Takeuchi and the others chatted with Zhou Yan for a while before saying goodbye, but they kept the translation for Zhou Yan.
They asked for a translator just to give Zhou Yan and the others some of them. They couldn't use them themselves, so it would be best to stay.
Not long after, another acquaintance came over with a smile.
"Zhou Yanjun, it's been a long time since we met."
Zhou Yan looked at Hattori Jiro and said with a smile, "It's indeed a long time since we met."
Hattori Jiro is the director of Shiseido's business department. Zhou Yan had contacted him before because of advertising, but they had never met again since then.
Shou Yan is no longer the spokesperson for Shiseido, and the contract between the two parties has expired.
Shiseido certainly hopes that Zhou Yan can continue to be their spokesperson. After all, during the period when Zhou Yan was a spokesperson, the market feedback was very good.
But Zhou Yan no longer accepts advertisements. The reason he accepted this advertisement back then was purely because Shiseido gave a lot of money, but now he no longer looks down on the advertising fee.
When you have that time, you have to earn back the advertising fee if you do something else.
The most important thing is that spokespersons are risky when they are present. If the brand encounters any problems, the spokesperson is likely to be affected. Zhou Yan does not need to take this risk.
However, Joey Wong is still the spokesperson for Shiseido, and the endorsement fee has more than doubled.
Precisely because Joey Wong is the spokesperson of Shiseido, "The Traveler in Time and Space" premiered today, and it is reasonable for Hattori Jiro to come to the scene.
Although Zhou Yan did not endorse Shiseido, the contact between the two parties has not been broken. To this day, "The Street in the Wind" is still Shiseido's advertising song.
Zhou Yan handed over "The Streets in the Wind" to Shiseido for advertising, which is also considered by the industry to be the best advertising cooperation in recent years.
Last year, a magazine made a list of the top ten popular advertising songs in recent years, and "The Streets in the Wind" ranked first.
The second place was the song "Meteor" written by Zhou Yan for Panasonic Electric.
In fact, from a global perspective, "Meteor" has become the song "yellow" and is sung by backstreet boys, so its popularity is much higher than "The Streets in the Wind".
However, when most people hear "Meteor", the first thing they think of is the backstreet boy group and the song "yellow" they sang.
When when Neon music fans heard "The Streets of Wind", most people's minds were Shiseido. This song has formed a bonding relationship with the brand Shiseido.
When we met again, Jiro Hattori was also very direct and asked with a smile, "Do you have any idea to be our brand spokesperson again?" Zhou Yan smiled, "I'm afraid I don't have time to be a spokesperson now, and your spokesperson has been performing well in recent years and does not need another spokesperson." Jiro Hattori didn't think that he could really convince Zhou Yan. He just tried it. Seeing that Zhou Yan refused, he nodded, "Ms. Wang Zuxian, our current spokesperson, is indeed very good. Of course, we still hope to have the opportunity to cooperate with you again in the future."
Compared with other large companies in Neon, Shiseido's business is still relatively single. They basically only do daily chemical products and rarely get involved in other industries.
So, when they cooperated with Zhou Yan, it was basically the only one left to be the brand endorsement for them.
Zhou Yan himself should not be the spokesperson for Shiseido anymore, but it does not mean that they have no possibility of cooperation.
Now, Zhou's entertainment has more and more artists, and they will naturally accept various endorsement contracts in the future. Big customers like Shiseido must maintain them, and they may be useful later.
Wang Lihong is just about to prepare for development in Neon recently, and maybe we can match Wang Lihong as the spokesperson for Shiseido.
Making money is one aspect, and being able to get Shiseido's endorsement is also beneficial to Wang Lihong's development in Neon.
Zhou Yan was able to develop so rapidly in Neon, to be honest, has a certain relationship with Shiseido. During the two years he was the spokesperson for Shiseido, Shiseido helped him promote a lot.
Especially the advertisement he shot for Shiseido was posted in neon places by Shiseido.
Hatsuke Jiro talked with Zhou Yan for a while, and raised his hand to say goodbye.
Juso Hattori just left here, and Sakai Izumi walked over with a smile.
But just as Sakai Izumizu said hello to Zhou Yan, the translator had not finished translating her words yet, and Akina Nakamori and Shizuka Kudo ran over. "What a coincidence, Sakai, you are here too." Kudo Shizuka smiled.
Seeing Kudo Shizuka and Akina Nakamori suddenly came, Sakai Izumi was a little surprised, but she didn't take it seriously, and she was even quite happy. After all, she had a good impression of Akina Nakamori and Shizuka Kudo. "You are here too." Sakai Izumizu replied with a smile. "You haven't appeared in front of the public very much recently." Kudo Shizuka smiled.
Sakai Izumi nodded, "Well, I haven't participated in a TV show for a long time, but I still participate in many offline activities."
"For example, an event like today?"
Sakai Izumizu waved her hand, "I'm not here to participate in the event today. I just want to watch a movie. I happened to meet Zhou Yanjun on Asahi TV the day before yesterday. I learned that "Time and Space Love Traveler" had an early preview, so I asked him to get the ticket for me."
Shizuka Kudo glanced at Zhou Yan and thought to herself that Zhou Yan did not lie to them.
Zhou Yan was taken by her and was a little confused. The three of them were talking in neon language, and he couldn't understand it. Although there was an interpreter standing next to him, he couldn't ask.
Sakai Izumizu originally wanted to talk to Zhou Yan. She met in a hurry on the TV station last time and didn't say anything. She felt it was a pity.
Zhou Yan has many female fans in Neon, and Sakai Izumi is one of them.
At the beginning, Sakai Izumizu just admired Zhou Yan in an ordinary way. It was not until the Qingyinfang played on the show with her that Zhou Yan showed off her talent on the spot that she was truly conquered by Zhou Yan's talent.
Since then, she has also begun to pay more attention to Zhou Yan.
But she is usually very low-key and rarely appears in front of the public. Zhou Yan rarely comes to China, so they have never had any interaction.
In addition to chatting, Sakai Izumizu also wanted to ask Zhou Yan if she could give her a ticket to the Forbidden City concert.
She really wanted to see it, but she had no way to get the ticket.
This time I met Zhou Yan at Neon, it was a chance to meet him.
However, as soon as she came to Zhou Yan, she was pulled and Shizuka Kudo and Shizuka.
Faced with such enthusiastic two seniors, Sakai Izumizu couldn't say anything, so she could only hold a smile and deal with the two of them. Seeing that they were having a lot of chatting, Zhou Yan smiled and turned around and sat down. It shouldn't be long before the movie would begin.
And before the movie begins to be screened, there should be a small ceremony.
Although today's show did not claim to be the premiere, the specifications are actually similar to those of the premiere.
That is, the media has come a little less, otherwise it would be similar to an ordinary premiere movie.
The premiere ceremony on Neon is quite boring. Usually, the main creators stand in front of the curtain, interact briefly with the people on the scene, and answer a few questions, and it is over.
…
Ten minutes later, the red curtain on the stage slowly opened, revealing the big screen inside.
After the screen was completely opened, the big screen lit up red, with several lines of white characters on it, and the largest line reads: Video release license.
In fact, the newly promulgated "Movie Management Regulations" issued new regulations have been issued last year, and the "Film Opening License" has been renamed to "Film Opening License", but it has not been enabled yet, so the old name is still used.
This release license looks not very good-looking, a bit simple. In comparison, it is still the later Dragon Biao.
The most new ⊥小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小小
Zhou Yan was a little surprised to see the license. He thought he would hold a ceremony first before the movie would be played, but he didn't expect it to be played directly.
After the license, Zhou Yan appears in the next screen.
When I saw Zhou Yan, a burst of cheers rang out in the cinema.
There are nearly 500 seats in this cinema in Marunouchi, and it is basically full today.
The people who came to the theater today include lucky audiences, special guests, leaders of various theaters, and professional film critics.
These people should have a smaller reaction than ordinary audiences when they came out, but when Zhou Yan came out, everyone's reaction was not weak.
Takeuchi Takashi couldn't help but nod. Sure enough, Zhou Yan's face could win a lot of box office.
This has nothing to do with being handsome or not. After all, in the movie, Zhou Yan's makeup also makes him in an ordinary direction, and it seems that he is not as handsome as he is.
If you want to see him, you just simply because he is Zhou Yan.
Sakai Izumi sat in the second row, just behind Zhou Yan. She looked at Zhou Yan on the big screen, then looked at the back of Zhou Yan's head in front, resisted the urge to talk to Zhou Yan now, took a deep breath, and focused on the movie.
She decided to wait until the movie was finished before talking about the tickets for the Forbidden City concert.
When Sakai Izumizu watched this movie, it was mainly for the music inside, and the movie did not disappoint her. The soundtrack appeared quickly, and there were three songs as soon as it appeared...
Before, Sakai Izumizu read the news that the number of soundtracks in "Time and Space Love Traveler" was greater than all the previous movies of Zhou Yan.
She was still skeptical at the time. After all, there were so many soundtracks in "The Spring of the Cowherd Class" that it was difficult to be surpassed.
But halfway through "Time and Space Love Traveler", she believed what was said in the news.
The number of soundtracks in this movie has reached a terrible level.
In theory, it is not very terrible. There are more music in many movies than this movie, but the problem is that Sakai Izumizu has never heard of the music in this movie before, and according to Zhou Yan's style, these music should have been written by him himself.
Even the background songs that appeared at the dance are the same, none of which has been heard by Sakai Izumizu.
Sakai Izumizu was very excited to hear so many good songs at once, and she couldn't wait to hear the soundtrack of the movie.
The film critic Ken Kobayashi, who is sitting behind Sakai Insumi, also pays attention to music. After all, it is Zhou Yan's movie, and people cannot ignore the wonderful music inside.
However, he still focused more on the plot of the movie. Zhou Yan's music can keep the lower limit for this movie. That is to say, no matter how bad the movie is, as long as the music is good, the box office will not be too bad, and Zhou Yan's fans will pay for the music inside.
But if you want to see the box office limit of this movie, you still have to look at the overall production level.
In fact, after just under 15 minutes of watching it, Ken Kobayashi had basically concluded that "Traveler Love in Time" will occupy a place in this year's neon box office rankings.
Even if you can't enter the top ten, there should be no problem with the top fifteen.
According to Neon's box office last year, as long as the rationing revenue exceeds 1.5 billion Neon coins, it can enter the top ten, and Zhou Yan only enters the top ten this time.
This is nothing surprising. After all, the rationing income of Zhou Yan's several movies is at least 130 million.
In Ken Kobayashi's opinion, the movie "Time and Space Love Traveler" is very in line with the taste of Neon fans. In addition, this promotion is better than the previous movies, and maybe the box office can surpass "The Sixth Sense" and become Zhou Yan's highest-grossing Neon movie.
Of course, this is all his personal opinion, and ultimately it depends on the market verification.
After staying in the film industry for so long, Ken Kobayashi understands one thing: There are many factors that affect the box office of a movie, and they usually can only see a rough idea.
Just like the movie "Traveler Love in Time and Space", he could almost say that the rationing income would not be less than one billion neon coins, but if he guessed it up, he was not sure.
The possibility of 1.5 billion is relatively high, and 2 billion is quite possible. As for 2.5 billion or even 3 billion... he was neither sure to say that it could be achieved nor sure that it could not be achieved.
Of course, predicting the box office is not something Ken Kobayashi has to do. All he has to do is write down his ideas for readers after watching the movie.
…
The movie was two hours. Although the pace seemed very slow, there was no point in peeing. The audience was completely introduced into the film world by Zhou Yan's art of light and shadow, as if they could not feel the passage of time.
During the movie, you can hear the audience laughing or exclaiming from time to time.
The one who screamed the most should be the scene where the male and female protagonist got married. You can hear the screams of many girls in the cinema.
The wedding in the movie is invincible to girls, especially with the song "howlongwilliloveyou", which is already familiar to everyone, it makes people unable to withstand it.
Neon audiences are a group of contradictory existences. They like the slightly perverted storylines, while also loving this fresh pure love story.
If you add some complex elements to a love story and then explore the philosophy of life in a similar way, they will like it even more.
So, "Traveler Love in Time and Space" is indeed very suitable for the appetite of neon audiences. (This chapter ends)