Chapter 1077 Plan
This person's status in the world of calligraphy and painting later indeed surpassed that of Wen Zhengming, that is, Li Fangying's "Baiyang", Chen Chun and Chen Daofu.
Zhou Zhi immediately moved the mirror to the paintings to look for them. Sure enough, there were three paintings stamped with "Chen's Daofu" and "Resurrection Seal", "Bird", "Water" and "Mountain", a total of five seal.
Zhou Zhi's heart was filled with excitement. These three paintings are Chen Chun's landscapes, flowers and birds. What about the other three paintings that can be compared with them?
Moving the mirror over, there are "Zhifu Mountain Man", "Green Snake in the Sleeve", and the most obvious "Xu Family Wen Chang".
Zhou Zhi's heart couldn't help but beat wildly. There were six freehand landscapes, flowers and birds in the album, three of which were by Chen Chun and three of which were by Xu Wei!
Stabilize your mind and read the other two postscripts.
One article is: Zhishan calligraphy, Baiyang calligraphy, and the flying general in the ink. When it is crazy and angry, it changes vertically and horizontally, making the viewer wonder. Since the victory of the Victory, no one has written about flowers like me in Wujun, and since Wujun was Shen Qinan, no one has written about flowers like Chen Daokue and Lu Shuping.
The signature is Wang Shizhen’s postscript of Tiantao layman Wang Shizhen in the third month of Wuchen spring in Longqing Dynasty.
There are also two small seals of "Yuan Yang" and "Tian Tao".
This is also an old acquaintance, the one who writes pornographic books while serving as prime minister, and his pen name is Xiaoxiaosheng.
The rest of the article returned to Li Fangying:
Baiyang Qingteng, noble and lowly, is like clouds and mud, and the bones and wind are singing together, all of which are not intended for the body. What about those who seek internal illumination instead of externally? Otherwise, this book or painting would not have been possible.
His successor, Li Qingjiang, a man from Lu?
Qingjiang is good at plum blossoms, and there is a saying that "it is not surprising even if it encounters no setbacks." People say that he is good at plum blossoms, but Qingjiang smiles and does not answer.
The signature is "Cangshan Jushi", and there are two seals, one is "Jianzhai", and the other is famous, "Suiyuan".
The author of this article is Yuan Mei, a famous scholar in the Qing Dynasty.
The content of the article is Yuan Mei’s evaluation of Chen Chun and Xu Wei, saying that the two people’s life experiences are as different as clouds, but their creative styles are similar. It may be that these two people do not value external things and pursue inner freedom. That's why they are similar. Otherwise, I wouldn’t be able to write such extraordinary words or draw such elegant paintings.
The only person who can succeed them now is probably Li Fangying, right?
Yuan Mei is a good friend of Li Fangying. He once wrote a poem to praise him: "I love Li Qingjiang, a man from the state of Lu. Although the plum blossoms are stubborn, they bloom in the spring breeze."
It seems that Yuan Mei is the person who collected and framed the album of Baiyang Qingteng's flower, bird, and landscape sketches. As for whether his collection invited his friend Li Fangying to appreciate and ponder it together, and whether it promoted Li Fangying's painting skills, it is a matter of course.
But no matter what, these six album pages were finally hidden under Li Fangying’s works by collectors. It must be said that this is both the fate of inheritance and a magical coincidence.
“Oops!” When Zhou Zhi came back to his senses from these studies, he realized that his fourth cousin and aunt had been waiting for a long time.
The experts over there knew that Zhou Zhi couldn't disturb Zhou Zhi unless he called them, so he kept putting up with it.
Hurrying to dial the phone, the person who answered the call immediately asked eagerly: "Elbow, did you find anything? Why did it take so long?"
"You can almost see clearly. Behind the back are six large albums of ink, landscape, flowers and birds, three by Chen Baiyang, three by Xu Qingteng, and postscripts by Wen Zhengming, Wang Shizhen, and Yuan Mei."
The message came from the receiver. Come and take a breath Voice: "Xu Qingteng, Chen Baiyang?!" Anyone who is slightly proficient in Chinese calligraphy and painting understands the importance of these two people. Now Xu Wei's works are all in museums, and the only handed down items in private collections seem to be an album of twelve flowers and birds. set.
Chen Chun’s is even more so. There are Chen Chun’s paintings in the hands of private collectors, but I have never heard of them until now.
The postscripts written by Wen Zhengming, Wang Shizhen and Yuan Mei are now in Zhou Zhi’s hands, which is strong evidence of authenticity. Zhou Zhi himself is a master of cutting off Wen Zhengming’s works, and he can almost reach the level of forging Wen Zhengming in his middle age. It reached the level of "Thousand-Character Classic" during the period, so when the fourth cousin heard about the existence of Wen Zhengming's postscript, he no longer doubted the authenticity of the scroll.
"Don't worry too much about your elbow. With your repair skills, the problem is not big." The fourth aunt said calmly: "There are two ways now. One is to continue working and dismantle the two works by hand. We estimate that there will be two batches. The age of the work is different, so it should be relatively easy to peel off the heart of the painting. At most, the cracks are a bit serious, and it needs water grinding to do it slowly. Already."
"This time is different from the past. The life paper is more precious than the heart, so we suggest doing the opposite, picking the heart and leaving the life paper." Uncle Li said, "After all. Fang Ying's paintings are of a recent age and should be in better condition. It should be easier to remove than to reveal the fate paper."
"But this is the case. It needs to be done in one go. It will take a long time if you do it alone. You must be confident before you can do this."
"If you are not sure, use the second plan." Fourth Aunt. Said: "Clamp the two paintings in the supporting paper and put them on the wall. After they are dry, roll them up and take them back. The three of us completed the painting together in Jiachuan. "It's a job."
"Hua Xin is exposed and injured once. Our tendency is that you should feel confident that it is better to start working now to avoid bringing back new wounds caused by secondary humidification in a short period of time." IV. My uncle said: "Of course, if you are not sure, there is nothing you can do about bringing it back."
"Don't be too panicked," the fourth aunt said, "Now you regard the life paper as the heart of the painting, and the heart of the painting as the life paper. You are already experienced in uncovering the life paper framed in the Qing Dynasty."
< br>"Fourth uncle "Mom, you don't have to comfort me," Zhou Zhi was a bit dumbfounded: "In the past, there was no need to leave the life sheet behind, but now I can't bear to destroy this painting by Li Fangying. He was also mentioned in Yuan Mei's postscript. ”
"Who told you to act in a hurry?" Fourth Aunt said angrily: "It's hard to ride a tiger now."
"Then I'd better try it myself first." Zhou Zhi thought for a moment: "Just follow the first plan you mentioned."
"You have to think it through." The fourth cousin said: "Once you start the second plan, it will be gone and you can only complete it in one go. ”
"Think about it." Zhou Zhi took a deep breath: "Isn't it just to endure? This is what our college students are good at."
After hanging up the phone, Zhou Zhi unplugged the phone line and set the pager to After shaking, he opened the refrigerator, took out three eggs and noodles, and made himself a bowl of omelette noodles.
Paint a piece of support paper on the vest, turn the painting over, then untie the support paper on "Mo Mei Tu" and lay it aside, while eating the noodles, thinking about the starting sequence for a while .
What we have to do now is very simple, which is to take down the "Mo Mei Tu" and transfer it to another life sheet.
The step is to transfer the large, whole, and main parts first, and then transfer the small, fine, and secondary parts.
During the process of uncovering, you need to carefully separate it from the album pages below, and do not take them with you.
After a rough estimate, the entire painting is probably broken into dozens of pieces, and the flower, bird, and landscape album underneath is broken into hundreds of small pieces.
The top is easy to handle, but the bottom is something that must not be tampered with.
(End of this chapter)