Chapter 1757 Gu Kaizhi
There are many picture albums at home, and there are also a lot of materials introducing the "Picture Scroll of the Fierce Women". Soon Zhou Zhi turned to it: "Here it is!"
On the "Picture Scroll of the Fierce Women" There are four people in total: Wang Zhu, Song Qing, Ye Longli, and Wang Duo In the postscript, Wang Zhu is a painter of the Xin'an School, who was also active in Jiangsu and Zhejiang. The content of his postscript is very important, because it mentions that "The Volume of Martyrs Tu Renzhi" has a total of fifteen sections, which should involve forty-nine people. , including twenty-four males, twenty-one females, and four boys. But due to historical reasons, there were only ten sections and twenty-eight characters left when it fell into his hands.
This is another very important clue, indicating that this scroll was divided into two parts before Wang Zhu collected it, that is, at least in the late Ming Dynasty.
One fell into the Wang family, and the other fell into the Wang family. The Wang family's painting soon passed through inheritance and flowed into the palace, becoming the famous "Scroll of the Martyr Woman", one of Gu Kaizhi's three works. .
The remaining painting did not receive much attention in the Wang family. It was probably because the Wang family had too many treasures, so Wang Shizhen and his disciples and nephews made a few random chapters.
After that, he flowed into the palace, but he didn't even write down the most ordinary secretary's file, and was almost treated as garbage. Then he wandered out of the palace again for unknown reasons, and went to Li Erkang, and finally came to Careful in hand.
The three of them looked at each other again. No matter how you analyze it from any angle, this fragment should be regarded as the same as the "Scroll of Martyrs and Benevolence and Wisdom" in the Forbidden City. However, the two paintings are stored in the palace. For hundreds of years, no one has linked them together!
If the earliest Wang Shizhen or Wang Zhu knew that the other party had a similar painting, or someone in the Qing palace later discovered it, the emperors of the Qing Dynasty would not have paid much attention to Gu Kaizhi's paintings. !
Gao Shiqi, the only one who knew that the two existed at the same time, did not disclose the secret for some unknown reason, and allowed the subsequent volume to be shelved!
"What do you think he was thinking at that time?" The fourth aunt looked at the ancient scrolls on the table and really couldn't understand Gao Shiqi's train of thought.
"I guess Wang Shizhen has not seen the previous volume and lost the reference, so he has some doubts about this painting." The fourth cousin thought for a while and made the best possible inference: "And his doubts , and it is very possible that Gao Shiqi’s judgment was misled. With Lao Gao’s temperament, he was a fake. Xi sent it to the palace, so it eventually became the collection of the inner palace. "
"But the people in the inner palace are not stupid. Lao Gao's writing is so ambiguous, and there are many prejudices from the previous generations of appraisers. In the past, people in the inner palace probably regarded it as a fake, so this painting was kept in the inner palace. No one paid attention to it, and it was quickly shelved. Not to mention the "Shiqu Baoji", even the internal files were too lazy to remember it, so there was a chance to leak it. "
"Let's study it further. " The fourth aunt said very cautiously: "Let's not jump to conclusions easily. Let's repair the painting first. "
"Well, fortunately, this painting still uses the Song Dynasty silk painting method. Only paste glue is used instead of alum, and the heart of the painting is better preserved." Zhou Zhi couldn't help but feel lucky: "Later The damage caused by poor storage during this period is relatively easy to repair.”
While the three of them were judging the authenticity of the paintings, they were also in the process of studying painting styles, themes, and diagnosing painting diseases. By now, they were inseparable from each other.
Gu Kaizhi's paintings capture eyes and expressions on a large scale, while the details are reflected in lines and rendering.
The lines are called "gossamer drawing" and the rendering is called "concave-convex method". One draws the outline, and the other creates a three-dimensional sense, making the characters on the scroll ready to appear.
Of course, there are many characteristics that belong solely to "Pictures of Martyred Women". For example, female characters often use "red eyebrows", which means using red to highlight their eyebrows.
This is Zhao Feiyan’s “new makeup”, which was brought into the painting by Gu Kaizhi. The second is that although there are many stories about the Spring and Autumn and Warring States periods, the characters in them are all from the Han Dynasty. Whether it is the chariots and horses, seats, screens, men's beams, crowns, long swords, women's hanging buns, and dark clothes, they are all from the Han Dynasty. This point is completely unified in the performance of front and rear rolls.
In fact, after comparing it to this point, we can basically conclude that the second volume of "The Legend of Martyrs and Wisdom" in Zhou Zhi's hands is the same Song Dynasty copy as the first volume.
Among the four stories in the scroll, except for the story of Zhao Jiangkuo’s mother, which is familiar to everyone, the rest must be known to those who are familiar with Spring and Autumn stories.
Lu Zang’s Grandmother recorded that the mother of Zang Wenzhong, a senior official in the State of Lu, analyzed the domestic and foreign political situation for him before going to Qi State and asked him to prevent crises. Later, when he encountered a crisis, Wen Zhong wrote back a secret letter, without any explanation. It was understandable that Wen Zhong's mother interpreted the content and said that her son had been under house arrest by Qi State and was preparing to send troops to attack Lu State. He needed to be prepared. In the end, Qi State saw that Lu State was well prepared and had no choice but to give up the war plan and send Zang Wenzhong away. Back to the story.
Lu Gongchengsi records that Lu Gongcheng Zipi’s sister cried very sadly when her clan members died. Zipi advised, "Don't cry, don't cry, I will marry you right away." When the mourning period was over, Zipi did not mention it again. Later, when Lord Lu wanted to take Zipi as his prime minister, Zipi asked his sister, "Can I do this?" Her sister said, "I can't do it. You didn't know the etiquette when you married before a funeral, and you didn't mention it later when it expired." , it’s not up to the standards of human affairs because you don’t marry me. I'm scolding you because you really don't practice etiquette internally and don't know how to deal with people externally. If you use this to build a country and dominate the public, you must not be the prime minister, but you must not be the prime minister." He became prime minister of Lu, but was executed within a year.
Wei Quwo is the mother of Wei Guo's official Ru'er. The State of Qin established Wei Gongzheng as the Crown Prince of Wei, and King Ai of Wei sent an envoy to accept the concubine for the Crown Prince. He found that the girl was very beautiful, so he wanted to take her in for himself. After hearing this, Fu came to advise her, saying that in the Warring States Period, the strong were the heroes and the righteous were outstanding. Now Wei cannot be strong, and the king has no righteousness. It is between Qin and Chu, and it will not be able to control the country. Only by adhering to the three major principles of the world, monarch and minister, father and son, and husband and wife, can there be hope.
The king of Wei also listened to the advice and accepted concubines for the prince. He also practiced diligently and worked hard for the country. At that time, Qi, Chu and Qin did not dare to launch a war against Wei.
Including the story of Zhao Kuo's mother, there are four women, four men talking to them, three maids, and five guards, a total of sixteen people in this scroll.
The missing five people, except for the story of Mikang's father and mother, are missing at all. The other two are the left half of "The Lady of Luqi" and the right half of "Mother of Jin and Fan".
< br>Zhou Zhi estimates that this part will never be found again.
Although the scroll is not 100% sure to be authentic, the three people in the room all understand its value.
The first picture is so surprising, and the remaining three pictures are even more exciting.
It is really extraordinary that the scroll can be carried in the same luggage as twelve Ming and Qing cups.
The remaining three scrolls are opened, and each one is more magical than the last. Although the scroll surface is seriously dirty, the contents can still be distinguished.
They are "Seven Sages in the Bamboo Grove" by Lu Tanwei, "Statue of Ruyilun Bodhisattva" by Cao Buxing, and "Han Wu Shooting Jiao" by Zhang Sengyao!
"Are you crazy?!" Even the fourth cousin was shocked: "This is a series! The fourth son of Tang Dynasty!"