Chapter 1170 Huafu
There are many places for shooting in the workshop. This is Zhou Zhi’s first time visiting here, so he happens to have his camera with him.
Professional photography today is actually very rare, and photographers are still relatively famous. The main reason is that digital cameras have not yet been developed, and computer post-production effects have not been able to keep up. Unlike later, most people Can produce professional results.
So Yang Dequan thought photography was a bit too simple, and I don’t blame her for being thoughtful. Fortunately, there are many tools available in the workshop. Use bamboo stretchers to stretch various colored silks and satins, and you can make various shapes. With a reflector with three color temperatures, a detachable hand-held flash on Zhouzhi’s camera, and the rare sunshine in winter afternoons, the lighting conditions are basically satisfactory.
There are so many talents in makeup, Chi Xueliang, Tang Qi, and even Guan Tingting are all masters now.
It was also easy to choose the scene. In the antique display hall, there was no shortage of desks, piano tables, pens, inks, paper and inkstones, lamp holders and screens. In addition, there were flower looms, female red embroidery stretchers, needlework boxes and the like. , the props are also very rich.
It can be said that almost everything that ancient ladies needed in their daily lives can be found here. Yang Dequan's collection in this area is even richer than Zhou Zhi's.
In the previous MV for "Hometown", Guan Tingting wore the costumes of a girl from the late Qing Dynasty, but now Dequan Workshop has produced three sets.
The first set is the regular clothes of aristocratic women in the Song Dynasty, the second set is the regular clothes of aristocratic women in the Ming Dynasty, and the third set is the court clothes of first-class women in the Ming Dynasty.
The characteristics of regular clothes in the Song Dynasty were thinness and skinny. To bring out the elegance of women, they advocated slenderness and fit, the materials used were exquisitely processed, and the colors were soft. The overall style was light, soft, elegant, and full of rich flavor. The breath of life is just like the clear springs in the mountains, which inadvertently gives people refreshing comfort, which is completely different from the Tang Dynasty's pursuit of wealth and splendor.
When Jiang Shuyi came out of the locker room, everyone couldn't help but admire him.
In ancient times, women's clothing was basically made of tops and lower skirts. Song Dynasty clothes were divided into different shapes. The tops mainly include tube tops, shirts, jackets, robes, jackets, half-sleeves, etc.
The tube top on Jiang Shuyi's body is light lake blue. This way of wearing it is called "no jin style", that is, wearing a long tube top on the inside, and then covering it with a turban and a skirt. Open, don't impose any knots.
In this way, the tube top, which was originally underwear, has also become part of the outerwear. This "underwear outside" outfit actually follows the Tang style, fully displaying the female curves, but due to the pursuit of body proportions The difference is that after becoming slender, although the style is bold and unrestrained, it is not as "heroic" as the Tang suit. It looks gentle, soft and yet generous.
However, even if it is a "no-coat style", there are many ways to match outer clothes.
If it is a dress, it should be paired with Lingluo's long-sleeved shirt.
If it is for regular wear, it will usually be paired with a jacket or jacket.
Rust and jacket are actually similar in that they are both short clothes.
The length is generally around the waist. When worn, the lower body is usually paired with a long skirt. The top is tied inside the long skirt, and a belt is tied outside the long skirt. Therefore, it is often called "upper skirt and lower skirt". This is also one of the daily attires of women in the Song Dynasty.
Jiang Shuyi is wearing something special today. The undershirt is a low-purity green undershirt with silver dots and narrow sleeves. There are also beautiful lilac flowers embroidered on the edges of the collar and cuffs.
On the outside of the jacket, a goose-yellow half-sleeved coat with peony patterns, printed gold and painted lace was put on.
The so-called half-sleeved top is a top with half sleeves. Jiang Shuyi's one has a coiled collar with patterns on the collar, and its shape is elegant and beautiful.
The lower body is the "Luo skirt" that women in the Song Dynasty loved to wear.
Yang Dequan will introduce to everyone: "Women in the Song Dynasty liked to use Luo skirts to make skirts, so they were called 'Luo skirts'. Skirts in the early Northern Song Dynasty followed the styles of the late Tang and Five Dynasties, which were fatter, wider and more pleated; ”
“From the mid-Northern Song Dynasty to the Southern Song Dynasty, the shape began to be long and thin with many pleats. Generally, the skirt length could reach the floor, covering the feet without being exposed;”
"In the Southern Song Dynasty, pleated skirts began to become shorter, barely revealing enough."
The dress on Jiang Shuyi's body is obviously the style of the mid-Song Dynasty introduced by Yang Dequan. The skirt has more pleats, a narrower skirt, and a lower skirt. It doesn't expose your feet, not only is it three-dimensional and beautiful, but it also makes you slim and slim. The pleats open and close with the ups and downs of your gait, which is very beautiful. "Bi Ran Luo Qun Xiang's water is shallow. Her face is slightly blushing from shame." Zhou Zhi suddenly said a line from the Song Dynasty, which made Jiang Shuyi even more embarrassed.
In addition to these, Jiang Shuyi also has three items on her body, but they can no longer be called clothing, but should be called "clothing".
The first one is a style unique to the Song Dynasty - the turban.
The shape of the jacket is generally a straight collar and double placket. The front placket is often open without buttons. The sleeves are wide or narrow. The two sides have high slits straight to the armpits. The collar, cuffs, placket, etc. are usually inlaid with rims.
According to Yang Dequan, there are also long and short jackets. The one worn by Jiang Shuyi is short-sleeved because it has a jacket inside. It is as long as the jacket, and the length is mid-length, just above the knee. .
After wearing the turban, the whole figure will appear thinner, which is in line with the freshness and refinement of the Song Dynasty. It is elegant and generous with a bit of casual and free temperament. Therefore, it is the most distinctive of the times among women's clothing in the Song Dynasty. And representative, regardless of high or low, everyone from the queen and concubine to the servants and actors likes to wear a pair of trousers.
This is inseparable from the aesthetics of the Song Dynasty.
The material used for the mat is relatively high-end. It is made of moon-white plain satin with brocade edges. In ancient times, there were special regulations for the use of brocade by noble ladies.
The second piece of clothing is called "Xiapei".
Xiapei is developed from the silk scarf, which is a long silk scarf that ancient women wore on their shoulders and wrapped around their arms. It was originally used by concubines, singers and dancers, and was dragged when walking. Wearing two ribbons, it is charming and adds to the elegant beauty of the woman.
Based on the shawl, the Song Dynasty developed a new form. The style was still long and narrow like a shawl, but began to be embroidered with patterns. When used, it was wrapped around the collar to the chest and worn down the shoulders. , and a pendant made of gold and jade should be tied to the lower end of the front to fix it, so that it no longer flutters in the wind like a shawl.
This is Hexiapei, which is also a symbol and sign to show identity. Women in the Song Dynasty who use Xiapei must be women who have been given titles, usually the mothers and wives of officials, called "mingfu", and civilians. Women are not allowed to use it privately.
The gold and jade pendant that fixes the Xiapei is called a "pei pendant". The main texture is gold, silver, and gilt silver, and the decorations are mainly birds and flowers.
In the Southern Song Dynasty, "When it comes to betrothal gifts, a wealthy family should prepare three gold gifts, such as gold necklaces, gold bracelets, and gold pendants."
Wearing Xiapei means "dressing up".
The last thing is the waist apron.
Apron is also one of the unique accessories for women in the Song Dynasty. Since women at that time usually tied their waists, for the sake of appearance, they would wear a square scarf around their waists.
The square scarf can connect the upper and lower garments, increase the beauty of the details, and play a certain decorative role. In the Song Dynasty, most waist aprons were yellow, which was also called "yellow on the waist" at that time.
However, because Jiang Shuyi was dressed repeatedly, her waist was not exposed. If she didn't sit down and let Xia Pei and Chu Zi separate, she wouldn't be able to see much of her movements.
In addition to these extremely beautiful clothes, the jewelry must also be matched, but if you are so beautiful, the jewelry does not need to be too luxurious.
People in the Song Dynasty also liked to use fake buns. In addition to fake buns, Tang Qi and Chi Xueli chose a simple jasper hairpin for Jiang Shuyi, plus two small jasper earrings.
"Hey, Shu Yi, when did you pierce your ears?"
Jiang Shuyi smiled slightly, and the elegant orchids bloomed indoors, but did not answer Zhou Zhi's question.
(End of this chapter)