Chapter 44 Summary to Yan Zu and Yifei

Chapter 44 Summary to Yan Zu and Yifei

When I ended in May, I have been thinking about what I should write.

Many friends have told me that it is definitely safest to continue writing about cities, because I am still somewhat popular in this category.

But in fact, that's the most resistant choice.

I have been writing about cities for many years, and now I have hit my personal ceiling. I think if I continue writing, I will not make any progress.

Because I gave all my enthusiasm to Jiang Qin and Feng Nanshu, and I also exhausted all my efforts.

Writing another book is nothing more than cooking a cold meal and continuing to consume them, the people and things that everyone likes.

But in my heart, those stories belong to Jiang Qin and Feng Nanshu. I don't want to wear Guan Li to wear other roles.

After all, Feng Nanshu had such a great influence on me that even after finishing the book, I will never forget her.

I know that if I write a similar story with a similar worldview, she will still be there in my heart.

I don't want to repeat a similar story, I don't want to stay in the comfort circle, and I will be forgotten by everyone.

So, I chose another category, Xianxia.

In fact, I don't write Xianxia for copyright or greater profits, as everyone thinks. In the final analysis, I want to seek a breakthrough.

I want to try a multi -perspective, no longer limited the story on the protagonist, but add a line that is separated from the main perspective.

To put it bluntly, when I was writing the last book, I always felt that the world seemed to move only when Jiang Qin was moving, and when he was not moving, it was still.

I was wondering if I could write a story where when the protagonist is moving, the world is also moving.

Some things may not happen because of the protagonist, but in fact everything is moving, and finally converges into a huge context, pointing to a final goal.

The reason why I have this idea is actually because I discovered my shortcomings in the last book.

I don't know how to deal with multi -perspective issues.

For example, in the last book, I actually designed the story of Master Cao and Ding Xue to be quite sweet, but because I had been writing from the perspective of the protagonist, their story could not be smoothly inserted into the main line, and in the end it had to be included. Extra.

And Zhuang Chen, I always wanted to give him an ending of the main storyline, and I didn't insert it.

Zhang Guangfa's family's slow -selling plot was also taken by a stroke.

I found that I seemed to only write the story of the protagonist, which made me feel panic. So I know that I am still tender, not home, and I still need to continue cultivation.

I decided to force myself to do something every week as when I just graduated.

So I chose Xianxia.

When I was writing this book, it was very difficult. I was so dissatisfied with myself that I might have written a chapter three times. There are already tens of thousands of scrapped manuscripts in my draft box.

I wrote about Kuang Cheng's high school. Some readers said that how could they come out overnight, in fact, because I deleted three of the protagonist to go out to work, but forgot to modify the time.

In addition, Lao Qiu originally had a unicorn king begging for people. In order to highlight the contrast of life and death, I was deleted in the end.

In fact, I am still revising the previous article until today.

Before I opened the book, I never thought about what kind of achievements to write, and I never thought that I would be liked by everyone like this book.

But it is important to me.

Because I am torturing myself and looking for a different path.

There is no mistake, one, one, one, one, one, one, one, one 619, one book, one, one, one, one, one, one, a book!

I said in an interview before that I am not a talented person. I wrote for ten years, and I was on the street for six years.

So all I can do is to fly first, write what I am not good at, let these are not good at exposing my shortcomings, and then correct it.

Writing books is my job. I have no other job or other identity, so I have no way out.

So I cherish every book of myself and every chance of myself.

I don’t want the New Age ship to leave me behind.

So no matter what the grades, I will write well.

Because I know that my killing of me will continue to be strong.

This is a response to everyone’s confusion about me changing categories, as well as a brief summary of the current storyline, and also to thank everyone for their persistence.

In the end, Laosheng talked about it, seeking monthly tickets, and seeking reading. For the old mistakes in the new book period, these data are still important ... OR2

(End of chapter)