Chapter 1789 Expert Discussion
The next step, of course, is the solid-state drive used in laptops.
Today, when 4G hard drives are still a common standard for home PCs, this thing is simply incredible. As soon as it was launched, the supply exceeded the demand. Many high-end designers directly plugged two of them into their computers and matched them with the four-leaf The real-time synchronization software developed by Cao Cao, with one master and one slave, can ensure the maximum security of its own system information.
These usages are all new "games" accumulated by users themselves. From Zhou Zhi's own opinion, using fragile TYPE-C as a long-term fixed data storage link is inherently risky. behavior, but at least so far, I haven’t heard of any problems with any party’s reaction.
After all, the data exchange speed of TYPE-C is so fast that everyone finds it very convenient to use, and even thinks that its risks are not worth mentioning.
There are even companies that have developed a small accessory called "interface solidifier" specifically for TYPE-C. These things have never appeared in the previous life.
With this thing, the server can be built very quickly. When the server is built, Director Song can ask scholars from Huaqing to come and listen to the introduction, and then use it as the Xia, Shang and Zhou Dynasty Project The first step of output will further "co-wrap" more people to participate.
However, Zhou Zhi was working happily here. Mr. Wang received the news that Researcher Wu took him, Mr. Ma and friends from the island country to the National Museum to visit Li Gui, and then said something What, Researcher Wu made a phone call to the Science and Technology Committee, and then, several people disappeared.
Zhou Zhi’s phone number was now unreachable, so he had to call Mr. Ma. It turned out that Mr. Ma had already taken two friends to a Beijing hotel for dinner. He said that the elbow was left behind by Director Song of the Science and Technology Commission, and he was preparing to do something. A big project.
Mr. Wang’s head felt buzzing. The painting appraisals of the Four Six Dynasties were just busy here, but the real owner was detained!
Fortunately, there are not too many old scientists who like calligraphy, and Mr. Qi also has a lot of contacts in the scientific community. He quickly found out what was going on, and then in turn advised Mr. Wang... the Xia, Shang and Zhou Dynasty Project, With the appearance of paintings by the four masters of the Six Dynasties, it is really a bit strange to consider which one is more important. It’s hard to judge...
When An Chunjia arrived, Zhou Zhi and he built the Oracle conjugation engineering software and database, and then they escaped, and then found that the computer room of the Science and Technology Commission blocked mobile phone signals. , my mobile phone was almost exploded in the past two days.
When I rushed to the National Museum of China, I heard that the ancient painting restoration studio was already extremely noisy.
A thoughtful and somewhat familiar voice said inside: "At present, Lu Tanwei's "The Seven Sages of the Bamboo Forest and Rong Qiqi Pictures" and Gu Kaizhi's "The Legend of Women" can be There is no doubt that it is authentic because " "Seven Sages in the Bamboo Grove and Rong Qiqi" is supported by the brick paintings of the four tombs of the Southern Qi Dynasty. After scaling to a certain proportion, the two can completely overlap. The style of painting can be said to be basically consistent with the island country's "Five Stars and Twenty-eight Constellations True Shape Map", especially Matched in various colors From the close-ups of the folds of clothes, the hair of the human body and the animal body, it can be seen that although the copying was done by two people, the original copy was basically made by one person."
"In addition, the emergence of this painting also shows that. Another question, then The "Five Stars and Twenty-eight Constellations True Shape" from the island country is the original work of Lu Tanwei. The inscription by Liang Lingzhan is not accurate. The reason is that this copy by Li Zhaoqing is more profound and precise than the "Five Stars and Twenty-eight Constellations True Shape"."
"It can be seen that Li Zhaoqing, who also came from Wu, has a deeper understanding of Lu Ben. Both are copies, but Li Zhaoqing is better than Liang Lingzhan, and the copy of "Seven Sages in the Bamboo Forest and Rong Qiqi" can surpass "Five Five Sages" "The True Shape of the Twenty-eight Constellations of Stars", and the "True Shape of the Five Stars and Twenty-eight Constellations" are undoubtedly copies. "
"The other is the "Book of Renzhi Volume", which should be called the second volume to be precise. The materials, composition, coloring, layout, clothing age, character expression techniques, etc. used in the first volume are completely consistent. We had already studied this very thoroughly when restoring the previous volume. " Another Zhou Zhi also felt a little familiar. The voice said: "The two volumes originally belong to the same volume. We in Rongbaozhai dare to guarantee this!" Zhou Zhi knew who this person was, Xu Bangda, an old expert in the calligraphy and painting department of Rongbaozhai.
Chen Shizhong's voice also sounded: "The other picture, "The Ruyi Wheel Bodhisattva", is more likely to be authentic. This is Cao Buxing's first work. It’s so significant to be released once!”
“How can we be sure that Cao Buxing’s works are authentic when they appear for the first time?” A voice rang out: “If we hold a press conference in the future, journalist comrades will definitely raise these issues. ”
"This is quite simple. The focus is on the three postscripts. We have Mi Fu's works and Cai Xiang's works in our library." Qi Lao's voice rang out: "The research of these two people is relatively profound in China. The three articles We can confirm that these two articles in the postscript are authentic works.”
“In addition, there are records in the history of painting and Mi Fu’s article. The meaning of the postscript is clear." Chen Shizhong said: "Mi Fu once had a volume of "Wishful Wheel" in his home, which is recorded in history. With this postscript, this "Portrait of Wishful Wheel Bodhisattva" is included in the history of painting. The possibility of the Mi family's "Wishful Wheel" is quite high."
Mr. Wang's voice replied: "If it is. Yi Lun is the statue of Guanyin from the Tang and Song Dynasties. Its full name should have been called 'Ruyi Lun Bodhisattva' or 'Ruyi Lun Guanyin'."
"In order to determine the authenticity of this portrait, we searched the Tang and Song Dynasty collections. A sample of this type of painting has indeed been found in 1957 in Shanghai. Mr. Shao Xunmei donated the "Fragment of Ruyilun Guanyin" to the Palace Museum. Let's look at the slideshow. This is the packaging at that time. It is packed in a roll of kraft paper and has the words "Collected by the Cultural Relics Collection Office of the Palace Museum/Shanghai Huaihai Middle Road 1754/19 Shao Xunmei" The stamp indicates it was sent on July 8, 1957."
"This is the Forbidden City remnant number of the Guanyin statue: New 00156154."
"The Ruyilun Guanyin is one of the six Guanyin taught in the Esoteric Buddhism. Its image is generally a six-armed figure. As for the treasures and seals it holds phase, then it does not follow the meridians They are the same but have many differences."
"According to the "Wishful Wheel Yoga Chanting Method": Ruyi Wheel Guanyin has six arms, a golden body, a jeweled topknot on her head, and a solemn crown to show it. Solemn. There is Amitabha Buddha in the crown, living in the sixth phase. The arms represent the ability to swim in the six realms and relieve all kinds of sufferings of sentient beings in the six realms with great compassion."
"This fragment of the Ruyilun Guanyin statue donated by Mr. Shao Xunmei is a Dunhuang painting, with color on paper. Twenty-eight centimeters in length and thirty in width cm. But it is a pity that only part of the portrait remains, and the right part of the picture is seriously damaged."
"However, we can still see the huge difference between the image of Guanyin Bodhisattva and the common one in later generations."
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