"Guji Guji..."
"Didididid..."
Xu Lianglei raised her head: "My phone rang!"
Yang Ye opened her eyes and said, "Respond!"
Xu Lianglei hesitated for a moment, but answered the phone.
"Hey, um, what's the matter?"
"I'm not doing anything, eating...eating chicken legs, that... braised chicken legs!"
"It's delicious, this chicken legs are quite big and delicious!"
"Old Cui's performance tonight, Guji, I won't go anymore, I have something to do!"
"I just took on a show, and it was a script made by Lao Diao and the others. The investment in Hong Kong will be broadcast overseas in the future. It's very important. I'm thinking about the script!"
"Yeah, is that okay... OK, goodbye!"
"Guji Guji!Guji Guji!"
Yang Ye asked comfortably, "Is it Wang Shuo who fought?"
Xu Lianglei stopped Guji, raised her head, and said in surprise, "How did you know?"
Yang Ye smiled, "I also like to read some gossip news."
Xu Jinglei was even more surprised: "I thought a big man like you cares about big things."
"Everyone is just ordinary people, who is more noble than who, and then eat!"
"Gujiguji!"
Yang Ye suddenly thought of a song and couldn't help singing: "I chose to have a meal when I'm having enough food. In an instant, all romance will die, Gujigujiguji..."
In Yang Ye's happy singing, Xu Jinglei was quite full.
...
Before the two sessions were held, Yang Ye left the capital and returned to Hong Kong.
The Spring Festival period has passed by this time.
This year's Spring Festival is very powerful, with Yang Ye, Chen Long and Zhou Xingchi fighting for the first time.
The movie released by Chen Long is "Police Story 4: Simple Mission", a movie that was supposed to be released last year, was postponed due to the shooting of "Men in Black", and has been delayed to this year's Spring Festival.
The movie released by Zhou Xingchi is "97 Family Has Happy Events", which is still Wong Pai-ming's old routine, with family fun, and the main focus is on a lively and lively place.
In addition to the leading actor Zhou Xingchi, Wong Pai-ming also personally participated in the fight, as well as a number of celebrities such as Qiao Hong, Wu Zhenyu, Wu Qianlian, and Zhong Liti.
Big star such as Zhang Guorong and Zhou Huajian were also invited to play guest appearances.
The movie Yang Ye was in action was "Born a Couple" filmed with Liu Xiaoli and his daughter.
In this movie, Liu Yifei plays two roles alone and plays a pair of twins with completely different personalities.
However, as the Spring Festival approaches, Yang Ye ran away from Hong Kong, resulting in an embarrassing situation where the main host did not appear at the premiere, and only Liu Xiaoli and her daughter were present.
"Born a Couple" itself is just a normal movie, not Yang Ye's best action movie, and the popularity after it was released is average.
Some film critics criticized this as a licensed product. Although it was not a bad movie, it was really hard to accept that it would be a movie after watching "The Matrix".
Another film critics said that this movie was specially created by Yang Ye to praise Liu Yifei. It is not even an original story, but is adapted from a German fairy tale.
The protagonist of the movie is also the twins played by Liu Yifei, and Yang Ye is simply a supporting role.
Yang Ye loves her daughter deeply.
Fortunately, Yang Ye is too famous, and there are many people buying tickets for him. Moreover, the twin girls played by Liu Yifei is indeed super cute, and in the end the box office in this port barely exceeded 30 million.
In the end, in the top three Spring Festival, Chen Long ranked first in "Police Story 4" with 45 million, Zhou Xingchi ranked second in "97 Happy Events" with 40 million, and Yang Ye ranked third in "Born a Couple".
Of the three, only Chen Long outputs his orthodox kung fu movie, so it is not surprising to defeat the other two.
"97 Family Has Happy Events" is Wong Pai-ming's approach, not an orthodox Zhou's comedy. Otherwise, it would be difficult for Chen Long to beat Zhou Xingchi in Hong Kong's native port.
As for Yang Ye only ranked third this time, he didn't care at all. He was just using his fame to promote Liu Yifei.
At this time, Xu Ke's "The Legend of Shushan" had been filmed and was almost done later, and he planned to be released in the summer.
Yang Ye has no confidence in the box office of "The Legend of Shushan". Although the movie's special effects are extremely outstanding and imaginative, the world view created by this movie is too magical.
It means that it has a far-reaching connection with humans, and the audience will feel strange to such a world and cannot be substituted for it.
Most of the works that can truly break the circle are low-demon worlds, such as "Lord of the Rings" and "Song of Ice and Fire".
If your work is in a high demon world, you need to find a way to get closer to humans.
For example, "Journey to the West" is a great demon, and the master and disciple can only walk to get the scriptures.
Along the way, you have to beg for alms, meet all kinds of humans, and you have to separate your luggage when you leave.
The saddest level is not those powerful monsters, but the Kingdom of Women, which is the three fights of the White Bone Spirit.
The daughter king is just a mortal, and the white bone spirit is just a hot monster.
But this is the most famous and widely circulated dilemma among the eighty-one difficulties.
Harry Potter is also a world of high devils, but Harry still has to stay at his aunt's house during the summer vacation.
Marvel movies are also a world of high demons, but Captain America, who is better than ordinary people, even if he encounters Thanos, he has to be promoted.
All of this, what the authors, screenwriters and directors do, is trying to bring closer connection between mankind and God in order to resonate with the audience.
What makes DC movies fail is that they cannot handle the balance of combat power.
In the final battle in BVS, the heroine and Superman showed their power, and Batman could only play a support, which disappointed many viewers.
In "The Legend of Shushan", although Xu Ke added a human line to the movie, the addition was very stiff and looked very redundant.
Some people say that the human thread should be removed. The box office will only be worse, and it is possible that no one cares about it.
How to join humans is a very particular and very knowledgeable thing.
Not adding, but if it is not added properly, it will become very fragmented, backfire, and backfire.
For example, in order to make Ji Fa show off, 523's Congregational God forced Yang Jian and Nezha to make a fuss.
Many people endure the first part, and at least they still have a highlight moment of scoring the goal. Unexpectedly, the second part was so soy sauce, and Ji Fa became a waste, and even the woman pretended to be.
This is the role of human beings in the world of high demons, but there is no typical counterexample.
Xu Ke's version of "The Legend of Shushan" was originally planned to be made into two movies, but in the end, for the compact plot, it was cut into a 140-minute movie.
After modification and re-written, the plot becomes very different from the original version.
The heroine of the original version is Zhang Baizhi, who plays two roles, Master Gu Yue and Li Yingqi.
Zhang Ziyi plays the human character Cheng Le'er and makes a soy sauce.
In the current version, since neither Zhang Baizhi nor Zhang Ziyi has made his debut, he has been replaced by Anita Yuen and Li Binbin, but the importance of these two characters is the opposite.
Cheng Le'er played by Li Binbin was adjusted to the heroine, while Lee Young-Yuan played Li Yingqi made a soy sauce.
Yang Ye adds crazy roles to the human character Cheng Le'er, giving her a complete growth line.
In Yang Ye's modified version, Cheng Le'er is described as the reincarnation of Master Gu Yue.
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Five hundred years later, she is a human general.
When Xuantian Sect and Dan Chenzi evacuated humans, Cheng Le'er saw Xuantian Sect and activated his spiritual wisdom.
She vaguely saw some pictures of her previous life, and in order to pursue the truth, she climbed up to Mount Shu.
The masters of this generation of Tianlei Double Swords, Li Yingqi (Yin Yi Yi) and Changkong Wuji (Wu Jing) failed to combine the two swords, and Li Yingqi died and died.
Bai Mei took Li Binbin as a disciple of Shushan and became the new owner of Tianjian, and asked Wu Jing to teach her.
In the original movie, Tan Yaowen took Zhang Ziyi to fly with his sword and transplanted it into Wu Jing and Li Binbin.
Wu Jing was not the ugly bald look, but the cultivator in white clothes and black hair.
Her personality has also changed from a funny person to a master, while Li Binbin's image has been portrayed as a pretty and cute female disciple.
In short, it is a cold male master and cute female apprentice, a bit similar to Bai Zihua and Hua Qiangu.
Chen Le'er was performing various daily routines of master and apprentice, and at the same time she thought of scenes of her past life from time to time, forming an interaction with Xuantian Sect.
On the eve of the decisive battle, Li Binbin went to Sanyuan Palace to retrieve the memories of his previous life. His strength increased greatly. He combined his two swords with Wu Jing to fight the Blood Demon.
In the final battle, Li Binbin sacrificed himself and completely killed the blood demon's soul.
In short, Yang Ye's adaptation gave the whole story a main line, not as scattered as the original version, with a head of the east and a hammer of the west. I don't know who the protagonist is after watching it.
From the perspective of the story, it has also changed from the parallel perspective of the original version to mainly Li Binbin.
She was Master Gu Yue in her previous life. After a decisive battle with the Blood Demon, she was reincarnated as a mortal.
Then from the perspective of a mortal, climb the mountain to seek immortality, become a disciple of Shushan, obtain magic weapons, and grow step by step.
On the eve of the decisive battle, I regained my memories of my previous life and my strength increased greatly.
Play a decisive role in the decisive battle with the Blood Demon, and ultimately sacrifice yourself and eliminate the devil and defend the way!
Overall, after watching the roughly cut version, Yang Ye felt that it was more smooth than the original one.
There are some special effects that have not been completed yet. How will the final box office be? We will not know the results until the summer season is released.
It has reached this point, and Yang Ye didn't mind spending more money, so he said to Xu Ke, "Cut a screening version as soon as possible and go to Cannes for the premiere!"
...
"The Legend of Shushan" has been almost done, so it is time for "Xiaoyaoyou" to come on stage.
This novel extracts the outline of "Harry Potter" and combines some settings from Shushan to form a novel. It can be regarded as a combination of Chinese and Western styles. After its release, it was quite popular.
The combination of Chinese and Western does not mean being inconsistent, neither native nor foreign.
Most of the techniques used in modern novels come from the West, and the traditional Chinese writing method is actually less used.
The typical way of writing Chinese novels is like "Water Margin", where big stories are tied to stories and small stories are tied to stories.
Use a story to lead to a character, and then use this character to lead to another character.
The main chapter of each character can be written separately, just like a biography of a character.
For example, the "Wu Shi Chapters", "Song Shi Chapters", and the "Red Buildings Two You" in "Dream of Red Mansions".
This is how you write "The Legend of Swordsman in Shushan" by the owner of Huanzhu Lou.
The same is true for Liang Yusheng, who created the new martial arts.
When Jin Yong first started writing "The Book of Swords and Swords", this was also the traditional way of writing.
When I was writing "The Legend of the Condor Heroes", the narrative method completely became a Western style.
Jin Yong kept his perspective on the protagonist, and then used various inverse, insertion, and cross-narrative to make the story fuller and enhance the reader's reading experience.
In the Qidian online articles in later generations, it is even simpler and more direct, and the eyes are basically welded to the protagonist.
Jin Yong even introduced the writing style of stage plays, allowing all characters to appear in the same scene, and enhancing the contradictions and conflicts in the plot.
For example, in Niujia Village, the "Central of the Universe", when Guo Jing and Huang Rong were healing in the secret room, the famous characters in the book basically had to come to Niujia Village for a walk and live in the same house with them.
This not only solves the problem that when the secondary character's plot occurs, the reader's vision temporarily leaves the protagonist, but also gives the reader a God's perspective, forming the pleasure of peeping.
Although later online novels have many excellent works, there is basically no such thing as Harry Potter.
Because online articles are serialized, and they are updated every day, and the competition is very fierce. If you want to always attract the audience's attention, the author must pay attention to the pleasure of pretending to be slapping in the face.
So many authors chose to let the protagonist be constantly provoked by all kinds of inexplicable people, and then constantly kill these people, so that readers can keep paying money.
The disadvantage of doing this is that it ignores the creation of a worldview. When film and television is transformed, there are few successful examples due to innate shortcomings.
As for female sex, she just needs to talk about love (licking) love (dog) well, and other things are optional.
When Yang Ye copied the online articles of later generations, he chose "Ghost Blows Out the Light" because Bachang created a world that is curious enough and is real and credible.
Then copying "Harry Potter" is to remove a top IP from Europe and the United States, and one is rising and the other is falling.
On the other hand, in fantasy novels, there is no such work worth adapting.
Also, this is a set of children's literature, and the story begins with the protagonist's childhood.
If you do it well, you can really reap your life from childhood to adulthood. (This chapter ends)