Chapter 1148 Duan Yucai
After walking out of the shopping mall, Zhou Zhi was very happy: "I finally spent all the money I should have spent, and got a lot of gifts. I feel relaxed now!"
The key The scarves and satin I got were all handmade, without brands or trademarks. I found a gift box and packed it, saying that I bought it in the capital. There was nothing wrong with using it to fool Guan Tingting.
After thinking about it, I felt that it was still not safe: "The weather is perfect, let's buy some frozen mutton, and we can't buy the barbecue ingredients from Northern Xinjiang now, so we must bring them now!"
On the plane back to the capital of Shu, Zhou Zhi seemed to be surrounded by big guys. Not to mention the big belly in suits and ties, several social cows even gave each other business cards.
Sitting next to Zhou Zhi was one of the social cows. He handed his business card to Zhou Zhi: "My little brother is flying first class at such a young age. It's amazing."
Zhou Zhi took the business card with a smile. This picture is from May 4th. First class is real in his eyes Zaixuan said: "Sorry, I'm still studying. I don't have a business card, so I can't send it back."
"Studying? That's a college student." She Niu looked at Zhou Zhi and nodded up and down: "The conditions at home are good, sit here Going to school first class, This is the first time I heard about it.”
“I brought dozens of kilograms of mutton to try for my classmates. The flight is fast.” Zhou Zhi smiled and said, “Only when we got to the airport did we find out that only business class was allowed. If you carry ten kilograms, you can only carry forty kilograms in first class, so you might as well upgrade.”
She Niu was stunned for a while, and she really couldn’t think of what kind of family would go out of their way to bring dozens of kilograms of mutton. Plane, and would rather upgrade than pay extra shipping fees.
He had no choice but to give Zhou Zhi a thumbs up: "Is this still possible?! Bullshit!"
Picture 154 It took three and a half hours to fly to Shu. Zhou Zhi habitually dug out the information and began to annotate the manuscripts left by Master Zeng. .
The easiest one to sort out among the posthumous manuscripts - "The Rhymes of Mao's Poems" has been sorted out, because this book is the easiest to distinguish compared to the others. It is related to the "Book of Songs" and is an explanation of "The Book of Songs". A monograph on the pronunciation of "Yayan" and "Dialect" in the era of The Book of Songs.
Compared with the others, this one has obvious characteristics and is the easiest to find and compile.
I don’t know if Gu Youwen and Gu Zhenduo wanted to practice their thoughtfulness. After they found the original materials from the manuscript, they handed them over to him, and left all the sorting and proofreading work to him.
The academic style of old scholars is somewhat different from the current impetuous style of study. Many scholars in later generations rely on Baidu and CNKI, relying on the super retrieval capabilities of computers, and pay more attention to summarizing knowledge into a coherent system. Those parts that require mental memory are shared by computers and databases.
There is a bit of a meaning of "seeing only the broad outlines". It has become a common problem in the academic world to emphasize thinking over logic and memory over empirical evidence.
That's why people think that the "Iron Cable Crossing the River" really intercepts the Yangtze River horizontally, and interprets the "corpse" in the Book of Rites as "human sacrifice as a slave" to explain the incredible joke.
The knowledge system of old scholars is basically all in their own minds, so they will quote countless materials in their works. These materials are not "searched for", but "regurgitated" after digestion, often I will add my own understanding and analysis.
This is a bit difficult. If you want to proofread such a fantastic monograph, you must at least be able to identify the content first, which parts are quoted by Gu Shaoxian, and which parts are his proofreading of the quoted materials. Only after you have the ability to distinguish this point clearly, can you add new annotations to the original materials, or demonstrate Gu Shaoxian's existing annotations, or agree or correct them to form your own opinions.
Zhou Zhi's current level is actually still a little far away from this step, but to use Gu Shaoxian's description, it is "just jump up and get enough, and you can get it." Therefore, the places in the manuscript that Zhou Zhi needed to jump over became the place where Zhou Zhi consulted and learned from Sangu. Such an active learning method may also be the "secret method" of Zhou Zhi's school of thought.
In short, Zhou Zhi feels that it is very suitable for me. Not only does it save time, but I can also make academic progress very quickly.
Of course, this method cannot be introduced into the class, because the prerequisite for being able to do this is that Zhou Zhi was enlightened at a certain age and persisted until he was seventeen or eighteen years old, thus laying a solid foundation for Chinese studies.
If it were someone else, after four years of college, it would be extraordinary to be able to read an ancient Chinese poem without adding any sentences, and only follow the sense of language to read it in a cadence without eating snails.
There is another "inner knowledge", which is to interpret the phonology of the "Book of Songs", which is inseparable from the "Phonetical Table of the Six Classics" attached to the "Shuowen Jiezi Annotation" by Duan Yucai of the Qing Dynasty.
"Phonetic Table of the Six Classics", including "Table of Seventeen Parts of Modern Rhymes and Ancient Rhymes", "Table of Harmonious Sounds of Seventeen Ancient Parts", "Table of Common Applications of Seventeen Ancient Parts", "Table of Rhymes of Group Classics" "Seventeen Part Tables", and of course the one most closely related to the current "Mao Shi Rhyme Examples" - "The Book of Songs Rhyme Divided into Seventeen Part Tables".
"The Phonological Table of the Six Classics" is a must-learn advanced reading for phonology scholars. It is also an important book in the book list listed by Mr. Gu for Zhou Zhi. Zhou Zhi has been working hard on this book since the second year of high school. The context is now complete.
Duan Yucai's "Book of Songs Rhyme Divided into Seventeen Parts" compiles the rhyme theory of "The Book of Songs" according to the seventeen parts, and puts forward the concepts of "ancient original sound" and "ancient co-rhyme", and believes that "everything and modern If the rhyme is different, it is the ancient original sound; if it is at odds with the ancient original sound, it is the ancient original sound. Rhyme is also."
Then the "Book of Songs" is proved to be "strict in its original pronunciation, just like people in the Tang and Song Dynasties who adhere to official rhyme; the common rhyme is like the common rhyme used in Tang and Song poems, which does not disparage the original pronunciation. Don’t confuse the original sound with the rhyme, the rhyme of the three generations is clear.”
This provides a rather scientific "methodology" for later generations to infer the "Book of Songs" and the rhythmic texts earlier than the "Book of Songs".
With this as the guiding ideology, Duan Yucai referred to the research results of his predecessors, mainly inheriting and developing the theories of the famous rhyme expert Jiang Yong, using the "Book of Songs" as the "test product", and finally Ancient rhymes are divided into six categories and seventeen parts.
There are also many secondary methodologies in the middle. Just like the proof of the big science formula will develop countless small formulas, Duan also developed many small methodologies under the big methodology in this process.
For example, the Zhizhi is divided into three parts, the Zhenwen is divided into two parts, and the Hou part is independent.
Another example is classifying the entering sound into the Yin sound, and only matching the quality (Zhenxian fanqie) with the true (Zhenxian fanqie), which are all unique innovations.
He agreed with Jiang's idea of "different and equal tones come together", believing that there are more flat tones and fewer entering tones, so each entering tones can have several flat tones to match.
It is also believed that "the writings of the Zhou, Qin and early Han dynasties have flat tones but no tones. Since the Wei and Jin Dynasties, the upper tones have mostly changed to the coming tones, and the flat tones have mostly changed to oblique tones, so there are almost four tones. , but it is different from the ancient times."
So in terms of tones, "In ancient times, Ping Shang was one type, and Qu Rui was the same type. Shang and Ping were the same, and Qu and Ru were the same; Shang Sheng was prepared in "Three Hundred Chapters", and Qu Sheng was prepared in "Three Hundred Chapters". Wei and Jin”.
These have put forward very valuable exploration ideas for interpreting the rhyme and tone of the Book of Songs, as well as investigating the sounds, sounds, rhymes, and tones of the words in the pre-Book of Songs and the inferred post-Book of Songs.
(End of this chapter)