Chapter 247 Resources
Ning Weimin is definitely the first person to discover the essence of foreigners, which is a large mobile wallet.
How could he have made a fortune so early if he hadn't relied on selling foreign exchange coupons and working for foreigners?
So how can he, who has really tasted the benefits of "introducing foreign investment", be willing to watch the "crooked nut" money wander around the land of the Republic, and end up going back and forth wherever he goes? ?
This is simply a shame for a businessman!
As the saying goes, a scholar can be killed but not humiliated!
In this era when our country is most short of foreign exchange, he will still be worried about the lack of money.
Then you must find a way to retain these foreign exchanges and put them into your own pockets, so that you can be worthy of the country and yourself.
As for how to develop tourism products that "pink faces" can't put down, it is not difficult for Ning Weimin.
Even if he is modest, he can say that he is 80% sure.
This is not bragging, nor is it blind confidence. Who told him that he was a stamp loser in his previous life?
Don’t forget, when stamp cards developed in the late 1990s, they began to become gift-based.
It has even gradually become a unique cultural gift category.
There are countless types of annual albums, collection albums, and commemorative albums.
To make these things, of course, you need to cooperate with gift manufacturers.
So after being in this industry for a long time and dealing with these people every day, Ning Weimin can be considered a semi-expert.
As the saying goes, "If you have read three hundred Tang poems by heart, you can recite them even if you don't know how to compose them."
Since he has seen too many cultural and creative products of all kinds, he must have a certain horizon.
Even his own company’s business website is a stamp, coin, card and cultural gift company.
While doing the stamp and coin card business, we also help long-term cooperative manufacturers to undertake some gift production business.
Therefore, if it really works, it will not be difficult for him to use the resources around him and his own advantages to participate in the tourism commodity market in a way that is most in line with his own interests and most practical.
For example, he first set his sights on teachers and students from two art academies who had participated in sculpture art exhibitions.
Because it is obvious that these people are the leading sculpting talents in our country.
Thirty years later, I am afraid that each of them will be a master figure who has undertaken tens of millions of jobs and made sculptures for urban construction, hotels, and museums.
How can the artistic level and ingenuity of the things made by them be comparable to those made by ordinary craftsmen?
With such a good resource, wouldn’t it be a pity not to make more use of it?
Therefore, as early as when the first sculpture art exhibition was successfully held, Ning Weimin laid the groundwork for his plan in advance.
He took advantage of the bonus opportunity and made a public invitation to the teachers and students of the two art academies.
“Since everyone is satisfied with this Sculpture Art Exhibition, I hereby guarantee that the Sculpture Art Exhibition will still be held this year, and it may become an exhibition that all art academies across the country can participate in. At the same time, In order to further promote and support the development of sculpture art, our Zhai Palace Exhibition Hall is also willing to become a medium for teachers and students to help everyone introduce their works to the society.”
What does this mean?
To put it bluntly, Ning Weimin's intention was to let the teachers and students of the sculpture departments of the two universities produce some unique and decorative sculptures and bring them to the Zhai Palace Exhibition Hall for consignment.
Whether it is the subject matter, materials, or the base price, teachers and students can customize it.
He guaranteed that the Zhai Palace Exhibition Hall would only sell high and not low.
Once the work is sold, the museum will only charge 20% of the consignment fee, and the rest will go to the artist himself.
Needless to say, the teachers and students of the two art academies were naturally surprised and moved.
They all understood Ning Weimin's suggestion positively.
Everyone thinks that their works have an additional channel for display and a possibility of monetization.
No doubt at all. Who would have thought that the things they sent here didn't even cost anything.
Essentially, it was used for nothing by Ning Weimin for window dressing, or even for decoration of the exhibition hall.
It's completely voluntary labor, and I won't lose even a single cent.
However, this is only the beginning.
Because when Ning Weimin got the funds, he became more confident.
Next, he simply found teachers from two colleges and ten students who won awards at the first art exhibition, and directly came up with a topic to customize the work.
Ning Weimin’s request was simple. He wanted a batch of wood and stone carvings that were both practical and beautiful, and could be copied and produced.
For example, flower pots, vases, flower baskets, fruit baskets, fruit plates, tea trays, ashtrays, piggy banks, pen holders, pencil boxes, tissue boxes, snack boxes, peel trays, these can all be...
Theme There are no restrictions as above, teachers and students are allowed to do whatever they want.
As for the remuneration, the teacher is fifty yuan per piece of work, and the student is thirty-five yuan.
Anyone with a discerning eye should have noticed that Ning Weimin is really holding his shit back.
This is a design that clearly intends to spend a small amount of money to buy out others.
And the most grandiose thing is that he spent Pierre Carton’s money.
The cost and risk of co-authorship are borne by the company, and the resulting profits are his own.
But the problem is, this guy is so smart because he has a high-sounding reason.
It can be said that he needs to create an image for the company and make necessary investment in cultural and artistic exchanges.
In this way, no one can grasp his painful feet and tell him what he is doing.
What's more, to the teachers and students of the Academy of Fine Arts, Ning Weimin's request made him even more of a good person.
They really thought that Ning Weimin was trying his best to take care of them.
Because this is a guaranteed income, almost half a month’s salary.
Not to mention that Ning Weimin paid first and asked for things later.
This also shows full respect and trust for their creative standards and abilities.
Coupled with the harsh environment, the teachers and students themselves were depressed.
Even if money is not involved, they themselves have a strong need to create.
Aren’t you going to participate in the sculpture art exhibition held by others this year?
No matter how you look at this matter, the invited teachers and students must try their best to do it well.
So, things in this world are still so weird.
Ning Weimin, a person with a sin of exploitation deep in his heart, completely put morality on both sides and profit in the middle.
But the more sinister he is, the more popular he is, and the more he is welcomed and appreciated by people.
Even those students who do not have this opportunity actually regard accepting exploitation as a recognition of ability.
On the contrary, he was unconvinced and dissatisfied.
Some people spontaneously started creative creation based on Ning Weimin’s topic.
This is holding your breath to produce good works and compete with those winners.
This made Ning Weimin a little unbearable.
He said in his heart, well, if I weren't me, I would have strangled me to death.
(End of this chapter)