Chapter 87 Summary at the end of Volume 1
The first volume of "Golden Week" almost ends here.
What a ghost!
It will be released at noon tomorrow, it’s exciting! !
Ahem, back to the topic, the first volume is indeed coming to an end, because it will automatically change the volume when it is released, so you can’t even think about it until it ends.
However, I think it is just right to change the volume at this time. It is a daily text in itself. Changing the volume is not changing the map or anything, so it will not affect subsequent reading.
The reason why it is called "Golden Week" is because the first volume mainly talks about some things that happened during Golden Week. Of course, it is not all covered, and there are still some foreshadowings that have not been revealed, but basically they have been taken back. .
So let’s review again and see what noteworthy things happened in the Golden Week incident.
First of all, Haruno took Mana on a trip at this time.
Combined with a certain conversation information disclosed in the article, it is not difficult to see here that both Haruno's family and Mana's family have actually known about the relationship between the two and expressed support for it.
If you don't support it, you won't let the two of them travel to Atami, right?
Secondly, during the Golden Week, Mana discovered Maki's autism because of the death of Mine Shiori's family. This section may seem a bit stiff and inexplicable.
But if you think about what happened at that time, you will find that it should be reasonable, right?
After all, Mana was focused on Haruno at that time. She wanted to be together all day long, and she had to keep talking on the phone at night. How could she notice Maki's change in mentality under such circumstances.
Of course, I found out after I was frightened by Mine Shiori's incident and felt the need to chat with my sister.
The rhythm of this plot is quite controversial. Many people think it is too blunt, saying that it should be written as the male protagonist being fucked by another woman.
Putting aside for the moment how far-fetched it would be to write it like this, what about the subsequent plot?
If Zhenna can really let other women fall in love with the male protagonist, can the male protagonist continue to have a relationship with her after knowing that she is only for her own pleasure?
Personally I don’t think so, and I don’t even know who the woman he fell in love with is.
Furthermore, the subsequent plot cannot be advanced well. Mana can let other women fall in love with the male protagonist at will. What about other female protagonists? What about other female protagonists who don’t have a ntr habit?
Do you really want to watch her let other people have sex with the male protagonist?
So, taking all things into consideration, this plot point is actually pretty good. Of course it is not at its best, but I think it is not terribly written. The current data is still improving, which also proves that I idea.
No matter how you look at it, this first volume is already a success. After all, Sanjiang has been included in it. If someone wants to say that Sanjiang is valuable and cannot prove itself even if it is included in it, then I have nothing to say. no.
In short, so far, I am very satisfied with what I have written. Although some plots may not be very good and there is not enough space to develop to the extreme, but the writing of people is really okay, right?
I think I am still very good at writing about people. The characters of the four female protagonists were established in the first volume (I know you want to complain about the male protagonists, but I really didn’t refer to them). What a thing!)
The second thing that is great is the various foreshadowings, because there is no unnecessary and useless plot in the first volume.
Everything that appears is useful and has a lot of foreshadowing.
Especially some chapters where you often enter the dark room, there are a lot of foreshadowings. If you don't believe it, go back and read it now, and you will understand that there are actually many inner activities that have already explained part of the truth of the Golden Week incident.
Of course, because I buried the foreshadowing so deeply, many people didn't notice it, but these foreshadowings are not the most important opportunity. Even if they are ignored, it will not affect reading.
At most, when you see a certain place that feels very familiar later, you will have a feeling of enlightenment.
In addition, almost all the foreshadowing has been withdrawn now, and only a few of the foreshadowings are related to the second and third volumes that will follow.
Therefore, I think the handling of the foreshadowing is still perfect.
Let’s talk about other plots. First of all, the most worth mentioning is of course the most lengthy one in the first volume and the most important soul figure in the book, the well-deserved female lead Maki Miyazawa.
Although many people say that they don't like Maki and think that Maki is willful and unreasonable, she obviously has a sister who cares about her so much but she still runs away from home.
But no matter what, the data behind the scenes will not lie. Maki Miyazawa is the one who receives the most support, the most rewards, the most hearts, and the most comments. This also makes me, who is the prototype of Maki Miyazawa, feel complicated. After Umino Ryoko, I have achieved such success by writing about myself again.
The beginning of this book is about Maki Miyazawa who is very rebellious and has a relationship with the male protagonist. Conducted in person.
At that time, Maki Miyazawa's mentality was actually no different from that of a child in the rebellious period. He was thinking about how to defeat his sister and how to seduce the male protagonist. However, he fell into it bit by bit in the process. The possible reasons for his fall. It's not very obvious.
However, every time Maki Miyazawa's psychological activities, he would repeatedly emphasize "just to win over my sister, not for other reasons."
The reason why she has such psychological activities is entirely because of her character, which is cold and arrogant, so she has actually fallen in love with the male protagonist unknowingly.
Although this part of the emotional transformation is very obscure, fortunately it is not completely absent. However, due to space issues, I cannot write this kind of thing in too detail.
Because everyone still likes to watch something exciting, I can only try to combine them, just like galgame.
Looking back at things like galgame, it's actually quite boring to play, but you can't say that the characters in it are uninteresting, right? So I think everything I've written so far has been pretty good.
Moreover, there is actually some inner transformation and growth about Maki Miyazawa. Although it may only be two or three thousand words, I still worked hard to maximize my level within these limited two or three thousand words.
It's the chapter where Maki Miyazawa shows off his true skills and goes out to work.
It's not that I can't put more thought into writing her growth and transformation process better.
It’s just that I’ve already suffered a lot. It’s hard to achieve results when writing these things. You have to combine everything. Some are exciting and some make people feel that the plot is good. Only by combining them can you find a new path.
Fortunately, it was quite successful.
After talking about Maki Miyazawa, let’s talk about Mine Shiori.
Mine Shiori's psychological problems were revealed very early, probably mainly because of the shadow left by the Golden Week incident.
But before she met the male protagonist again, she actually tried her best not to care about this matter, so this "blurred" matter will be hidden deeper and deeper in the later volumes. Only then can we get a complete solution.
As for Mine Shiori’s plot, although it was a bit bloody, I think it was also the best time for me to perform.
It is also a plot of only 2,000 words. I wrote out her twisted feelings. It can be said that I have brought my writing style and writing power to the extreme. Generally, if you want to create a very creepy plot, you have to Just spend a little more words.
In short, the section "The Dead Don't Laugh" is probably the section I am most satisfied with, whether it is Mine Shiori's statement of the past or other aspects of the description.
Personally, I think it’s very much like Mr. Fujimoto’s style, so I added an emoticon of dead Agni at the end.
As for Miyazawa Mana’s plot, oh, it seems to have been mentioned above, but I can’t say anything else, because Mana’s plot will actually be revealed in the subsequent chapters.
In the first volume, she is not the most important one, she is just a related character, the introduction that connects the whole story.
As for Esaki Suguha, there is not much to say. After all, there are too few plots about her, so what I say now will only give you a spoiler feeling.
All in all, the first volume is quite perfect.
All in all, just wait until noon the next day and start the second volume.
(End of chapter)