Chapter 629 Mother and son corpse?
In fact, not only Chen Ziyan thought this way, but other people also had similar thoughts. The guys with shining eyes couldn't help but express regret after seeing the tomb buried under the white snow. sigh.
If they still had a chance to learn from the contents of the previous films and pictures, then this hope is extremely slim now.
To put it in perspective, it’s like falling directly into an ancient tomb while taking a walk. It’s as difficult as finding a needle in a haystack.
Chen Ziyan naturally knew what these guys were regretting, but he didn't pay any attention to it. As if he didn't hear anything, he naturally turned his eyes and looked at the last picture.
This film and painting is different from the previous ones. What is depicted is no longer a complete picture, but fragmented scenes, spliced together to form a picture.
The first scene is at the foot of the mountain, which looks like the mountain range in the previous movie. In the vast expanse of snow, a man in ragged clothes is walking dragging a coffin.
Although it is not possible to see too many details due to the reduced space, it is not difficult to see through the deliberately drawn drag marks and the hole at the foot of the mountain that this fragment describes Wang Zanghai's escape from Yunding Heavenly Palace. scene.
Of course, this is about Chen Ziyan. After all, he has known the inside story for a long time, and others have not seen it so thoroughly.
Just...what's going on with this coffin?
Looking at the coffin being dragged by a painted figure, Chen Ziyan was filled with doubts because this was something that was not in the original plot.
Is it possible that the twelve-armed female corpse is in the coffin?
After thinking about it, Chen Ziyan couldn't help but think of the deformed female corpse he saw in the golden nanmu before.
Originally, he thought that the deformed corpse was the work of Wang Zanghai, but now it seems that there may be other possibilities.
However, Chen Ziyan did not make any assumptions. He just kept this guess in his heart and continued to look at the other content below.
He felt that the remaining content of the film, even if it could not directly answer his questions, would definitely bring some enlightenment.
It turns out that his idea was right, because the next picture directly gave the answer.
The second scene of this film is on a coast. There are many ships docked on the sea. There are two people standing opposite each other on the shore. Next to them is the coffin.
Although this is the content of this scene, anyone with normal logical thinking can connect the two.
If you look carefully, even the size of the coffin in the two scenes is the same.
After his eyes paused for a moment, Chen Ziyan continued to look down. The next few scenes were all very similar. They were all the process of building an undersea tomb, which was similar to the murals seen in the ship coffin.
After watching the entire video, Chen Ziyan mentally sorted out the whole thing in a rough order.
If his analysis is not wrong, this should be what happened after Wang Zanghai escaped from Yunding Heavenly Palace. It seems that when Wang Zanghai was building Yunding Heavenly Palace, he not only got a glimpse of the secret of King Wannu and the Bronze Gate, but also escaped When he arrived, he also took a corpse with him.
As for why Wang Zanghai didn't directly get the body of King Wannu, Chen Ziyan felt that it was probably not that he didn't want to, but that he simply couldn't do it.
After all, as far as he knew, King Wannu might not really be dead. It was more likely that he had entered the Bronze Gate.
This also explains why a female corpse appeared in the undersea tomb, because Wang Zang couldn't get the corpse of King Wannu.
As for the origin of the female corpse, Chen Ziyan felt that it was either the spare body of King Wannu, or a concubine buried with him. No matter how you say it, this corpse still has twelve arms. Not everyone in the Dongxia Ancient Kingdom can have this. It is definitely an existence that has a close relationship with King Wannu.
No...
But as soon as the idea emerged, it was overturned by Chen Ziyan himself.
Because he discovered a problem, that is, this could not explain the origin of the White-haired Han Demon.
If the female corpse was brought out from Yunding Tiangong, where did the child corpse come from?
No matter how good Wang Zanghai is, he can't make a corpse pregnant and give birth, right?
Chen Ziyan feels that this cannot be explained, and the above two guesses cannot be truly established.
But according to the description in the film and painting, Wang Zanghai did bring out a coffin from Yunding Heavenly Palace. He would not simply think that it was empty.
Maybe other people would take the coffin out because of the material, but this person would definitely not be Wang Zanghai, and given Wang Zanghai's character and status, he would not solemnly record the belongings brought out.
That’s too out of style, okay!
So Wang Zanghai must have brought out the corpse from inside, and the one that meets the requirements in the undersea tomb is the twelve-armed female corpse no matter how you look at it.
But the problem is that this cannot explain the existence of the white-haired drought demon. Whether it is what he has seen before or the memory of the original plot, it seems that the white-haired drought demon is related to the twelve-armed female corpse.
It is self-evident what kind of connection there will be between a once-pregnant female corpse and a child corpse. What else can it be other than the relationship between mother and child?
etc!
The relationship between mother and child... Could it be that what Wang Zanghai brought out was the corpse of mother and child?
A flash of inspiration made Chen Ziyan suddenly think of another possibility.
He just thought that when Wang Zanghai brought the female corpse from Yunding Heavenly Palace, it was impossible for the corpse to be pregnant, but he completely ignored another possibility.
That is, the female corpse and the child corpse were buried in the same coffin, which explains the matter.
After thinking about this possibility, Chen Ziyan reviewed the whole thing again, and the more he thought about it, the more likely it became.
He turned his head and glanced at the white-haired Hanba being held by Huahu. This guy was still struggling, but it was all in vain.
After taking a closer look at the little Drought Demon, Chen Ziyan slowly had a suspicion in his mind that this might not be a pure Drought Demon because it was too active.
Chen Ziyan hadn't realized it before, but now he suddenly discovered that the little drought demon's constant struggling behavior was more like the reaction of a young animal after being captured than the corpse.
This discovery gave Chen Ziyan another idea in his mind: Is this little Han Demon really a pure child corpse?
If this little Hanbao was born from a twelve-armed female corpse, then it must be a child corpse, but if not, there is something to tell.
Not knowing where the inspiration came from, Chen Ziyan suddenly thought of a word - cultivation warehouse.
He is now very suspicious that Xiao Hanba is the existence created by Wang Zanghai, and the twelve-armed female corpse he brought out from Yunding Heavenly Palace serves as a 'nurturing warehouse'.