Chapter 534 Subspace Entrance


Chapter 534 Subspace Entrance

There are many types of seals, but no matter what kind of seal, it is ultimately just a confrontation between spear and shield.

For example, there is a kind of magical contract in the multiverse world. The effectiveness of the contract is affected by the strength of the maker. The more powerful the maker, the less likely he is to break the contract he makes.

Among magic contracts, the strongest one is a divine power contract signed with the name of a god. Unless you have more power than the god responsible for witnessing it, it is almost impossible to break the contract.

In the same way, there is actually no superiority or inferiority between sealing and unsealing methods, it is just a simple contradiction and confrontation. The amount of divine power far exceeds the limit that the seal can withstand, so it can naturally be easily destroyed.

Li Chengqi pulled his hand out of the screen expressionlessly. Although Aldai and the others could not understand the international friendly gestures, at least this represented Li Chengqi's attitude.

I just don’t know if he should break the seal or express his feelings to Aldai...

I really want to join Aida Si’s WeChat group and post something like, “What should I do if the believers disobey? I’m waiting online in a hurry.”

Putting him aside for the moment, with the naked eye, there is no obvious difference between whether there is a seal or not. Anyway, in the eyes of Zola and Nemea, the stone is just a big stone, and there is no entrance or the like.

Aldai raised her staff towards the stone. I don't know what spell she used. The center of the ordinary big stone suddenly became 'blurred', with a fade-in and fade-out effect. Then an approximate shape appeared in the center of the stone. Standing outside the two-meter-wide square opening, you can vaguely see the broken stairs inside.

"Considering the level of the Mythical Age, the method of hiding the entrance is pretty good."

Leaving such a comment, Aldai rubbed the blue orb on the top of the staff to make it glow faintly.

"This is a subspace entrance. Follow me closely and don't get lost."

Usually when entering underground ruins, rogues are the first to search for traps or mechanisms.

But not this time.

The subspace entrance is essentially like a portal. On the surface, it looks like they walked into a hole in the stone, but in fact, the physical location is no longer where it was originally.

Usually the subspace entrance is connected to a demiplane, which is a plane that has not fully grown. It is hard to say its size and what it will encounter.

For example, the magic bag on Aldai's shoulder is itself a subspace entrance, and the storage space of the magic bag is a demiplane.

If you walk around here randomly, you may be transported into the void, so you must be careful.

Upon hearing this, Zola and Nemea quickly followed Aldai's footsteps. After the three of them entered the cave entrance, they didn't feel anything unusual at first, just like going down the stairs to the cellar.

But as you continue walking down, you will find that the surrounding darkness becomes blurry, and you can't even confirm whether the rock walls on both sides of your body are still there. It also feels like you are walking on a dark and deep seabed.

The blue phosphorescence of Aldai's staff is like a bubble. Once you leave this bubble, who knows what will happen.

The difference between the subspace entrance and ordinary teleportation is that this thing consumes very little energy. Once it is arranged, it can exist for tens of thousands of years. The process of passing through the subspace entrance is far less convenient than the teleportation gate.

The space here is chaotic, and even the concept of time is blurred. If you look down, you may see your steps going back step by step, but physically you feel like you are going down, which can easily make you dizzy. They didn’t know how long they had been moving forward, but both Zola and Neemia were a little unconscious. They just followed Aldai mechanically until they saw her suddenly stop, and the two almost collided with each other.

At this time, Aldai raised the staff, and the blue phosphorescence on the orb spread in all directions at a speed visible to the naked eye.

Zola and Nemea blinked. The darkness around them had disappeared, as if another layer had covered the darkness. What appeared in front of them now was a very large stone door with obvious traces of artificial repairs.

The door was large enough for a seven or eight-meter-tall giant to pass through. On the left and right sides stood a stone brazier that was as tall as a person. There was a green flame burning in the brazier, providing the most basic lighting.

The two door panels of the stone gate are respectively carved with skulls, swords and other patterns as decorations, but the most eye-catching ones are the two huge five-pointed star patterns.

There are three flame-shaped emblems in the five-pointed star. This seems to be some kind of symbol with special meaning, but for some reason, a sharp sword was pierced through the two patterns, leaving ugly scratches.

Aldai recognized at a glance that the five-pointed star emblem was the holy emblem of the previous generation of Demon King God, and splitting the holy emblem into two was a contempt and insult to the Demon King God. This was obviously established by those who resisted the previous generation of Demon King God. of remains.

The last time Aldai went to get the Demon King's Ring, although many traces left by the rebels were found in it, the ruins themselves were probably the temple of the previous generation of Demon King God, which was equivalent to being used as waste, which is why it was Inside you see a large number of golems loyal to the Demon King God.

And this time...

Just by looking at the emblem at the door, you can tell how unfriendly the builder of the ruins is to the Demon King. This may be a ruin built entirely to seal the Demon King's Ring, and the level of danger is completely different from last time.

The good news is that this huge stone door is open. Although it is not fully opened, it is at least enough for three people to enter.

The bad news is that from the crack of the slightly opened door, a very pungent stench came out, or to be more specific, the stench of a rotting corpse.

This time, Aldai could not be allowed to walk in the front. The three of them changed positions. Nemea was at the front, Aldai was in the middle, and Zola was at the back. They passed through the stone gate in a standard adventurer formation.

Behind the door is a wide and towering tunnel. From time to time, you can see several stone braziers burning with green flames to provide lighting. It is not a clear view, but the impact on the field of vision is not great.

The strong stench of corpses became clearer and clearer as the three entered the tunnel, and they got closer and closer to the source.

The tunnel turned a corner about fifty meters ahead. After the three of them carefully went around it, they finally saw the source of the corpse odor.

It was a hill made of human bodies, like a stinking Shaqima. Many people were left with incomplete bodies, and severed limbs and body fragments were scattered all over the ground.

Nemea is a typical new adventurer. He has never seen such a scene before. Goosebumps appeared on the back of his neck. He covered his mouth tightly. He didn't know if he was afraid of screaming or because he was afraid of inhaling the corpse. The stench causes illness.

Zora and Aldai were better off. They usually piled them together like this when collecting enemy corpses after a battle and burned them. However, the visual impact of suddenly seeing a hill of corpses was a bit big.

But what surprised Aldai most was that these corpses were all wearing gold and red robes, which looked like the kind worn by priests, and these corpses did not look like normal people.

Because if you look carefully, you will find that many parts of the body look like they are covered with mechanical structures, like prosthetics, or some kind of special creation...

(End of chapter)

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