Chapter 274 Sorting out the sparks
Anson raised his chin slightly, showing a look of understanding, but did not speak in a hurry. Kristen's idea was correct, but he also needed to sort out his thoughts:
The key, where is it?
Mary Jane fell in love with Spider-Man, and then fell in love with Peter Parker. Here, the screenwriter played a trick. It was a natural and logical thing for the audience, because they knew that Peter Parker was Spider-Man. Xia, completed the handover without any obstacles while watching the movie.
But for the actor, there was a piece of information missing here, how Mary Jane fell in love with Spider-Man and Peter Parker at the same time, and she was also dating Harry Osborn at the time. Woolen cloth.
In the previous life, the "Spider-Man" movie failed to explain the logic of this clearly. Instead, it cleverly used the information gap that the audience knew about Spider-Man's true identity to complete Mary Jane's emotional context quietly.
Perhaps when watching the movie, the audience cannot notice the weirdness here, but when they calm down, they can notice the irregularity and roughness. The effect presented to the audience is that Mary-Jane changes her mind when seeing each other, and falls in love with each other. .
It is a heavy blow to the fullness, three-dimensionality and charm of the character.
There is a phenomenon called the "refrigerator effect" in the film industry.
In other words, if the audience is completely attracted while watching the movie and does not notice any abnormalities at all, and does not realize the logical errors or plot flaws of the movie until they go home and open the refrigerator, then the movie It's successful.
After all, movies are also created by people, and there are bound to be some errors and loopholes; but the real charm of a movie lies in the immersion during the viewing process, so as long as the audience does not notice anything unusual before opening the refrigerator, there will be no problem.
Within the reasonable scope of the "refrigerator effect", some defects and errors can be tolerated.
For example, the emotional context of Mary Jane.
Will this affect the movie box office? Won't.
Will this limit the achievement of classics? meeting.
This is also the source of Kristen's doubts. Her question is not just when Mary Jane fell in love with Peter Parker, but more precisely, what role Mary Jane played in Peter Parker's transformation into Spider-Man. ?
In fact, Sam has been trying to write Mary Jane alive:
When Mary Jane fell in love with Peter Parker, but Peter Parker refused Mary Jane's confession, it was because Peter realized In the meaning of "the greater the ability, the greater the responsibility", he needs to shoulder this weight alone, otherwise Mary-Jane will only encounter misfortune like Uncle Ben. Rejection is not because she does not love, but precisely because she loves too deeply.
This arc will not only complete Peter Parker, but also allow Mary Jane to bear the same weight in the movie as Uncle Ben.
However, factors such as the lack of script and the length of the film limited Kristen's performance. In the end, Mary Jane was reduced to a vase, just like Harry Osborn and Peter Parker. Fighting toys are common.
For commercial films, this kind of situation is common; but Sam's original intention is to shoot a youth growth film, so this omission is undoubtedly a pity.
Now that Kristen is aware of this, whatever the reason may be, does this mean they have a chance to take the movie to the next level?
Thinking of this, Anson looked at Kristen again.
“So, what kind of girl do you think Mary Jane is?”
Kristen was very surprised. Anson didn’t answer her question but started another topic, but She didn't speak in a hurry.
Think for a moment.
“Glorious on the outside, lonely and helpless on the inside.”
In one sentence, Kristen accurately grasped the characteristics of Mary Jane.
Kristen looked at Anson again, and Anson nodded slightly in agreement, "Mary Jane's family is very bad. Not only is she lonely, but she is constantly hurting her. She is trying to escape. Her only idea is to run away as soon as possible. Get out of that hell."
"She is insecure, lonely, fragile, stubborn, and hides her inferiority."
Kristen interjected, "Inferiority?" Are you sure? Anson's eyes were firm, "Yes. Inferiority. She didn't think she deserved a better choice, and she didn't believe that anyone was willing to truly love her. So, she tried her best to catch anyone who was willing to get close to her, just like grabbing It’s like a life preserver, even if she has never liked him.”
“She is just asking for help.”
Kristen was lost in thought.
Anson continues.
"Actually, the same goes for Spider-Man, because he saves her again and again. Every girl has the same fantasy as Cinderella, expecting a prince to save her from fire and water. She has a crush on Spider-Man. A strange emotion. "
"Not necessarily love, but gratitude and joy for her savior prevailed, so she took the initiative to kiss Spider-Man."
So, they dedicated themselves. The upside-down kiss that has become a classic in film history.
Kristen felt the impact, and Anson put forward a very bold and novel point of view, "So she doesn't like Harry Osborn and she doesn't like Spider-Man?"
Anson Shrugging lightly, "Have you seen 'The Great Gatsby'? In fact, Mary Jane's heart is the same as Daisy's. Daisy never figured out what she wanted, she just chased it blindly, and then Being swallowed bit by bit by my own emptiness.”
Christen was stunned for a moment, and a smile crept onto her lips, "Are you comparing 'Spider-Man' to 'The Great Gatsby' now?"
Anson spread his hands, "That's not the point. They lie in our understanding of words, characters, and life. This is the job of an actor.”
Kristen was stunned.
Jack was also stunned.
In the coffee house, there was a faint buzz of people, and occasionally the sound of clinking porcelain could be heard. There were engines roaring coming and going in the outside world, but at this moment, the world of the three young people seemed particularly quiet. .
There was no exchange of glances or dialogue. They were just immersed in their own world. However, inspiration was flowing in the minds of the three young actors.
Then, Anson's voice vibrated gently in the warm and warm air.
“Mary Jane never noticed Peter Parker, even though they were neighbors, because she was always running away, she was trying to escape from her own life, that family, that neighborhood, which naturally included Peter, who was also her A part of life that longs to escape."
"Until one day she realizes that she can't escape."
"Maybe she can deceive others, but she can never deceive herself. Realize that maybe Peter Parker is the only exception."
"Because she can be herself in front of Peter without having to hide; also because Peter can 'see' her, not her appearance but her existence, her fears, her struggles, her fragility, her dreams, and because Peter is willing to take it seriously. Listening to her voice, she was real in that moment."
"More importantly, Peter represented her truth while also being able to understand her dreams, and Peter never tried to hold her back. "Leave."
"Perhaps, Mary-Jane herself didn't realize it, but standing in front of Peter, she said a few words at the beginning, but slowly became more and more, and getting closer to Peter felt like getting closer. Warmth, an instinct in the cold winter."
"Then there is a throbbing."
"For Mary Jane, this is the first time."< br>
The world is completely quiet.
(End of this chapter)