Chapter 289 It doesn’t have to be perfect
Sam withdrew his gaze and looked at Anson with a serious look on his face, “Beagle, remember to take a walk often.”
Anson:? ? ?
Kristen:? ? ?
The air was slightly quiet, and a row of crows flew overhead.
Anson, "Director, did you just make a joke?"
Sam's face was expressionless, as if "I don't understand what you are talking about". He did not respond to Anson and was minding his own business. Go on.
“The scene just now was not perfect, but I liked it very much.”
Sitting behind the monitor, Sam was able to control the overall situation. He clearly knew that there were a series of mistakes in this filming. , obviously not perfect.
For example, the details of the background sound.
Logically speaking, this is something that should be considered in advance before shooting; but occasionally, it is okay to adjust the details according to the conditions on the shooting scene.
Either way, this is what they need to deal with in the course of their work.
Anson stopped joking and raised his hands to admit his mistake, "I just kicked the leg of the chair."
Kristen's face was full of astonishment, "What? When did it happen and why? I didn't notice at all? Oh, so you fell down when I slapped you? Director, I'm sorry, I didn't realize that I was so hard in that scene, and the situation was out of control."
Sam. He showed a clear expression and raised the corners of his mouth in a relaxed manner, "No, you handled it very well. There was no cheating during the shooting."
"In fact, I like these unexpected situations on the set. I get rid of the constraints of the script and even the director. The actors inject energy into the characters and plot according to their own understanding. Only in this way can the movies produced be full of vitality."
"Those unexpected situations themselves are the actor's understanding of the plot."
The chatter box opened, and Sam also became eloquent.
“For example, in the scene where Peter accidentally hits the chair leg but pretends nothing happened, the performance and mood are combined, and the on-screen and off-screen are intertwined. Although it is an accident, this exactly reflects Peter’s My mood."
"Suddenly learning that Mary Jane fell in love with another person was absurd, shocking, shocking and disappointing. In an instant, there were thousands of thoughts in my mind."
"He used all his strength to control himself and avoid leaking any panic, lest he would expose his true feelings and be seen through by Mary Jane."
"So, that state was the icing on the cake and became a plus. "
Listen, Anson was a little confused, but it didn't matter. He just asked, "Director, you mean, when we shoot next, you want me to continue hitting the chair legs. "
Sam himself was stunned and subconsciously denied, "No, the effect of the accident is like a flash of inspiration, which flows naturally from the inside out of the character. At that moment, You really get into the character of Peter Parker, but if you realize that and deliberately arrange to hit the chair legs, the performance will not capture that subtle immersion.”
This is called Methodism. Acting.
Completely enter the role, the actor and the role are integrated into each other, and the lines, actions, and character edges are all blended into the blood. The performance is no longer just a performance, but a spontaneous action presented from the inside out. , the actor becomes the character itself.
Perhaps the movements, expressions, and states presented in each performance are different, but the essence is the same, and every move is reasonable and smooth.
Even words and deeds that are out of the script and off the set are still the eyes of the character.
In other words, the character has separated from the script and has its own vitality. It is no longer limited by those lines and has become a real existence.
For such actors, the same scene may have dozens of different performance presentation methods. Each time is different, but it can shine every time, truly dragging the character into reality; but it often also means entering into reality. The scene is so deep that it’s hard to distinguish between truth and fiction, and you can’t leave the character even after filming is over.
However, these theoretical knowledge are still too unfamiliar to Anson now. He is just trying to get started, and has some vague understanding and feelings——
But that's all.
In fact, in the scene just now, Anson completed a difficult performance. He became Peter Parker from the inside out. It was no longer just a performance, he was Peter Parker, standing there and not caring. What he says and does is all reasonable and are Peter Parker's true reactions and actions. However, Anson himself was a little confused and not sure how everything happened.
The same goes for Sam.
The words were said, but they were not thought through or organized, so that Sam was not sure what his central thought was:
Did he want this scene to happen, or not?
After a pause and putting it behind him for the time being, Sam looked at Kristen again, "There are tears in his eyes, it's the same situation."
Kristen was a little shy and reserved, and her eyes were full of tears. There were still tears that had not been completely wiped away, "I didn't expect it myself."
Sam nodded in agreement, "We are sure that Mary Jane felt Peter's sincerity at this moment and was moved, But we are not sure how moved Mary Jane is and how to express it, but obviously, your performance just gave the answer, and this is the performance we want.”
Kristen nodded gently, "Everything is very natural, it just happened."
As she spoke, residual tears fell down her cheeks.
Kristen quickly wiped her cheeks and couldn't help laughing, "God, I didn't expect this."
Taking the tissue from Anson, Kristen arranged it a little He looked at himself and said, "So, director, you want me to continue to be like this for the next filming, right?"
Sam, "Yes."
However, as soon as the words were spoken, Sam glanced at Anson, and then overturned his own point of view, "No, that's not right."
"We need to keep everything in a natural state and show our true feelings."
“In the scene just now, Mary-Jane’s mental journey is complicated and tortuous enough. If one detail is not handled properly, her image will become embarrassing.”
“If Mary-Jane hears Peter's confession brought tears to his eyes. Even if the audience sees a little bit of the performance, it will appear to be hypocritical. "
"No, the performance just now is already very good, there is no need to try again."< br>
In the second half, Sam is almost talking to himself, seeming to be in his own world.
Anson and Kristen exchanged glances, and finally Anson spoke, "So, director, we should follow the script, there is no need to add those surprises?"
There is no need to kick the chair legs, No need to burst into tears?
Sam was still immersed in his own thoughts and waved his hand casually, "Yes, that's good."
After saying that, Sam was stunned and suddenly had an idea.
Suddenly, Sam raised his head and looked over, "Wait, what is the purpose of my coming here?"
Anson blinked and hesitated slightly, "Tell us, although it is not perfect, this game is The scene is good, but in the next filming, those accidents will be unnecessary?”
Sam was stunned, “No, no, no, that’s not the case.”
That’s what he said. He denied it repeatedly, but his expression gradually became clearer, and the corners of his mouth also turned up, showing his good mood.
Then Sam smiled.
"I came here to say that you don't need to worry about those unexpected situations. Everything is fine. This scene is over."
What...what?
(End of this chapter)