Robert is skilled and brave, so he naturally chose the second way of playing.
Greed, why not?
Maybe there are not so many coins in the later stage, so the amount of silver coins in the early stage is the key.
He took the silver coins and got off the bus, came to the vampire passenger, and said calmly, "I just happened to have time, so I will accompany you in."
The vampire passenger was obviously stunned, a trace of surprise flashed in his eyes, but he quickly returned to peace.
He nodded, without saying anything, and took Robert toward the manor.
Outside the manor is a tall wall with rusty marks on the iron door, as if no one has taken care of it for a long time.
The vampire passenger pulled out an ancient key from his pocket, inserted it into the keyhole, and turned it gently.
Click!
The iron door made a harsh sound and slowly opened.
The sound of the door shaft rubbing seemed particularly harsh on the quiet night, as if some sleeping monster was awakened.
As the iron door opened, a group of bats flew up from the darkness behind the door, flapping their wings and disappeared into the night sky, indicating the danger here at all times.
Walking into the manor, Robert's eyes quickly glanced around.
He saw some "sculptures" placed on the grass next to him. These statues were of different shapes, some of which looked like humans, and some of which were hideous ghosts.
They stand or kneel, with different postures, but without exception they all have a strange atmosphere.
Robert observed carefully and found that the statues were not placed casually.
The grassland is actually a huge chess board, and these statues are chess pieces placed on the chess board.
But from this perspective, the overall picture of the chessboard is not clear, and only the local layout can be seen.
"It seems that there should be some tips here, but I can't see them now."
Robert murmured inside, then his eyes turned to the tall building in the middle of the manor.
It was an ancient Gothic building with a spire pointing directly to the night sky and the windows were closed, shrouded in an unknown atmosphere.
Robert's eyes looked back and forth on his buildings and statues, and there was already some speculation in his mind, but he did not say it out loud, but just followed the vampire passenger silently.
The two walked along the stone road towards the building, and the footsteps seemed particularly clear on the quiet night.
Robert asked as he walked, "You should be all vampires, right?"
The vampire passenger nodded, with a hint of helplessness in his tone: "Did you see it? That's right, I'm a vampire, and the place I'm going to is very dangerous."
He paused and turned to look at Robert, "Then are you sure you want to go in with me? It's still time to look back."
Robert had no expression on his face, but he said calmly: "No problem, in my eyes, you are just a passenger."
Robert knew that his profession was not a cardinal, but a taxi driver, so he needed to abide by the rules of taxi drivers.
As if something had happened, Robert continued to ask, "What are you doing here?"
The vampire passenger was silent for a moment, with a hint of sadness in his tone: "Wait for someone, make a deal."
Robert keenly noticed his emotional changes and asked, "Is it convenient to inform the situation?"
The vampire passenger sighed and whispered, "My daughter was captured by a group of people some time ago. I have brought what those people want. In front of me is our vampire trading place. Lord Earl will preside over justice."
Robert nodded and did not continue to ask.
He knew that the vampire passengers were already in a low mood, and asking more may cause unnecessary disgust.
The two walked to the building door, and the vampire passenger raised his hand and knocked on the door, with a rhythm of three or two light.
Soon, a slight sound of footsteps came from the door, and a crack was opened.
A young woman appeared at the door, her face pale and two sharp teeth were exposed on the corner of her mouth, and she was obviously also a vampire.
She glanced at the two of them expressionlessly, then pushed the door open completely, signaling them to go in, without any intention of speaking. When he stepped into the house, Robert immediately felt a strong sense of death coming to his face.
There was a decayed atmosphere in the air, but strangely, as a vampire house, there was little blood.
Young woman holding a candle and walking in front leading the way.
The candlelight swayed, pulling her shadow long and projecting it onto the wall, making it look particularly weird.
The two followed her, walked through a long corridor and came to a spacious living room.
There is a huge fireplace in the center of the living room, and the fire burns faintly, making a "crackling" sound.
There were several ancient sofas next to the fireplace, one of which was sitting an elderly white-haired male vampire, who was looking down and flipping through a heavy book.
It seems that he has been immersed in the ocean of knowledge.
This made Robert very curious about what books would vampires read.
The vampire passenger saw the white-haired vampire and immediately showed a respectful attitude, bowed slightly and said, "Sir Earl."
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The Vampire Earl just nodded slightly and continued to read the book, but didn't even read the vampire passengers.
Robert stood aside, his eyes swept around quickly, there were only a few of them here, and the other party who kidnapped the vampire passenger seemed to have not arrived yet.
The vampire passenger just mentioned the so-called 15 minutes.
So here, as God's chosen one, Robert will definitely not wait here for 15 minutes stupidly. Isn't that just waiting to die?
The world is almost not about waiting for the chosen ones in such a dangerous situation, but about the time to wait for the chosen ones, but about the
Taking advantage of the time now, find ways to explore this place and increase the probability of survival.
Every step and every discovery in the next step may determine the life and death of the chosen one.
The vampire passenger sat on the nearby sofa, uneasy, rubbed his hands back and forth constantly, and glanced at the door from time to time, obviously not confident in this transaction.
His breathing was a little rapid, suppressing his inner anxiety.
Everything seemed to be placed on the earl, but the earl still looked down and was indifferent to what was about to happen.
"Sorry, I'll go to the bathroom." Robert stood up and said in a calm tone.
The vampire passenger nodded, saying nothing more.
The Count was still immersed in the book, and did not hear Robert's request at all, and did not care much about Robert.
Robert left the living room and walked quickly along the corridor.
The house is very big, with closed doors on both sides of the corridor, and a decadent atmosphere filled the air. The wooden floor under his feet made a slight "creak" sound, as if warning him not to act rashly.
Robert just realized that the house was very big, and it was a fantasy to find out the layout of the house within 15 minutes.
And those statues are placed on the chessboard, and you may find the mystery when you look down from a high place.
This is the prompt he could find from the intelligence.
Robert's goal was clear, finding a window that could look down at the statue, preferably the highest floor.
Thinking of this, he accelerated his pace and walked towards the stairs.
Just as he stepped onto the stairs, a slight sound of footsteps suddenly came from behind him.
Robert's heart sank suddenly and he turned around quickly. The young woman holding the candle was standing not far away, looking at him expressionlessly.
The candlelight shone on her face, looking particularly pale, and the fangs at the corners of her mouth were shining with a cold light under the faint fire.
"Sir, the bathroom is over there." The young woman said coldly, her voice as harsh as frost.
(This chapter ends)