Chapter 1765 Yang Guo caught in the middle
Mianqi is indeed one of the most important uniforms of the emperor, but it is a formal dress, and it is still the most important formal dress. Even for the emperor, in addition to the Zhengdan Dynasty in a year, Except for super big events like worshiping heaven and ancestors, you can't actually wear it twice.
As one of the common uniforms, the Tongtian Crown is actually more often worn by emperors.
The Tongtian Crown is also very old. It is similar to the Jinxian Crown in Han Dynasty paintings. The difference is that "there is a mountain in front". The front wall of the cup is a little higher than the top of the hat beam, and then rolls back. , not only looks majestic and prominent, but also got an nickname-Cirrus Crown because of this feature.
Cirrus cloud crowns began to become more complicated in later generations, with more beams and many additional decorations such as cicadas, Boshans, groups, green wisps, hairpins, hairpin guides, etc. Fragments.
But at least in this picture, the crown of heaven worn by Emperor Wu of the Han Dynasty is clean and simple, and is basically the same as the stone statues of Qingji, King Wu, King Han, and Xia Jie in the Han Dynasty ancestral hall in Jiaxiang, Shandong.
As time goes by, the emperors painted become more and more solemn, especially due to the influence of the stereotyped painting in "On Painting" and the artist's imagination because he has never seen the real emperor, which leads to A scene of the emperor wearing a royal robe fighting with a dragon appears.
This is as absurd as the marshals in later film and television dramas wearing marshal uniforms and commanding battles in field command posts.
The "Han Wu Shooting Jiao Picture" in Zhou Zhi's hand is normal. The paintings of the Six Dynasties are close to the regulations of the two Han Dynasties. Emperor Wu of the Han Dynasty stands on the chariot, wearing a crown that reaches the sky, and the sleeves of his robe end at the elbow with loops. Finally, there is a leather arm guard on the forearm to prevent it from being swept by the bowstring. He climbs the bow and guides the arrow, aiming at the dragon with a fierce look in the water on the right side of the picture, making a posture to pounce.
The chariot is a light military vehicle, usually pulled by a single horse or two horses. It is very fast and is often used to carry messengers and often accompany nobles on hunting trips.
This painting more realistically records the real scene of hunting in the Han Dynasty. I feel that at least the author has seen real nobles of the Han and Jin Dynasties hunting, and drew this picture based on that scene, instead of twisting the pen in the study, or I have random thoughts based on the great etiquette of future generations that I have observed from afar.
No matter what, the remaining three paintings are no less important than the "Seven Sages and Rong Qiqi in the Bamboo Grove" that is almost completed.
So the pressure is still on Zhou Zhi. Mr. Wang and Qi Lao mean to seize the time, ensure the quality of the restoration, pay attention to new discoveries in the restoration, and report the restoration progress at any time.
Then there is no need to worry about the overall restoration. After the painting core and inscriptions are restored, this part can be brought to the capital first. It's not too late to do the rest of the work slowly.
Then Zhou Zhi asked his fourth cousin for help, but it was as if his fourth cousin didn’t hear him. He only repaired the inscriptions and postscripts, and refused to touch the heart of the painting. After the repair was completed, he leisurely helped his fourth cousin repair the surface of the original. The silk brocade is fine, but it won’t help Zhou Zhi.
Whenever Zhou Zhi protested, his fourth cousin would use the excuse that his eyesight was bad, and also warned Zhou Zhi to find an apprentice as early as possible in the future. I became Grandma Qingwen, do you think it’s okay? !
The words are ugly and reasonable, Zhou Zhi has nothing to do with his fourth cousin, but his fourth cousin and his aunt are not idle these days, and they have been studying a few paintings, and they can't get tired of them.
Ancient paintings from the Forbidden City and the National Museum are rarely displayed to the outside world, especially works by Gu Kaizhi and Lu Tanwei, which are usually only exhibited for a few days every five or six years.
What everyone can see on weekdays are basically replicas. So now Zhou Zhi just rolls up his sleeves and works hard. As for the analysis and research of the paintings, he leaves it to his fourth cousin and aunt, and he just acts as a microphone every night.
Then Wang Lao and Qi Lao would often ask some "overflow" questions based on the opinions of their fourth cousin and aunt. For example, for the first and second volumes of "The Biography of Women", from the characters' clothing, size, male and female movements, postures, The expression, the treatment of the rise, line and knot of the gossamer lines, the brushwork used in concave and convex rendering to create a three-dimensional image, and other details are all worthy of study.
But it is impossible to expect everyone to let Zhou Zhi go. For example, when Zhou Zhi told Mr. Wang that he discovered that the concave and convex rendering techniques used in the back roll were the same as those in the front roll, Mr. Wang would ask if the flanker entered the center. Or does the center forward move into the flanker to collect, or the winger moves into the flanker to collect? Is there any difference between using thick and light? Qi Lao will ask how the relationship with the sidelines is considered when rendering? For the same piece of sleeve, is a single layer or multiple layers used for rendering?
Then Zhou Zhi would be questioned without saying a word, and he could only ask for help from the second elder in the family.
Every time like this, Zhou Zhi would think of the plot in Jin Dada's "The Legend of the Condor Heroes", where Hong Qigong and Ouyang Feng fought through Yang Guo's moves. They fought happily. It only hurt Yang Guo.
However, just like Yang Guo gained access to the secret skills of the two great masters of Northern Beggar and Western Poison, Zhou Zhi has also benefited a lot from it now.
During these days, Zhou Zhi's cousin, the fourth cousin's daughter in the Chinese Medicine Hospital, came to deliver meals to them every day. Feng Xueshan also visited Zhou Zhi twice, and her aunt came every day under the guise of passing by for work.
In fact, everyone in Jiachuan knows that my aunt is now retired.
A week later, the restoration of the scroll was completed. Feng Xueshan and Yang He took the time to invite everyone to have a meal together. They had agreed to treat them, but Zhou Zhi was about to run away again.
In fact, the vacation for the two of them has also arrived. After all, they are already office workers and cannot be compared with the winter and summer vacations of college students.
Lao Guo's Jihuo Stir-fried Restaurant on Majie Town Pier is still open, and Hu Sanye's eel stall in Zhangjiagou Market is still doing brisk business, so Zhou Zhi simply asked Yang He to catch two crows from Baimi Township. Bone-bone chicken, and then I ordered ten pounds of eels and fresh river fish from Mr. Hu, and sent them over there together. We had two meals together at noon and evening.
Zhou Zhi used to be a frequent visitor to Guo's Xiaochai. When he was still in Jiachuan, he often came here with his godfather to make tooth sacrifices and discuss the findings of field trips in various places in Jiachuan.
It can be said that this small courtyard with green tiles and wooden walls under the big banyan tree at the pier is the starting point of Zhou Zhi's "liberal arts career". When he came here again, Zhou Zhi couldn't help but feel a lot of emotion.
"Is there a place like this in Jiachuan City?" Fang Wenyu was a little surprised: "This place is pretty good."
"This place is quite similar to Brother Ming's place." Liang Hong Looking at it carefully: "Except that Fuhe River is not as good as the Yangtze River, Xiaoye Rong It’s not as big as the big banyan tree, and the yard is a bit smaller.”
Zhou Zhi didn’t pay much attention to this problem. Looking at it now, it’s really a bit like Mingyi’s small yard, but here. There are several tables on the patio, which is much larger than Mingyi's small courtyard.
Zhou Zhi now has a better understanding of the ancient architecture in southern Sichuan and found that it is still a Qing Dynasty style building, which is almost the same as the buildings seen in Wushan and Guling during the Three Gorges inspection.