Chapter 1451 So that's it
Involuntarily, Jon swallowed a mouthful of saliva, nervous, anxious, uneasy, like a drop of hot sweat, slowly sliding down against his temples.
They were worried that Anson would focus on image and closed the door.
Generally speaking, comedy movies are often linked to labels such as "breaking the image", "scam and fart", "spoofing ugly", etc. This requires sacrificing one's own image. Only those fat men, hairy men, and ugly monsters are willing to sacrifice their image to play comedy, while handsome guys are responsible for showing off their handsome looks in other movies.
It is precisely because of this that countless women say that a handsome guy who is willing to be funny and a gentleman with a sense of humor is often more charming—
After all, it's rare.
In the past six months, Ansen's attitude and determination shown in various actions seemed to be ready to break the image of the vase; but taking off the label of the vase and sacrificing the image are still two different things, they are different. "Ah, no." Scott was seizing the opportunity, but Jon was conscious of the fatal injury.
Damn it!
When they discussed the two of them, they had a smooth flow, everything was perfect, and they claimed to be considerate and considered everything inside and outside.
As a result, I really stood in front of Ansen, and then I found that there were loopholes and holes, one by one, and the plan had already deviated from the track.
Jon had the urge to drill holes in the ground.
Looking at Anson in front of him, Jon forced himself to squeeze out a smile, but he believed that this smile might be more scary than the clown.
Anson noticed that even though he sat on the sofa, Jon and Scott stared at him condescendingly, his vision was still as clear as ever.
Anson's lips gently raised, "Relax, this should not be the most worrying issue I need to worry about now, right?"
Comedy?
It's a little bit meaningful.
Anson looked at Jon, "This is a fresh idea. Although Hollywood has many movies of hangover, there are almost no one who makes a hangover."
Shooting comedy with suspense is the fundamental reason why "hangover" can become a dark horse in the box office -
It creates a suspense, firmly grasps the audience's curiosity, and tries to clear the fog and find the truth; and director Todd Phillips' control of rhythm and the presentation of suspense are undoubtedly the biggest contributor, allowing the movie to always grasp the center of gravity in a mess and messy mess, avoiding losing the audience's attention. The whole movie is like a roller coaster, completed in one go.
It's a bit incredible, but those humor and laughter are just embellishments.
In other words, creativity is the core of the entire project.
So, Ansen was straight to the point and went straight to the point.
Jon breathed a little relief, as long as Anson did not reject the comedy project from the beginning, it meant they still had a chance.
"Yes, indeed," said Jon. "This is from a real event."
"Our friend, Tripp-Vinson, a producer, who made 'after sunset' is about to be in theaters in November, Pierce Brosnan, Salma Hayek, Woody Harrison, a very, very good producer."
"Not long ago, he got married, and the bride was William Morris' agent, and we prepared a surprise for him and took him to Las Vegas for a farewell bachelor's party."
Anson raised his jaw gently and looked at Scott.
Jon noticed, "Yes, as Scott just said, that's how it happened."
"Then, Tripp disappeared, from his farewell bachelor party, the next day, he woke up at a club, completely without remembering what happened last night, just being asked to pay a bill, a very, very, very big bill." "We got inspiration from it, if Tripp didn't know where he was and couldn't contact us, and was completely missing? And we have to recall what happened last night, or Adriana - his fiancée - would have killed us."
Ahhh, so that's it.
It turns out that the emergence of this inspirational creativity is not how genius Jon and Scott are, but events from real life, or even identical events. Just a little push on the existing events, it is more dramatic and crazy, and the script is out.
Then, many things can be explained.
Now, Anson believes that the project Jon and Scott are talking about is what he knows as the "hangover".
Perhaps, Jon and Scott only have one inspiration and one creativity, and the script is still not funny enough. It can be lines, plot connections, or rhythm control; although the script is out now, it has not been appreciated for a long time. Later, after being appreciated by wise eyes, it was re-written and polished by Todd Phillips, which led to the later "hangover".
Time point is not surprising.
Jon felt a little dry and couldn't help but pursed his lips and looked at An Sen with a nervous expression.
An Sen did not answer immediately, but signaled, "Sorry, please forgive me for your rudeness. I have never invited you to sit down."
Jon was delighted, and a heat current surged into his chest like this—
This meant that Anson was willing to have a formal conversation with them. They seized a minute of opportunity.
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Jon turned his head to look at Scott, and was about to exchange a glance, but found that Scott had already sat in front of Anson, and even asked with a smile, "Can I order a cup of coffee?"
Jon's chest was blocked!
But Anson relaxed and chatted with Scott, chatting about the weather and coffee until Jon and Scott's coffee were also served, and he was patiently waiting for the two of them to moisten their throats. His appearance seemed to be ready to continue talking about the air in New York, which made Jon couldn't help but feel anxious.
"Ansen, then, then we..." Jon stammered and hesitated to himself, interrupting Ansen, but was embarrassed to say it directly.
Ansen laughed silently, "Oh, yes, I'm wasting my precious time in a daze chatting with two strangers. Why don't we get back to the topic?"
Jon was a little embarrassed when he heard Ansen's joke.
Scott laughed heartily, "Anson, you are very humorous. Someone said, should you try to watch comedy?"
Take advantage of the situation!
Anson laughed out loud, but did not respond to Scott, "But why is it me?"
"I mean, this is an interesting project, you only took sixty seconds to grab my attention, but I believe I should not be the only one."
"You just mentioned Tripp Vinson? He is the producer himself, just look at his co-star list and know that he should have his own way."
"And, Tripp's wife--let me pray that they will enter the marriage hall smoothly--Adriana is also an agent, and she is William Morris's, and I believe she should not be an unknown person either."
"Also, what about you? Judging from your preparations just now, this should not be the first time you have promoted your own project. You shouldn't be left alone, right?"
"So, why is it me?"
Rational, sober, wise, and sharp.
Even when facing flattery, I was not lost, and even in the Vanity Fair, I was always sober. Anson immediately grasped the key points of the matter -
Refused to be fooled easily.
(This chapter ends)