Chapter 214 It seems that there is really no one in the mainland
“Alas!”
Zhang Jingchu sighed heavily.
She originally had the opportunity to establish a relationship with Wang Shu, and then use Wang Shu's talent and strength to go higher and further.
Now, all I can do is watch Jiang Wenli win the Best Actress award at Cannes.
We can only watch as the small screen actress suddenly becomes the heroine of the second domestic movie with a box office of over 200 million!
And she is now a big screen actress.
However, I can only watch.
Small screen actors, also known as TV actors, are actually very rare who can successfully transform into big screen, that is, movie actors.
The reason is that the performance methods and performance rhythms of TV actors and movie actors are very different.
The form and rhythm of a scene performed by TV actors are very good in a TV series, and the audience seems to think it is good.
However, if the same performance form and rhythm are placed in a movie, the audience seems to have only the idea of slapping their butts and leaving.
Moreover, TV drama actors, due to their long-term appearances in TV dramas, have developed the habit of performing in TV dramas over time.
And this is fatal in the movie.
It can be said that excellent movie actors can act in TV series.
And few excellent TV drama actors can act well in movies.
This gap is also one of the reasons why film actors have a higher status than TV drama actors in the film industry.
For the fourth time, apart from Zhang Ziyi, who started her career in movies and established herself in the film field, and Zhou Xun, Li Binbin, Zhao Yanzi, and Fan Binbin did not succeed in transitioning from the small screen.
As for Xu Jinlei, this is a young director and can be ignored.
Except for them, Hu Ge, Yang Mi, etc. did not succeed in their transformation.
Although Yang Mi starred in "Tiny Times", her career as a film actress was not successful.
In the final analysis, if an actor wants to stand out in the film field, in addition to excellent acting skills, he must also have a performance method and rhythm suitable for the film.
Some actors have acted in many TV series, and their acting skills in TV series are very superb.
But this acting skill comes from the way and rhythm of acting in TV series. In a movie, the director would just shake his head after watching it.
Because a movie takes more than two hours at most to tell the story, the actors' performance methods and rhythms must be different from those of TV dramas.
Zhang Jingchu knew these reasons, so she felt that if she had an intersection with Wang Shu back then, and then became friends, it would even go further.
As a film actress, she will inevitably be more favored by film directors.
Add these together, and the role will be hers.
But I missed it back then.
At first, she didn't sigh like this until "Time Traveler" beat "Baby Project" at the mainland box office.
She felt more and more regretful.
At this moment, she is participating in the filming of the movie "The Disciple" with Andy Lau, Yuen Wing-yi, Wu Yanzu, Louis Koo and others in Hong Kong Island.
Originally, being able to participate in the Hong Kong film "The Disciple" was something that one could brag about in the mainland film and television industry.
As a result, after the release of the Hong Kong film "Baby Project" starring Chen Long and Louis Koo, the box office was completely crushed by "Space Traveler".
Under this situation, "The Disciple", which is also a Hong Kong film, lacks some of its strong character in the mainland. Movies starring international superstar Chen Long were suppressed by Mainland China's "Space Traveler", let alone "The Disciple" starring Andy Lau.
As for the team of Louis Koo and Wu Yan.
Louis Koo is also one of the leading actors in "Baby Project".
As for Wu Yan, he is one of the leading actors in "The Night Banquet".
Both these two movies are inferior to "The Love Traveler".
"I didn't expect that Wang Shu would become the second mainland director with a single film box office exceeding 200 million. It seems that there is really no one left in the mainland."
On the set of "The Disciple", Chen Kexin squinted his eyes .
Er Dongsheng glanced at Chen Kexin and said: "We only met once at the Chang C Film Festival in late August. It has been more than a month since I won the Golden Deer Award for "The Tuner". In the blink of an eye, he will become the second mainland director to have a single film with a box office of over 200 million. "To be honest, although he is young, he is really good."
"The Disciple." "Most of the filming locations were in Thailand and Hong Kong Island. Chen Kexin is the film's producer and Er Dongsheng is the director.
On August 25, the closing awards ceremony of the Chang C Film Festival was held. Er Dongsheng was nominated for best director for "Precocious", and Chen Kexin was also nominated for best director for "If Love".
Finally, Chen Kexin won the Best Director Award from the Chang C Film Festival.
Moreover, "Precocious" and "If Love" are also shortlisted for the Best Chinese Feature Film Award, which is also the Golden Deer Award.
However, it lost to Wang Shu's "The Tuner" and the main theme film "Taihang Mountain".
Chang C Film Festival, in order to attract these directors from Hong Kong Island, held a film festival specifically for Ye Dongsheng, and arranged to screen three films directed by him, "A Thousand Cups of Drinks", "Precocious" " and "New Love", and a meeting with the main creative staff was also arranged.
At that time, Hong Kong directors and actors such as Er Dongsheng were in the limelight.
The result is a great harvest for the Hong Kong entertainment industry.
"You are indeed capable. "Baby Project" starring Goo Jai and Big Brother was released at the same time as Wang Shu's "Space Traveler"."
"Now the box office in the Mainland, even " Not even half of "Time Traveler"
Liu Dehua was also nearby and answered the question at the right time.
During the filming of "The Disciple", Zhang Jingchu felt the deep-rooted arrogance of the Hong Kong entertainment industry towards the mainland and the contempt for the mainland film and television industry, except for a few people such as Andy Lau.
Especially Chen Kexin, his disdain for the mainland film and television industry is written all over his face.
She was also there, and couldn't help but interject at this moment: "As far as I know, the investment cost of "Space Traveler" is only 20 million, and it is still a science fiction film."
"Haha "When Chen Kexin heard the word science fiction film, he couldn't help but sneered, "Hong Kong Island has been making science fiction films for more than 70 years."
"It's been more than thirty years since then. .”
These words left Zhang Jingchu speechless. She originally wanted to continue to refute the fact that there were science fiction films in the mainland before "Space Traveler".
But it seems that even the earliest science fiction films were not as early as Hong Kong Island.
Liu Dehua said timely: "The "Crazy Stone" I previously invested in, directed by director Ning Hao, was also a low-cost movie."
"Although the box office was very good, it was not as good as Compared with "Time Traveler", it is still much worse."
Chen Kexin heard Andy Lau say that even though "Crazy Stone" is not a Hong Kong film, because it is a movie invested by Andy Lau, he feels that Hong Kong Island is. Being suppressed by Wang Shu from the mainland, I suddenly felt unhappy.
He immediately made up for this and said: "That's because the publicity of "Crazy Stone" was insufficient."
"If the publicity of "Crazy Stone" was as good as that of "Space Traveler", the box office would definitely be more than 23 million. ”
(End of this chapter)