famous kilns of the Song Dynasty, Ding kiln has the largest collection, including white-glazed black jade pots and spring vases with two-flowered flower patterns, purple-gold glazed plum vases with hidden Tang grass patterns, and Ming Dynasty Yongle stalls with golden mouths in the front hall. Ding kiln large bowl.
The others include the Ru kiln printing clay box, the Ge kiln fish basket seal incense burner, and the Southern Song Dynasty Guan kiln string pattern long-neck bottle.
Unfortunately, there is no Jun Kiln collection yet.
In the Southern Song Dynasty, there are Longquan kiln plum green lotus leaf lid jars, and in the Yuan Dynasty there are Jingdezhen blue and white dragon pattern lotus leaf lid jars.
During the Ming Dynasty, when Yongxuan was at its peak, Zhou Zhi collected Yongle blue and white and He Erxian Jiang jars, and Xuande blue and white brocade pattern platters.
Miscellaneous items include the Ming Dynasty Tongtian Xilanting Xiuqi Brush Holder.
The calligraphy and painting works of the Song Dynasty are so precious that even the thoughtful people in the internal library dare not display them. There are only two paintings from the Ming Dynasty hanging here to add to the scene, namely "Ancient Wood and Stone Pictures" by Wang Fu in ink on paper, and the Eight Great Paintings. Shanren's "Picture of Storks and Light Fishes in Lotus" and Wen Zhengming's "Picture of White Rammies in New Autumn".
This is enough. A well-informed person like Lin Wanqiu can't help but be stunned by Zhou Zhi's collection.
Except for the Ming Dynasty calligraphy and paintings, if you take out any of the other things here, they are all national treasures that can definitely cause an earthquake in the collecting world.
There are many things that have never been seen before, such as Huang Tingjian's own large plum vase with Tianhuang seal and purple gold. Lin Wanqiu has never even heard of it.
This is called an "orphan product at home and abroad", the kind that even if you want to estimate it, you can't give it.
Lin Wanqiu is her strategic partner, and now she and cousin An An are sisters-in-law. Her influence and strength are gradually increasing, and some things and information have reached the point where some people should know.
In other words, as one grows up, some things no longer need to be hidden away.
"I always thought that the Ming and Qing furniture that Mr. Wang gave you was your most valuable collection..." Lin Wanqiu looked at Zhou Zhi's collection and was so shocked that she stuttered: "Jun, Where is the Jun Kiln? Are you hiding it?”
"Do you really think that the five famous kilns are just cabbage?" Zhou Zhi was speechless: "Don't come up and slap me in the face. Isn't this a confiscation of everything?!"
"Ah? Geez, geek..." Lin Wanqiu covered her mouth. He couldn't stop laughing: "The main reason is that the level of your baby is too high, which makes me think you are omnipotent..."
" There is a three-legged tripod made by the Emperor Yongzheng, which turned into rose purple."
"I just saw it outside." Lin Wanqiu rolled her eyes at Zhou Zhi: "How dare you think about that?" So I didn’t bring it in,” Zhou Zhi said sarcastically: “I’m not in the airport VIP room...”
"Song Jun is too difficult." Lin Wanqiu looked at the empty space in the Zhou Zhi Song porcelain collection cabinet: "I do know that there are several Jun kiln collectors in Hong Kong. Mr. Qiu's blue-glazed bowl was auctioned in the 1980s. Once, the price was 3.7 million Hong Kong dollars.”
“But it’s a bit difficult to get their things.”
(End of this chapter)
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