"Teacher Fang, what exactly is the 'beautiful and pure love novel' you are talking about?"
On the way back from Tofukuji Temple, Suzuki Yoko asked this question again and again.
“This is a secret that cannot be told.”
Fang Yan always showed a mysterious smile, then returned to the room and intensively wrote the outline of the novel.
Mimi Suzuki saw this and couldn't help but wonder, "Yoko, how was your day today?"
"Great!"
Yoko Suzuki sighed: "The red leaves after the snow really have a special flavor. Just like Teacher Fang said, 'The red leaves are especially enchanting'." He happily said, "Ocasan, if you have the chance, you You really should go take a look."
Mimi Suzuki glanced at the stairs, "Is it just the beautiful scenery? Is there anything else..."
"Yes!"< br>
Suzuki Yoko mentioned Yamashita Masanobu and Hashimoto Yui.
"How could the current social atmosphere become like this?"
As a conservative woman of the older generation during the Showa era, Suzuki Mimi was deeply shocked when she heard the saying "three wallets".
Suzuki Yoko sighed, "I can't figure it out. Is it the decline of morality or the distortion of human nature behind all this?"
"The young people of your generation are really not good at this. Do you know what is going on? The man is obsessed with speedsters and bosozoku, and the woman is shouting about feminism..."
Mimi Suzuki was helpless, "Yoko, don't you want to be like Yui?"
"How is that possible!"
Suzuki Yoko shook his head repeatedly, "Ocasan, I am the team leader of Feige's office in China, and I don't work in Japan. How can I have the opportunity to come into contact with those 'licking dogs'? ', Chinese men are not as promising as our Japanese men!"
"Licking dog? What kind of dog is this?"
Suzuki Meifei was confused by this unheard term. untie.
"This is a new vocabulary created by Teacher Fang. It is specially used to describe these 'errand men', 'payers' and 'tribute men'. I think the description is quite appropriate." Yoko Suzuki said seriously Explain the meaning of "licking the dog".
"Fang Yan is worthy of being a literary giant. He can create words so easily. 'Lick the dog', ha ha, it's so vivid and vivid."
Even though Suzuki Meimei covered her mouth, she still laughed. It penetrated through the gaps between the fingers and never stopped at all.
Suzuki Yoko said: "And Teacher Fang also drew inspiration from it."
"No wonder Mr. Fang Yan ran upstairs without even drinking water when he came back."
< br>The mother and daughter looked at the stairs leading to the second floor at the same time. It was quiet and quiet upstairs.
At this moment, the desk lamp shines on Fang Yan's face, and the pen in his hand keeps writing and drawing on the paper, making a "swish" sound.
What is written above is naturally not Jay Chou's "The Untold Secret", but "Love Letter", one of the originators of Japan's beautiful and pure love movies.
The content of the story is probably that on a snowy winter day, Watanabe Hiroko once again missed his deceased lover on the third anniversary of his ex-fiancé Fujii. While looking for old things, he accidentally found In a classmate book, I found the address of "Tiki Fujii" when he was studying in Otaru City.
So, as if expressing my feelings, I followed the address and sent a love letter I thought was sent to heaven.
But I never expected that I would receive a reply a few days later, and it was also signed by "Fujii Shu".
Out of curiosity, Watanabe Hiroko and Akiba Shigeru, who had a crush on her, acted as detectives and followed the clues to investigate. As a result, they surprisingly found that the letter writer was actually a female Fujii tree who had the same name as her fiancé. What's even more coincidental is that the female Fujii tree and her fiancé were once classmates.
The appearance of the female Fujii tree is almost exactly the same as that of Hiroko Watanabe, and the truth hidden behind it gradually emerges. In fact, the male Fujii liked the female Fujii who was in the same class as him, but this secret love was not confessed in the end and ended with the transfer of schools. Later, the male Fujii fell in love because Watanabe Hiroko looked exactly like the female Fujii. , began a new love.
From a God's perspective, the male Fujii tree is a bit scummy, and seems to regard Watanabe Hiroko as a substitute for the "female Fujii tree".
But overall, the whole story is an "unspeakable" youth crush.
Of course, the movie "Love Letter" has a lot of shadows from Haruki Murakami's "Norwegian Wood".
The first is the theme, which is all about "youth and pain", "love and life and death", "implication and material sorrow".
The second is the story. "Norwegian Wood" is the protagonist "Watanabe" who is hesitant, depressed and hesitant between the emotionally unstable Naoko who suffers from mental illness and the cheerful and lively Midori Kobayashi. "Love Letter" is about the love between a man and a woman, Itsuki Fujii and Hiroko Watanabe.
However, the concept and tone are completely different.
"Norwegian Wood" is negative and gray, while "Love Letter" is more optimistic, with a kind of peace of soul and detachment of love.
"Love Letter" does not follow the plot of "Norwegian Wood", but it refers to the relationship and destiny of the characters.
In "Norwegian Wood", Watanabe, Kizuki and Naoko are a trio of best friends. In "Love Letter", it is Watanabe Hiroko, Fujii Shu and Akiba Shigeru, Kizuki and Fujii Shu. They both died right after they came up, but the remaining two were heartbroken people wallowing in sorrow.
Dialect wrote on the paper the names of "Otoko Fujii", "Watanabe Hiroko", "Kobayashi Midoriko" and others.
The relationship between each pair is stated. After all, "Love Letter" does not completely copy the relationship between the characters in "Norwegian Wood".
Instead, they were broken up and reorganized. For example, the male Fujii tree is Kizuki, Akiha is Midoriko, and the female Fujii tree is Reiko...
Watanabe Hiroko is simply a combination of Naoko and Watanabe Noboru, so the female The protagonist's name is "Watanabe", which is also a kind of tribute.
“Bang, bang, bang.”
Fang Yan stopped writing, pressing his knuckles while staring at the outline of the story and the relationship between the characters that were almost complete.
Once "Love Letter" is published, it will become one of the originators of youth pure love literature in the Japanese literary world, not to mention the world, at least in the future.
After all, beauty, pure love, material sorrow, and mystery are simply not very suitable for the tastes of Japanese readers!
I am also planning to combine Kawabata Yasunari’s aesthetics of mourning and incorporate imagery elements such as white snow, cherry blossoms, and maple leaves into it.
It even includes three lines of love letters, just like the suicide note at the end of "Love at the Hawthorn Tree" which quotes "Once Upon a Time Slowly".
Fang Yan thought carefully about how to polish the love letters written by Hiroko Watanabe to the female Fujii tree and from the male Fujii tree to the female Fujii tree.
For example, "It's raining outside the classroom window. You didn't look at me, and I didn't look at the rain."
Another example is, "The wind is very gentle, the flowers are very romantic, you are very special, and I like it very much."
Thinking, thinking, a familiar melody could not help but sound in my mind:
"The little yellow flower of the story has been floating since the year of birth, and the swing of childhood has been drifting with memory. Until now..."
"The day I skipped school for you,
The day the flowers fell,
That room in the classroom,
Why can’t I see it,
The rainy day that disappeared,
I really want to get wet again,
Unexpectedly, I still have the courage I lost,
I really want to ask again,
Will you wait or leave...
Once upon a time, there was someone who loved you for a long time,
But unfortunately, the wind gradually blew away the distance. Far away,
Finally, I can love one more day!
But at the end of the story, you seemed to have said, goodbye. "(End of this chapter)