Although Wang Shu is the director of Oscar Lianzhuang, he always has black fans.
Some people look down on their background and their education from beginning to end.
In other words, those who were unhappy about him were even more unhappy after the marketing of "The Night of Comet Comes".
A Night When Comet Comes" is a small-budget film, through various marketing, it has created an extremely gratifying box office.
Among them, there is a saying that "if you don't understand, you don't have enough IQ."
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Sina Blog, a well-known film critic published a blog post about "Interstellar".
"I have been looking forward to Director Wang's "Interstellar Crossing". The movie was first released and I went to the theater to watch it. Now I will talk to you about several issues in this movie."
"1. Scientific issues."
"Director Wang's "Interstellar Space" has two details that are very touching. One is that the Endurance Space Station is ready to enter the wormhole after arriving at Jupiter. This high-dimensional space that only exists in theory is a sphere on the screen, not a planar tunnel entrance."
"In the series of 'entry', Endurance did not 'swoosh into the sphere abstractly, but slowly approached the wormhole. As the ball became larger and larger, the spherical surface reflected the colorful projection of countless distant galaxies in the universe."
"The space station kept approaching, the surface of the sphere continued to expand and became huge."
"Then it was Cooper's hero who went to death, 'We came in'."
"Compared with the huge unknowns of the universe and the infinite details of the wormhole, the most advanced space station of mankind is so small, especially after Endurance arrived at the unknown galaxy, flying towards the huge black hole 'Gargantua'. In contrast to the bright black hole radiation, it is just a small black dot that can be almost ignored."
"The magnificence of the universe, the weak but ignorant and fearless person, is extremely shocking in visual and psychological terms, full of sad poetry."
"The second is that Cooper and Dr. Brand docked the spacecraft and the space station in high-speed rotation after the Endurance accident. The speed of the event evolution, the compact editing, the tension of the soundtrack rhythm and the untiring display of the details are all in a flash."
"I especially appreciate the scenes and docking details of the overall environment and the repeated interlude and editing of the astronauts' expressions in this section. There is no shot in a second, and there is no moment when people breathe rapidly and their heartbeats will be accelerated."
"Science fiction novels Liu Cixin, the author of "Three-Body Problem", said in an interview that after reading Clark's science fiction novel "2001: A Space Odyssey", he 'suddenly felt that everything around him disappeared', 'faced lonely with this huge mystery that the human mind cannot grasp'. "
"Real science fiction should be that people feel the grandeur of the universe, and they should finally stop on the road to night shift one day and look up at the starry sky for a long time. "
" Such a look is the ultimate charm of science fiction."
"But only rely on 'fantasy', science fiction works cannot be established."
"Without sufficient solid scientific details to support and present imagination, the work can only be 'suspended' and 'Hua Fantasy'."
"The more solid the scientific details in science fiction works, the stronger the charm of the fantasy part."
"I think the most fundamental benchmark for evaluating the charm of a science fiction movie must be scientific details and the visual expression of science. The plot is second, serving the derivation of science and imagination."
"When Interstellar performance is unknown, lacking reference systems or evaluation standards, the carefulness of scientific details reflects the creator's sincerity."
"Although not all details can withstand scrutiny, the following elements in Interstellar have laid a solid foundation for their hard science fiction status."
"1. The setting of human destruction - the realism of environmental deterioration."
"2. The design and rotation of the space station produce artificial gravity."
"3. The projection form of high-dimensional space in low-dimensional space."
"4. The theory of relativity's conjecture about space-time distortion (including great exaggeration, such as one hour in an alien world and only 1.3G in the case of seven years in the world)."
"5. The external visual form of the black hole."
"6. The tidal force of the black hole."
"7. The fantasy of the space-time singularity inside the black hole."
"The sphere display of the wormhole is a milestone in science fiction movies and will be included in the history of film."
"Even the robots that pay tribute to the black stones representing the ultimate secret of the universe in Kubrick's movie "2001 Space Odyssey" will become classics because they are separated from the human form and have a clever and novel design."
"2. Issues of Values." "Director Wang showed two attitudes to preserving the fire of civilization in "Interstellar". He made humans finally return to the only value scale - love after experiencing high-dimensional space, time distortion, black hole, and technological development all the way. "It is hard not to remind a Chinese science fiction fan of "The Three-Body Problem". "My personal view on "sensationalism" is neutral - after all, a work must strive to mobilize people's hearts, and I even appreciate the conclusion that "love" is the final key to solving human survival problems." "The key to causing sensationalism is not the love itself, but the way of expressing this "love", especially in a serious hard science fiction movie, "how to incite" is the key."
"
"A good science fiction work is actually very similar to how we build models in scientific research: the 'fantasy' part is to establish assumptions - the technological development that cannot be achieved at present has become a reality, and conjectures that cannot be verified have been confirmed at present, etc.; the 'science' part is to all the evolution of events and plots after the assumption. Everything strictly follows logical relationships based on the assumption, presenting reasonable evidence and argumentation process."
"Science fiction can be imaginative on the premise of setting up assumptions, but after this, it cannot be deduced randomly, and cannot be lost in logical associations. "
"Even if the result points to emotional beliefs that transcend logic, the derivation process must strictly abide by thinking logic, and by chance, it will inevitably present the relationship between the series of events, step by step towards the ultimate truth that is finally inevitable."
"Before analyzing "Interstellar", let's briefly review how Liu Cixin made the fate of the universe guide love in "The Three-Body Problem". "
"There are two key characters in "The Three-Body Problem", one is Luo Ji, and the other is "Holy Mother" Cheng Xin". ”
"The former was a cynical gangster who finally walked out of his own small world until he took on the fate of all mankind. The opportunity was to save his wife and children in the 'Doom War'."
"Although the final destination of love was Luo Ji's family, the competition between the emotionally driven human civilization and the purely logic-driven three-body civilization runs through the entire "Three-body" series."
"In other words, the appearance of 'love' has a very sufficient foundation in the whole story, and it is from the very beginning. It was designed and closely penetrated into the character's behavioral choices and the final story direction, especially at the end of "Three-Body Body II", Liu Cixin even arranged the observer of the Three-Body Civilization to emphasize the great significance of love to the development of human civilization. "
"The character's logic is reasonable and unified in the choice of love from beginning to end, and does not need to transcend the belief of logical thinking. ""The return of love at this level is not sensational."
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"The Three-Body Problem" always has a logical gap in love at the level of Cheng Xin, and it requires a leap of values, which is for sensationalism."
"However, such sensationalism was finally realized through a series of processes of technological evolution, historical deduction, and terminal direction of the universe's destiny. It penetrates rigorously, slowly, and step by step until it eventually becomes a philosophical ideological sublimation."
"Even if readers have completely different views, if they don't buy this ultimate conclusion of 'love is eternity', they still have to admire Liu's narrative process of guiding the entire universe toward love."
"So compare, how was Wang Shu sensational in "Interstellar"?"
"He actually has a good foundation. Whether it is the long seemingly unrelated family life on Earth, or the video call from Cooper watching children grow up little by little in the space station, it is paving the way for the return of love later."
"Anne Hathaway's character, Dr. Brand, seeks to explore another planet with his intuition, and calls out that love may be a whole human being but has real cosmic power, which is even more a key to the plot arrangement. It seems unintentional, but it is the key to opening the puzzle of the whole movie."
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" In the black hole, Cooper finally realized it and explained to the robot Tars why the 3D projection of the small high-dimensional space that he existed happened to be the day before he left the earth. He said love, as a force, guided him to this direction - it was as if gravity determines the position of objects in the space in the three-dimensional world. Love, as a high-dimensional "quantum force", can determine the position of a person in the high-dimensional space, that is, when and where people will appear in the low-dimensional space projection."
No mistake, one song, one content, one in 6, one book, one bar, one read!
"Later, before Cooper lost consciousness, he saw Dr. Brand when they passed through the wormhole, and had that mysterious handshake, which was also the power of love."
"In "The Three-Body" (and most science fiction works), love, as a belief that transcends physical laws, is the power of the human spiritual world separated from physical space. Humans' return to love is the coordinates that confirms their own value of existence. This return is abstract and philosophical."
"But in "Interstellar", love is no longer an abstraction."
"But in "Interstellar", love is no longer an abstraction."
"But in "Interstellar", love is no longer an abstraction." The mental power of the universe is depicted as a concrete and practical force of quantum state in high-dimensional space, similar to gravity, electromagnetic force, strong interaction and weak interaction forces. It actually participates in the material composition of the universe, and may even be a basic force form in high-dimensional space. "
" "The mechanics explanation of "Interstellar" attempts to perform in "The Mechanical Explanation of Love" is extremely breakthrough and amazing." "
"After saying so much, I actually want to recommend Liu's science fiction novel to Director Wang." "
"I think with Director Wang's ability to shoot science fiction movies, he has the ability to bring Liu's science fiction works to the big screen."
"Although Director Wang takes over the project of "Interstellar", he has already had a legacy project in the first version."
"But, I think with Director Wang's talent, there is no problem in filming and television about Liu's science fiction works."
"I hope that in the near future, I can see a science fiction movie adapted from our domestic science fiction works in the theater."
"Even if it is a work or production, it is completed by our country!"
"
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Address of this blog post, there are many comments left by netizens.
A bowl of spicy noodles: "I can't wait to go into the cinema at midnight and watch "Interstellar". I can only say that Director Wang is worthy of Director Wang. I don't know how capable he is in shooting other thunder movies. He is really good at making science fiction movies!"
"To be honest, after reading the teacher's reviews, I look forward to Director Wang being able to film Da Liu's film and television works next."
"Relying on Director Wang's talent, I think he should be able to perfectly adapt Da Liu's science fiction works into scripts and make them into movies and put them on the big screen."
"Looking forward!"
Bobu Xiaobian: "I am also looking forward to Director Wang making Da Liu's science fiction works into a movie! @Wang Shu."
Maria Daze: "@Wang Shu, recommend "Three-Body Problem", recommend Da Liu's science fiction works."
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Under this blog post, although there are many comments about the movie "Interstellar", most of them are recommending Da Liu's science fiction works to Wang Shu.
at the same time.
Director Chen got up early in the morning and had breakfast, dressed up, then looked at Chen Hong, and said, "Let's go and go to the cinema to see Wang Shu's new film."
"Aren't you unhappy to watch his movie?" Chen Hong deliberately ran after hearing this.
Director Chen is really not happy to watch it, but he turned on his computer in his study in the morning and searched for the reviews of "Interstellar" after the release of "Interstellar". Seeing multidimensional space, white holes, black holes, spacecraft, space stations, etc., aroused his interest.
He knew very well that if he didn't go to watch it, Chen Hong would go to the theater to watch the movie and tell him, and then he would be curious and go to the theater to see what was going on.
Since that's the case, it's better to go directly to the cinema with Chen Hong.
Director Chen sneered and said, "I'm going to watch his movie? I'm going to watch the project left by Spielberg in Paramount."
Chen Hong was happy and continued to joke, "Where is the project of Spielberg?"
"Have you heard that? Wang Shu's version is a script he changed himself, and it's a long time ago different from Spielberg's version."
Although he was talking about it, he went to the cloakroom to change clothes on his legs.
Director Chen snorted coldly when he heard this: "Even if it is different from the project left by Spielberg in Paramount, it is also based on the project left by Spielberg in Paramount."
Chen Hong has already gone to the cloakroom now, and after hearing this, she is too lazy to answer the conversation.
After a while, she was dressed neatly and went out to the cinema with Director Chen.
Sitting in the car, Chen Hong couldn't help but ask deliberately: "You said... how many box office can Wang Shu achieve in the end?"
"I haven't even watched the movie, how do I know?" Director Chen responded angrily.
Chen Hong smiled and said, "I just asked you if I haven't watched the movie. If I had watched the movie, I wouldn't ask." (End of this chapter)