"Sit comedy?"
This is the first time most people present have heard of such a category in a TV series.
Fang Yan explained in a concise way, then glanced at Liang Zuo who was thinking: "Sit comedy is the most in line with Zheng Xiaolong and the others' requirements. How about it, do you want to participate too? Write a script? "
"Ah, me?"
Liang Zuo was shocked, "But Teacher Fang, I can't write it."
"What are you afraid of if you can't write it? Anyway, no one can write sitcoms, and no one in China has ever written it. If you don't try it, How do you know? ”
The dialect doesn’t agree. "But I haven't even written a TV series, I have written novels and crosstalk." Liang Zuo hesitated.
Fang Yan said, "Don't worry so much. If you haven't written it, learn slowly. Everyone here doesn't know how to write a film and television script at the beginning." Wang Shuo winked and said, "Yes, this thing is It’s not something you can get out of the womb.”
Fang Yan said: “Do you know why you want to name it? Because whether you write crosstalk or sketches, there is one advantage, that is, you can write quickly. It took about three weeks to start writing "Tiger Mouth Reverie" to the start of the Spring Festival Gala. Sometimes, the sitcom, sometimes too busy, has to write, modify and shoot, so you need to find some Kuaishou. "
Then he showed a playful smile, "I heard from your younger brother Liang Tian that when you wrote the script "Tiger Mouth Reverie", you squat down and thump it, and it was finished in a while , stand up and leave. "
"This...this..."
Under the gaze of everyone, Liang Zuo's face turned red with shame, and swore in his heart that he had to deal with this boy Liang Tian after he returned home!
"Teacher Fang is right!"
Wang Shuo applauded, "It's just that we don't have the themes and novels suitable for sitcoms. How should we do this?"
"Sitcom is different from our previous original or adapted scripts. One of its biggest characteristics is 'realistic'."
The dialect stretched out a finger.
Hearing the word "realistic", Shi Tiesheng, Wang Shuo, Liang Zuo and others looked at each other, not understanding the profound meaning.
Fang Yan smiled. Whether at home or abroad, most sitcoms write about the people's food, clothing, housing and transportation, family ethics, workplace stories, etc., such as "The Story of the Cooking Class" , "A Family in Northeast China", "A Family with Children"...
"Teacher Fang, what do you mean is that this sitcom has to be written in humanity, fireworks and lifestyle, right?" >
Wang Shuo could understand it at one point, and even learned from it. "Yes, and based on this concept, we can attribute this category to 'new realistic TV series'."
Fang Yan said: "If it is written in literature, it will be called 'new realistic novels'."
Shi Tiesheng, Liang Zuo and others are more interested in listening to it, and they ask about the "new realistic novels" one by one. concept.
"In the new realistic novel, there is no thrilling, no lingering, all characters are struggling in the original daily trivial matters, neither noble nor vulgar in personality, nor morally great Good is by no means a great evil. It is neither a fucking nor awesome in its behavior. It is a group of ordinary people who are between good and evil. Even if they have to explain some great principles, it is not a cramming preaching..."
In order to explain the dialect carefully, many writers of new realistic novels are screenwriters of family ethics TV series and sitcoms. For example, "A Round Feather", "Golden Wedding", "Double-sided tape", "Wang Gui and Anna", "Desire", etc.
Even the "Madam Ma" and "Liu Laogen" series are all "new realistic TV series" with a sense of life in Northeast China.
One of the reasons why urban dramas in previous lives are becoming more and more suspended is that there are few new realistic novels, and not many suitable adaptations are suitable. "Teacher Fang, is the 'new realism' you are talking about also a type of realistic literature?" Zhong Acheng touched his chin.
The dialect nodded and said that the new realistic novel is a brand new branch of realist literature, paralleling the types of hallucinatory realism, magical realism, etc. On the basis of traditional realism, it retains the real problems and social phenomena. but reduce ideological preaching.
The ideas of Liang Zuo, Wang Shuo and others were suddenly opened, and they slowly realized it as if they were enlightened.
"Yanzi, since you have said this, you must have an idea in your heart."
Shi Tiesheng smiled knowingly, "I have long thought about how to write 'new realistic' with 'Sitting comedy' is combined together?"
"That's what I think, there can be such a courtyard house, such an alley, or even such a home..."
No mistakes, one song, one content, one in 6, one book, one bar, one reading!
The dialect is preparing to use "I Love My Family" as the bone, and incorporate sitcoms such as "The Happy Life of Zhang Damin", "Idle Son", and "The Story of the Editorial Department", to create a "hutong universe", thread a needle and thread each one. The TV series are all connected together.
The beginning of this universe started with "I Love My Home", and then revealed a rough background framework and character relationship.
Like Jia Zhiguo, in the original version, worked in a certain agency and changed himself to the former editor of "Guide to the World". He was once colleagues with Li Dongbao, Ge Ling, Yu Deli, and others, Fu Ming, Heping, Jia Yuanyuan, Jia Zhixin and others are also closely related to the characters in other TV series.
"As for the story, I'll give an example."
Fang Yan takes one of the episodes of "I Love My Home", which is "Old Fu is Sick" as an example. The old man Fu Ming is in order to He showed his presence at home and deliberately pretended to be sick and asked for attention. As a result, he was misdiagnosed by the hospital and was frightened and left a will, which made the whole family laugh and cry.
Everyone present listened with relish, especially Liang Zuo.
Liang Zuo feels that this script is tailored for him. His younger brother Jia Zhixin, who is not doing his job, corresponds to his younger brother Liang Tian. Liang Tian has a "no work" temperament from the inside out, and other Jia family The member composition is exactly like the Liang family projection.
The intellectual brother Jia Zhiguo corresponds to Liang Zuo himself, and Jia Yuanyuan is what his sister looked like when she was a child.
The soul of the whole play, Fu Ming, is like Liang Zuo's father.
"The sitcom we wrote must concentrate all the popular topics of the 1980s in this world."
Fang Yan said confidently, "At least, it must be done, it must be bitter in the funny, it contains reflection on history in the humor, it requires people to pay attention to and analyze social problems in the joke, and it must use enough jokes to explain many truths. I understand, not just speak empty talk at the value."
"Ba!"
Liang Zuo clapped excitedly.
This action instantly attracted the attention of Wang Shuo, Shi Tiesheng and others, and each of them had a smile on his face.
"It seems you like this script very much." Fang Yan grinned, "You need to give more effort when creating next!"
As soon as these words were spoken, the hall was filled with laughter, and the laughter quickly filled every corner of the room. (This chapter ends)